Fourganic

Fractus IV is a quadraphonic, interactive composition for trombone and SuperCollider, commissioned by ASCAP/SEAMUS in early 2012.

Steve Parker, trombone

Fractus IV for Trombone and SuperCollider

Motion data from four Wiimotes are converted to OSC messages and control sound events in SuperCollider. This is an abbreviated version of a longer collaborative multimedia piece.

SuperCollider & 4 Wiimotes

Displacement (2009) is a study of digital artifacts. Through spectral analysis and manipulation of a small number of analog sources, these artifacts are removed from their original context and treated as raw compositional material. The piece highlights and explores the multitude of otherwise inaudible sounds that constitute a complete sound spectrum.

Displacement

Colliders (2013) is an interactive work for laptop computer and MIDI controller, with audio output designed for any number of circularly-configured loudspeakers. Colliders began as a musical component of a multimedia collaboration, but was later excerpted and modified to be performable as a standalone interactive musical composition.

Colliders

Singularity is inspired by the idea of a technological singularity, a theorized point in time at which human-created technology becomes capable of creating technology superior to itself. The piece outlines a narrative of interaction between organic life, represented by the acoustic instruments, and non-organic life, represented by the electronic sound.

Singularity was the sole recipient of the 2014 James E. Croft Grant for Young and Emerging Wind Band Composers, issued by the Atlantic Coast Conference Band Directors' Association (ACCBDA).

Recorded by The University of Texas Wind Ensemble, conducted by Scott Hanna, October 14, 2016.

Singularity

Fractus I (2010)
for Trumpet and SuperCollider
Eli Fieldsteel, composer
Jared Broussard, trumpet
Composed at the University of North Texas, recorded and produced at the University of Texas at Austin

Fractus I

Chandelie(a)r is an exploration of glass and glass-like sounds, relying primarily on FFT synthesis in the development of musical material.

Chandelie(a)r

Fantasy for Wind Symphony

Romanza

At The Speed Of Sound

performed by Timothy Hagen at the University of Texas on April 3rd, 2013

Fractus III: Aerophoneme (DMA Recital)

Room walkabout at the live coding jam, SuperCollider 2013 Symposium at CU-Boulder

emf0

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