An unpleasant sound collage. 

I filled a patch bank with public domain audio clips tagged as "Horror" that I liked and tried to be as irritating as possible.

Evil Lives Here

This is my audio response to the director of the film "Spring Breakers". This was my inspirational takeaway from his own terrifying art. 

I'm using the same technique to stutter the track as She's Angry and this track is basically my "silly" version of the same piece using similar manipulations.

Spring break. Spring break. Spring break forever.

Spring Break Forever (Death to Kids Mix)

A self-portrait, in effect.

The timeline playback is being stuttered from my sampler's "Sample Loop Edit" function that's normally used for stuff like truncating a sample. I trigger the sample once and the rest of the playback is manipulated by hand with a jog wheel. The sample I used is around 30 seconds long.


She's Angry

Just garbaging around with my hardware, memorizing a patch and comparing filter to stompbox to clean to both.

First Industrial Waste

Homage.

I felt like I was ripping my mentor off so hard with this one I ought to just name it after something he created.

Bax Wax

Very Relaxing

Experiment.

I keep trying and I can't for the life of me remember what combination of equipment I used in what configuration. Some combo of 2-4 out of the 6 machines I have.

Kzkimodality

Receiving transmissions from between space and outside time, luminous spectreal emanations refracted and focused into vibration. Their messages do not appear optimistic.

Experimental, process-oriented, noise that may occasionally stray into the territory of what is called music. I use 5 pieces of random hardware I've been given over the years (and sometimes a cheap bass guitar) and limit software to recording live manipulations of the machines in real-time with minimal looping. The two things I adjust in software are the start/end points and volume where too loud/quiet (and only sometimes...).

Embrid Freign

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