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nthng - with you

from the album 'Drifted Heaven' by Abul Mogard

VCO 017: Abul Mogard "Unarmoured Love"

The track 'Fuel To Fire' is taken from Agnes' new album 'Aventine' released 30th September and available to pre-order here: http://www.agnesobel.com

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Aventine

Fuel to Fire

Lyrics for "Watch You Bleed":

There was a time when I wanted your love, there was a time when I wanted your disease but now the only thing I desire is to see you on your knees. I wanna watch you bleed.

I wanna watch you bleed. I want you on your knees, I wanna hear you plead. I wanna watch you bleed. I wanna see you crawl, I wanna hear you scream.

There was a time you had all of me, there was a time I gave you everything. And then you took a blade and stabbed me in the neck and now I won’t forgive and I won’t forget. I wanna watch you bleed. 

I wanna watch you bleed. I want you on your knees, I wanna hear you plead. I wanna watch you bleed. I wanna see you crawl, I wanna hear you scream.

All I have left to give is pain and suffering, all I have left to give is hate…. I wanna watch you bleed. 

I wanna watch you bleed. I want you on your knees. I wanna hear you plead. I wanna watch you bleed. I wanna see you crawl, I wanna hear you scream. I wanna watch you bleed. I want you on your knees. I wanna hear you plead. I wanna watch you bleed. I wanna see you crawl, I wanna hear you scream.

Watch You Bleed

La Texana - El Ciego

Strapazen und Genesung

A2. Geier aus Stahl - Wohin

2222 and AIRPORT

VLANCH

Ask The Dust

The Gun

Originally released in 2005 on his brother's online label Tokyo Trauma, »Die Wiederholung der Geschichte der amerikanischen Heimatlosigkeit« is Grischa Lichtenberger's debut release, predating his involvement with raster. Anticipating and framing his later works, the visceral sound palette, ranging between harsh digital noise and compelling analogue roughness, is put to play in a very unconcerned and uncompromising way on this release, in harmony with an idiosyncratic beat science and an organic, natural feel of song structure and melodies.
The influence of independent rock music of the 90s, as well as an artistic experimental approach center this record, as his brother David Lichtenberger put it in his description of the record: "Very arty stuff, but first of all characterized by an incredibly direct and heavy sound oscillating between punching beats and digital harsh noise making your ears bleed and you (me at least) scream for more."
Conceptionally, »Die Wiederholung der Geschichte der amerikanischen Heimatlosigkeit« (the repetition of the history of American rootlessness) parallelizes the history of European and American relations with the dialectics between digital and analogue technologies. Experimental methods of electronic music are put in a metaphoric relation with a historical topic, like in »Durchquerung 3« scrubbing a wave form of an audio file that is put in a relation to the crossing of the Death Valley by early American settlers. Using the compressor as an expressionistic tool of composition, overshooting the 0db barrier creating noisy artefacts, time stretching, collaging all work as tools for regenerating material, create a relation to an acoustical subconsciousness of recorded sounds (similar to the optical unconsciousness of slow motion and montage that Walter Benjamin described in his first analyses of cinema in the 1920s).
raster is pleased to reissue this early work of Grischa Lichtenberger, remastered and for the first time in physical format.

Die Wiederholung der Geschichte der amerikanischen Heimatlosigkeit

Grischa Lichtenberger »grainmelo lfo hoerner nivellierung« taken from »DWDGDAH«

Dancing On My Grave

I Don't Wanna Be Me [Type O Negative Cover]

Time

The experimental electronics duo These Hidden Hands return with a 12" Single featuring vocal contributions from Lucrecia Dalt and artwork by Jesse Draxler. An extrapolation of the the ideas explored on the debut album, this new single comprises of two cuts, leading the listener through abstract sonic terrain, drawn from the cavernous outer reach of intelligent sound design.

‘These Moments Dismantled’ a lesson of the vulnerability of musical space juxtaposed with dense apocalypticism.

‘Variant’ is reportedly a self-remix of the A side. Abrasive layering of complex textures that jerk between tension and release, where a heightened sense of drama seeps through from the frosty low-howl noir of Dalt’s vocals.

Despite this single constituting a completely independent work as an artistic collaboration between These Hidden Hands, Dalt and Draxler, we will see more from These Hidden Hands in 2016.

These Moments Dismantled

Buy on Bandcamp

Evaporate

https://lorn.bandcamp.com/album/a-d

a/d / analog to digital / music for picture 
volume 1 

selected commissions, abandoned or rejected themes and broken mantras for moving picture. largely beatless, ambient dives into tape with analog and digital synthesis, drones, dirty power and white noise. 

slow motion signal loss. 

much love to you all. 

reach out: 
info @ wednesdaysound.com

LORN - UNFOLDING

Velvet Lips [PREVIEW] (LP Available Now)

I hope you guys enjoy my groove here and I encourage everyone here to check out Working For A Nuclear Free City, a very unique alternative rock band from Manchester, UK.

Also support my work by following me on social media:)
@orinmusic
facebook.com/orinmusic
instagram.com/orin_music

Support for a DL :)

Je Suis Le Vent (Orin's Sub Wind Edit)- Working For A Nuclear Free City

PESS003 CLIPS

A1. We All Have An Impact

Predestiny EP

Summertime

Taken from our debut LP 'Appetency' | Available 20/08/2020

https://soundcloud.com/mysticstate https://soundcloud.com/jackflynnoakley

Artwork by Ikosidio (The Black Death)
Written and produced by J. Flynn-Oakley, W. Marquiss & M. Holliday
Mastered by Leon Smith at Subvert Mastering

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