master class-sp

Chantae Cann Feat Snarky Puppy

The new album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: http://www.erasedtapes.com/store/index/ERATP055
US order link: http://www.midheaven.com/item/spaces-by-frahm-nils-cd

9/10 Drowned In Sound · 9/10 Clash · 4.5/5 Fact · 4.5/5 Resident Advisor · 9/10 Popmatters · 9/10 The Line Of Best Fit · 8.5/10 Under The Radar · 8/10 Exclaim! ★★★★1/2 Music Omh · ★★★★ The Irish Times · ★★★★ Arts Desk

‘Frahm truly excels’ 9/10 Uncut 
‘Frahm works his magic’ ★★★★ Mojo
‘The infinite elasticity of sound’ 7.8 Pitchfork 
‘Improvisatory, wild, heartfelt’ Interview Magazine
‘A fantastic record’ The Guardian Album of the Week 
‘Frahm creates something mesmerising’ ★★★★ The Observer
‘My favourite new piece of music this year’ Mary Anne Hobbs, BBC 6 Music

erasedtapes.com · nilsfrahm.com

Spaces

Says

Buy 2xLP/CD/DL

Nils Frahm - Says

from 'The Unified Field' [CD|2xLP|DIGITAL]
Denovali Records · den182
available in October on all formats at [http://denovali.com/pianointerrupted]

Piano Interrupted is the brainchild of London-based pianist and composer Tom Hodge and French electronic producer Franz Kirmann. Coming from two very different musical worlds (electronica, pop and techno for Franz; classical and minimalism for Tom), the two musicians had been friends for a long time before deciding to make music together.

The Unified Field is Piano Interrupted's 2nd album.

It was recorded in London in the first half of 2013 and features 10 brand new compositions. Kirmann and Hodge began the recording process on Tom's childhood piano, a Pleyel baby grand complete with its own peculiar characteristics and quirky charm. Recordings of Greg Hall's cello followed, as well as the new addition of Tim Fairhall on double bass.

The title of the album comes from David Lynch's book Catching The Big Fish. In the context of his film-making, Lynch explains that if such a field exists then everything within it interconnects in one way or another, so that scenes and elements that may initially seem disconnected from each other emotionally or in terms of meaning, would in fact eventually make sense. This idea seemed particularly fitting in a musical context also, as it neatly captures Piano Interrupted's core music-making methodology; namely to draw upon multiple, varied styles and influences and bring them into one coherent unifying whole.

The Unified Field exhibits many classic Piano Interrupted's traits and tropes, but whereas their debut album Two By Four was all about discovery, the new album is about the deepening musical relationship between Kirmann and Hodge through their continuous exchange of ideas. If Two by Four was an amalgamation album borne of three EPs, then The Unified Field is a much more focused and concise snapshot of Piano Interrupted's approach.

The new album simultaneously refers back to the intense intricacy of early EPs whilst building on developments from Piano Interrupted's live explorations and improvisations as well as the extended recording techniques and filmic sound of the Papa Hedi EP. Dense arrangements of fragile piano, colourful cinematic soundscapes, organic rhythmic textures and rich, warm strings provoke a diverse range of emotions. The Unified Field is both a seductive, one-time listening experience and a record to return to again and again to reveal its intricate secrets and subtleties.

The Unified Field

Piano Interrupted - Cross Hands

Order the digital from iTunes now : http://smarturl.it/howilivenow
Order the CD here : http://tinyurl.com/How-I-Live-Now 

Jon Hopkins - How I Live Now (excerpts)

from 'The Unified Field' [CD|LP|DIGITAL]
Denovali Records · den182
available on all formats at [http://denovali.com/pianointerrupted]

Buy @ Denovali

Piano Interrupted - Emoticon

from 'Skeylja' [CD|LP|DIGITAL]
Denovali Records · den184
available on all formats at [http://denovali.com/thealvaretensemble]

--- "Skeylja" An invented word combining the Frisian word for Terschelling, "Skylge", and the Icelandic word for island, "Eyjan" ---

Skeylja is an international multimedia project, based around the ideas of improvisational music and the coming together of musicians from different countries and musical backgrounds to create a spontaneous sonic landscape. The project started when The Alvaret Ensemble (Greg Haines, Jan & Romke Kleefstra, and Sytze Pruiksma), who you may know from their eponymous debut on Denovali in 2012, travelled to Iceland to try to find a shared music language with the Icelandic musicians Ingi Garðar Erlendsson, Kira Kira, Borgar Magnason and Eiríkur Orri Ólafsson . They were joined by the 33 1/3 Collective, a group of visual artists from the Netherlands, who began to collect footage that would later be used as source material for the visual side of the performance.

Some months later, after a successful week of traveling to beautiful locations and playing music together, the group met again, this time during the Oerol festival on the island of Terschelling in the Netherlands, for a series of nine sold-out shows in an old church, all of which were being recorded. Each artist "curated" a rough plan for one evening, which could be anything from hand-drawn images to be interpreted musically to more precise plans of structures and combinations of musicians to be explored. Never were the notes, or the content of the music itself, discussed - this was instead left up to chance and developed through listening intently to each-other, trying to create an atmosphere where each player was vital, but where everyone always worked towards the whole.

After ten intense days on the island, all that was left were the memories of the audience and, luckily, a hard-drive with over ten hours of recorded music. After everyone had had a chance to listen back to rough mixes of each night and make comments, the material was taken to Greg Haines' Electricity Works studio in Berlin, where the long process of selecting, editing and mixing began. Finally, almost two years after that first initial meeting in Reykjavik, the album is complete and ready to be released into the world. We hope you enjoy it.

Participating musicians (in alphabetical order):

Ingi Garðar Erlendsson (Tuba, Trombone, Thranophone)
Greg Haines (Piano)
Kira Kira (Voice, Electronics)
Jan Kleefstra (Voice, Poems)
Romke Kleefstra (Guitar)
Borgar Magnason (Contrabass)
Eiríkur Orri Ólafsson (Trumpet, Electronics)
Sytze Pruiksma (Percussion)





Skeylja

Preorder / Buy

The Alvaret Ensemble, Kira Kira, E. O. Ólafsson, I. G. Erlendsson, B. Magnason - Hoarn

Buy the 2x10" & digital direct from Tru Thoughts http://bit.ly/1lbXmyx

Like all of Joe's mixtapes, there is a broad and multi-layered range of music and sound from around the world, from contemporary releases stretching back to the 1940's and something from every decade in-between - including imagined collaborations such as Burial with vocals from Argentinian folk legend Mercedes Sosa, or Linton Kwesi Johnson reciting poetry over Tipper's immaculately-produced beats.

There is also a wealth of sound design and spoken word, taken from interviews with composers, radio programmes (many recorded by Joe), and poetry recitals.

00:00 Blindness (performed by John Rowe) - BBC Radio 3 drama produced by Matt Thompson
00:01 Disquiet (Floex Remix) - Hidden Orchestra
00:08 Ceffylau - Catrin Finch & Sekou Keita
04:52 Going Nowhere - DJ Shadow
05:02 The Swineherd (read by Boris Karloff) - Hans Christian Andersen
05:17 Spirit - Dam Mantle
05:34 Nature Boy (with the Jeff Alexander Choir) - Frank Sinatra
07:04 Bothan - Alyth McCormack
07:58 Sleep Key (Hidden Orchestra Remix) - Long Arm
10:36 Buckshot Dub - King Tubby
10:42 Coronation Scot - Vivian Ellis
11:01 Paul Temple and the Vandyke Affair (performed by Marjorie Westbury and Peter Coke) - BBC Radio drama written by Francis Durbridge (1950)
11:37 Sweet & Bitter Taste - Junip
11:37 Midnight in a Perfect World - DJ Shadow
12:00 Rumble in the Jungle (acapella) - Fugees
12:26 God Only Knows (acapella) - The Beach Boys
13:23 1993 - DJ Signify
13:47 How Many Mics (acapella) - Fugees
13:50 Blindness (performed by John Rowe) - BBC Radio 3 drama produced by Matt Thompson
14:28 On The Record (acapella) - Big Shug 
15:21 Spoken (KRTS 'Sprechen' Remix) - Hidden Orchestra
15:32 Flow Joe - Fat Joe
16:03 Head Rush On Lafayette - David Holmes
16:17 12 O'Clock - Group Home
17:06 C.R.E.A.M. (acapella) - Wu-Tang Clan
18:35 Ya Playin Yaself (acapella) - Jeru The Damaja
19:12 Amberley Train Summer 1999 (field recording) - Joe Acheson
19:33 Last Train Home - Kidkanevil and Daisuke Tanabe 
20:22 Tundra - Squarepusher 
24:18 En Vagyok Az, Aki Nem Jo - Csik Zenekar
24:40 Bela Bartok (in interview with David LeVita) - WNYC's 'Ask the Composer' series (July 2, 1944)
25:59 Storrington Waterfall Christmas Eve 2012 (field recording) - Joe Acheson
27:00 Fostercare - Burial MR JAMES
27:05 Gracias a la Vida (live) - Mercedes Sosa
30:57 African Deer Edit - Lovers' Rights
31:28 Blindness (performed by Madeleine Worral, Peter Sproule, Anthony Howell) - BBC Radio 3 drama produced by Matt Thompson
31:42 Ask The Lonely (acapella) - The Four Tops
34:42 Without You - Junip
34:42 Antiphon (drums only) - Hidden Orchestra
36:17 Midnight in a Perfect World - DJ Shadow
37:23 PD 124 (PP drums) -- Four Tet
37:25 Maverick A Strike - Finley Quaye
42:15 5 Steps (Hidden Orchestra Remix) - Clarinet Factory 
47:28 Kalo Dié - Koutaye-Neerman
47:57 Storrington Dawn Chorus May 2014 (field recording) - Joe Acheson
48:28 The Most Beautiful Sound in the World - BBC Radio documentary produced by Matt Thompson
50:50 Saturnin Fire And The Restless Ocean - Floex
51:00 Ancient Sorceries (read by Philip Madoc) - Algernon Henry Blackwood
53:36 Saturnin Fire And The Restless Ocean (Hidden Orchestra Remix) - Floex
57:16 OutsideInsideOut - Tipper
57:41 If I Was A Tap Natch Poet (live on Def Poetry Jam, introduced by Mos Def) - Linton Kwesi Johnson
60:36 Eternaldream - Blossom 
62:39 Spoken (submerse Remix) - Hidden Orchestra  
65:02 Quad Time (Low In The Sky Remix) - Origamibiro
65:22 Hushed (beats-only version) - Hidden Orchestra
65:53 Quad Time (Leafcutter John Remix) - Origamibiro
68:32 The Most Beautiful Sound in the World - BBC Radio documentary produced by Matt Thompson
68:40 Storrington Waterfall Christmas Eve 2012 (field recording) - Joe Acheson

Hidden Orchestra - Archipelago Remixes Mixtape Part 2

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' will be released on 12" Vinyl and Download via Erased Tapes on September 15th, 2014

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

3 Chords

Buy 12"/DL

Rival Consoles - 3 Chords

From their LP "Borderlands" (2006)
You can buy it here: http://shop.etchshop.co.uk/releases/TRUCD113/borderlands/219

Nostalgia 77 Octet - Lotus Tree

Pre-order the 12"/DL here: www.erasedtapes.com/store/index/ERATP082
or from iTunes here: http://snip.ftpromo.net/transition

'Transition', the collaborative release of Immix Ensemble and Vessel focuses on the theme of technology. Musical instruments are a somewhat technological anomaly in that they are rarely updated after their conception, often only receiving minor tweaks over the course of hundreds of years. As such, each instrument provides us with a snapshot of the cutting edge technologies of a particular time and place – in this sense, the instrumentation used by Immix provides us with snapshots of technologies that can be traced back as far as 1500BC. 

Taking these snapshots as a starting point, each movement in 'Transition' features one or two instruments, and, thematically, explores a significant invention or discovery that took place at around the same time as the invention and development of these instruments. Collaborating with Vessel updates this technological chronology by including the tools of the digital age.

Immix is lead by Australian-born composer and sax player Daniel Thorne. The now Liverpool-based artist has a genuine passion for exploring and creating music in a diverse range of forms; composed and improvised, acoustic and electronic, and the various shades in-between. Founded in 2014, the idea behind Immix has been to galvanise the innovative musical voices from across the country.

With the addition of Vessel, the moniker of Bristolian electronic composer Sebastian Gainsborough, Immix found a valuable first partner in exploring forward-thinking composition that slips between the cracks of traditional and contemporary styles. A stalwart of the UK experimental electronica community, Vessel's solo work has received critical acclaim for it’s post-industrial, visceral tone, using a sonic palette derived from the creation of home-made instruments, aiding in the creation of his signature nonreplicable sound.

As the first in this series, March 18, 2016 will see the release of 'Transition' on 12" vinyl and download, followed by a string of live performances by the collaborators. Future episodes will bring further collaborations by Daniel Thorne’s ensemble with other forward-thinking artists and ensure Immix continues to evolve and expand.

TRACK LISTING:  	

A1. What Hath God Wrought?
A2. De Revolutionibus
B1. Scope
B2. Battle Cry

ABOUT THE ARTWORK:  

The artwork was created by Liverpool-based visual artist Sam Wiehl and includes images taken from the Immix Ensemble & Vessel live AV show.

WEBSITES: 

www.immixensemble.co.uk · www.twitter.com/immix_ens · www.erasedtapes.com

Transition

What Hath God Wrought?

Immix Ensemble & Vessel - What Hath God Wrought?

Snarky Puppy-Quarter Master

A recording of the complete set of new music created and performed at Band on the Wall by residency participants under the direction on Michael League, Robert "Sput" Searight and Bill Laurance in the week of 28th January to 1st February 2013

Nostalgia 77 Octet - Lotus Tree

emikaadeo

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