It no longer seems relevant to ask how the continuous waveform becomes a discrete sequence of samples. 

It's more about examining the ways in which the material conditions of media become digital, and even more importantly, how the digital conditions of software engineering become material. 

Constant exchange between these perpetually reconfigured domains suggests anything but similarity, even though structurally these domains can sustain isomorphic relations. 

To that extent, through these transformations, the categories of sensibility seem to fuse to a point where we can legitimately ask: How to render the phonon visible, or the pixel audible? (While remaining critical of sonification...)

Through contact microphone recordings, granular synthesis techniques and pixel translations, ‘to render audible’ is an acousmatic rendering of one of the presented panels.

Exhibited at BLOCKS, Nicosia, 2014 - based on this work by ARCH-T: http://www.arch-t.com/projects---sno-w-all.html

to render audible

Modular synth & max/msp hybrid.

Live recording from a/v performance at liebig12, berlin, curated by Sam Hertz as part of Transmediale's Vorspiel. 2017

documentation: https://vimeo.com/204228189

gesture matters, liebig12, berlin

spectral tinting

Opening set for bohemian drips release of Ivan Paz's record, Visions of Space.

208hp modular synth, piezo, ebow & strings.

Recorded live at Schrippe Hawaii, Berlin 2017.

to excite, live at schrippe hawaii, berlin

One take Serge system sequence. 
Recorded during residency at EMS Stockholm, 2017. 
Mixed in Notam, Oslo.

five-step

first ever encounter with a Buchla system, quickly deviating into a techno hook.

Recorded live at the EMS, Stockholm, June 2017.

Placeholder For Some Future Techno Banger

material composition

Stereo rendering from live quad performance at the Old Church, in Stoke Newington (London) in support of Pataphysical's release on 12th Isle. 
May 29, 2019

Image and sample source (on min: 27) © DyingLlama
from: https://www.youtube.com/watch?v=pJw9orNUcpA
Probably the most free I'd ever feel in London.

as free(london 2010-2016)

pierce

WORKWORKWORK in collaboration with Steffi Faircloth.

Part of Data Saturated project, initiated by Leontios Toumpouris

https://www.data-saturated.com/emiddiovasquez

000WORKWORKWORK

@moneda5 founder

ghost-producing for
@oswaldo-iii  
@joralsky 
@omedo
etcc

Emiddio Vasquez

Popular tracks