Name: Min We Tun So - Orchestre Poly Rythmo de Cotonou by Emergency Broadcast Songs
Duration: 4 min 48 s
Description: One of the most beautiful, moving songs I've ever heard. It's like that scene in Shawshank redemption, I don't know what they're singing about, but "I'd like to think they were singing about something so beautiful, it can't be expressed."

this is amazing! The bass and drum sounds unbelievable on this track.

One of the most beautiful, moving songs I've ever heard. It's like that scene in Shawshank redemption, I don't know what they're singing about, but "I'd like to think they were singing about something so beautiful, it can't be expressed."

Min We Tun So - Orchestre Poly Rythmo de Cotonou

Download

Chimpanzee - Let Love Flow On

Buy on iTunes

Lindstrøm - Fast & Delirious

It’s some four years since the release of Bison’s acclaimed debut single, “Way To LA”, the result of a series of productive
studio sessions between Paul ‘Mudd’ Murphy, longtime collaborator Ben Smith, krautrock legend Holgar Czukay and
vocalist Ursula Major. Since then, Murphy and Smith have made a number of return trips to Can’s Innerspace Studio in
Cologne, where Czukay famously conjures his out-there musical magic.

The result is ‘Travellers’, the quartet’s long-promised debut album. It is, by anyone’s standards, a deliciously dubby and
intergalactic concoction; a fearlessly atmospheric blend of krautrock and dub disco-inspired grooves, delay-laden horns,
quirky percussion, stargazing electronics and eyes-wide-shut vocals. The dub influence is particularly notable given
Bison’s love of “versioning” tracks. Three of the tracks - “Way To LA”, “New Moon Boy”, and “Familiar Stranger” (the
latter two mixed by Conrad Idjut, who also turns the album’s title track into a clandestine, French-horn-laden late night
masterpiece) - appear in “Day” and “Night” versions. Meanwhile, previous single “Mandy” - a murky spaced-out stroll
though the collective Bison hivemind - is also included in two forms, with the Balearic stoner rock of the “Power Boy Mix”
offering a sun-kissed (but still deliciously atmospheric) reinterpretation.

Highlights are naturally plentiful, with Ursula Major’s half-spoken, half-whispered vocals wrapping themselves around
spacious rhythms, shuffling drums, twinkling, effects-laden guitars and low-slung basslines. ‘Travellers’ is an album rich
on other-worldly intent, sparse grooves and thick, enveloping production. It’s exactly the sort of album you’d expect from
musicians and producers of this calibre. We may have been waiting a while, but Bison have definitely delivered.

1. Way To LA (Day)
2. Way To LA (Night)
3. Mandy
4. Mandy (Power Boy Mix)
5. Familiar Stranger (Day)
6. Familiar Stranger (Night)
7. New Moon Boy (Day)
8. New Moon Boy (Night)
9. Travelers

Vinyl gatefold released September 1
Digital released September 8
C56LP007 © Claremont 56 2014
www.claremont56.com

Travellers

Santa Maria

Boolimix & Philibert - Love and Dream

doctors office (voice memo)

Buck Ramble at the Picture Show is not just a soundtrack — it is a séance.
A record made of celluloid ghosts, dusty marquees, missing reels, and outlaw sincerity, assembled from the fragments of Ramble’s strangest cinematic years.

Recorded during the decade when the studios didn’t know what to do with him — when he was too serious for comedies, too haunted for hero roles, and too poetic for drive-in westerns — these tracks capture the moment where the legend broke away from the films and became something larger.

Each song on this album was originally written for a different Buck Ramble picture:

some released in compromised form,

some recut for television,

some never screened outside of a single town’s closing night,

and at least one (Hell at High Noon) that survives only as a burned-through print in a county archive.

The music is larger than the movies that held it.
Where the budget ran out, the voice kept going.

This album collects those performances as they were meant to be heard — stripped of studio edits, laugh tracks, narration overdubs, and all the compromises that once buried them. What remains is the sound of a man acting with absolute seriousness inside films that were often collapsing around him, singing to audiences that may never have existed… and meaning every word.

In these songs, we hear:

the romantic outlaw who stole trains just to make love last,

the weary investigator who hunted sins older than the badge itself,

the villain who watched the canyon burn and called it beautiful,

the sheriff in moccasins who treated a comedy like it was scripture.

If the movies couldn’t contain Buck Ramble, the songs did.

Buck Ramble at the Picture Show plays like a lost theater rediscovered in the woods —
one final reel still spinning in the dark,
projecting a man who never stopped believing
that every story — even the broken ones —
deserves a song worth dying for.

My Horse Won’t Listen and Neither Will She

Trio T - Oxalá (NI edit)

Buy: lengrecords.bandcamp.com/album/rivea-corymbosa

Take a trawl through Mushrooms Projects’ ample back catalogue, and you’ll immediately be struck by their constant artistic progression. Throughout their career, Giorgio Giri and Marco Lentano have refused to stand still, with each successive release offering a subtle signs of musical evolution.

They’re at it again on Rivea Corymbosa, a sophomore set that’s markedly different – albeit similarly minded – to their 2013 debut album, Undergrass. That album bristled with psychedelic intent, offering fuzzy, thickset fusions of dub-disco grooves, gritty funk-rock guitar licks and acid-fried musical flourishes. It was in marked contrast to their early 12” singles, which offered a nu-disco-era take on the pioneering Cosmic Disco sound developed in the late ‘70s and early ‘80s by fellow Italians Daniele Baldelli and Beppe Loda.

With Rivea Corymbosa, the Parma-based production duo has moved on once more. For starters, it’s far breezier and more positive in feel than many of their previous releases. The claustrophobic atmosphere and drowsy textures, so noticeable on Undergrass, have been replaced by the kind of lazy, sun-kissed vibe that evokes thoughts of Adriatic sunsets and afternoons spent by the pool on the Italian Riviera.

Even more startling is the duo’s expanded musical repertoire. The album features a much wider array of elements, from the title track’s darting Rhodes keys, vintage synth solos and wah-wah guitar flashes, to the humid pedal steel lines of “Baiano”, and the husky spoken vocals and spooky flute solos of the sparse, bongo-laden “Pulsacao”. They’re not afraid to utilize their own field recordings, either, as the children’s chatter underpinning recent single “Dirty Bolas” perfectly proves.

Throughout, the percussion feels loose and organic, the guitars casual but funky, the keys sumptuous and sensual, and the bass lines warm, rich and intoxicating. It’s the sound of two confident musicians, comfortable in their art, making music to soothe minds and gently tease punters towards the dancefloor.

Mushrooms Project - Rivea Corymbosa - Rivea Corymbosa LP - Leng Records

buy here:

https://rarewirirecords.bandcamp.com/album/10-years-of-rare-wiri-originals-remixes-edition

05. Rayko feat. Landerground - Secret Patch (James Rod Slow Cosmic Rmx)

"I was walking down the street with my friend and he said, "I hear music", as if there is any other way you can take it in. You're not special, that's how I receive it too. I tried to taste it but it did not work."- Mitch Hedberg"  ~~ Take in quality tunes @ http://www.ebs.fm. ~~

Min We Tun So - Orchestre Poly Rythmo de Cotonou

Emergency Broadcast Songs

Recent comments

renzo

ThisMomentAgainAndAgain

Related tracks