Repost Exchange Tracks

Remixed by my good friend Kris Bolin of The Bawl Slant.  Check him/them out, great stuff!
https://soundcloud.com/bawl-slant?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Laminar Flow (KB Mix)

Laminar Flow KB

00:00:00 Polzn Bladz - Caller Response (Extended Mix)
00:04:34 Calvin O'Commor - Can We Go Back (Extended Mix)
00:10:03 Kwone - Adagio (Extended Mix)
00:12:36 Noah Seven - Make You Smile (Extended Mix)
00:15:16 Nitesonik - Invictus (Extended Mix)
00:19:09 Dankann - Chasing Rainbows (Harshil Kamdar Extended Remix feat. Sarah Jane Neild)
00:23:29 The Conductor & The Cowboy - Feeling This Way (Brent Rix Extended Remix)
00:29:32 Public Domain - Amsterdam (Metta & Glyde Remix)
00:34:49 Ryoji Takahashi - Memories In The Sand (Nhato Remix)
00:37:57 Deejay Tao - Solar Symphony
00:42:04 Sean Mathews - Outlander (Extended Mix)
00:48:28 Röyksopp - What Else Is There (Steve Dekay Bootleg Remix)
00:51:50 Armin van Buuren - Computers Take over the World (Extended Mix)

I Love Trance Vol.4 (Emotion Pure / mixed by ToshiMin@tor)

wheres yo head at ( barts. remix )

Mainline - Narcotic (Milko Mancuso Remix)

From our recently released album now available on viny! Please go to https://pashang.bandcamp.com/album/night-of-the-invasion-of-the-nazi-marsupial-werewolves-from-outer-space

Pashang  爬上 and Stranded Alien -  Fire Road 13

Orientalischer Arabisch angehauchter acidarabhouse

DA JOKA  _ Sonidos Tranquillos de Oriente (@jokarei)

Broken Places.  Pale1 "Freestyle"

Freestyle, dedicated to my new friend, DJ Skot Kees, not my beat though.

DJ SKOT KEES Pale1 "Freestyle"

“Tone Up the Message When the Spotlight Gets Too High”
by Tikkek

Tikkek’s “Tone Up the Message When the Spotlight Gets Too High” is a defiant, genre-warping anthem about being seen for everything but your truth. Drawing from funk, gospel, electronic and dub elements, the track explores what it means to fight for your message in a world that fixates on how you look, where you're from, and how well you fit the narrative.

At its heart, the song is a sharp response to the pressure many people face when their identity—racial, ethnic, cultural—becomes a spectacle, a “diversity point,” or a label long before their actual voice is heard. Tikkek, the musical alter ego of a Maltese-Australian producer and multi-instrumentalist, wrote this track as a reclamation of narrative and tone: not toning down to be palatable—but toning up to be undeniable.

“The higher the spotlight shines,” says Tikkek, “the more distorted things can get. You start to feel like an exhibit instead of a person. So I made this track about turning that energy into fuel. If they’re going to watch, I’ll give them something real to hear.”

Musically, it’s layered and unpredictable—moody synths, distorted horns, looped bass, and fragments of gospel harmony float above a shifting rhythm. Just when it settles, it mutates. Tikkek intentionally resists being pigeonholed. That’s the point.

Lyrically, the track delivers poetic punches:

“They see the headline, not the handwriting / The pigment, not the paragraph.”
The message is unmistakable: people are more than how they’re perceived. And when the world gets louder in its assumptions, the response is not to shrink—but to amplify the truth.

With its cheeky yet serious tone (and a title that flips the old “tone it down” cliché on its head), the song acts as both personal manifesto and universal invitation: say what you came to say, even when the room wants to talk over you.

Key Themes:

Navigating visibility vs. representation
Identity beyond performance
Reclaiming narrative from cultural stereotyping
Speaking louder when asked to be quieter

Quote from Tikkek:

“Someone once told me they loved how ‘multicultural’ my music sounded. Like I was a playlist, not a person. I made this track as a reminder—to them and to myself—that the story behind the sound matters more than the surface.”

For fans of:
Moby, Saul Williams, Massive Attack, Moses Sumney, Prince, FKA twigs

“Tone Up the Message When the Spotlight Gets Too High” is more than a track. It’s an act of sonic self-respect. A stand against being flattened into categories. A groove with something to say. Loudly.

Tone Up the Message When the Spotlight Gets Too High

The Time Is Now

Free Download

The Time Is Now (Griffon Remix)

Out Now on Spotify: https://open.spotify.com/track/0PnLRbc79RpiwfITauNHLs

Tá Solto

I Like the Fizz

The Covenant

Longnose in Space

[歌詞]
夜に溶けてく neon sign  
breathing slow in the Tokyo sky  
少し滲んだ city line  
don’t ask me why, I can’t deny  

見上げたら floating lights  
I whisper to myself inside  
I’m chasing something undefined  
でもまだ見えない future line  

Take me higher, I’m alive  
瞬きの中 dive  
混ざる English と sigh  
描く rhythm, don’t let it die  

街の noise が still in my head  
mirror ball みたいに fade  
君の声を trace して  
unfold the scene, replay the days  

雨の跡が光る street  
dancing shadows on my feet  
秘密みたいな melody  
wrap me up, set me free  

心の奥 deep inside  
still waiting for a sign  
未来は static, but I try  
to rewrite my lullaby  

Take me higher, I’m alive  
瞬きの中 dive  
混ざる English と sigh  
描く rhythm, don’t let it die  

now I’m drifting through my mind  
half in English, half in time  

(hey, hey)  
fall into the skyline  
(yeah, yeah)  
don’t rewind the timeline  

You and I  
消えそうな light  
hold on tight  
don’t say goodbye  

Take me higher, I’m alive  
瞬きの中 dive  
混ざる English と sigh  
描く rhythm, don’t let it die  

静かな夜に溶けて  
don’t fade away, just stay this way  
音の中で dream again

Blur City

Shoegaze, indie, post rock and electronica from Manchester, UK
tomleonard_uk@protonmail.com

I Like the Fizz

Emerson Dameron

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