Эта песня так раслябляет.... такое чуство что поподаю в другой мир иза этой песни.....

this reminds me of my dead cat and my dead great-grandma...

When I tell you I was AMAZED to figure out this wasn't an Omori song. It sounds a lot like one

hi - temporex (slowed)

Yume Nikki - Snow World (slowed)

Sorry if the loop bit is rlly shit I wanted it to be a bit longer than the normal version if u want a regular sped up version tell me in the comments!

hi by temporex sped up (looped)

WEIRDCORE OST

they're hiding in plain sight, can't you see?

original by @bryandeister on tiktok. i looped it and wanted to post it here just for archive purposes

i went through hell and back trying to upload this. soundcloud if you dont upload this right now im sending a pipebomb to your mailbox

white space | omori (lumatone)

TEMPOREX - Hi (atmosphere of space)

not mine!!! i dont know who the og creator is but creds to them!!!

Plasmama - mii maker u /【ｍｉｉ Ｍａｋｅｒ Ｕ】

only reason i made this is because somone asked for it in a comment section im so silly

a faint signal - infinity frequencies (slowed n reverb lol)

On Canticle of Innocent, a dark and ethereal dark ambient suite, Motja translates the echo of a collective tragedy into sound. Inspired by Martha Graham’s play Canticle for Innocent Comedians — and her poetics of spiritual devastation — the album unfolds as a wordless hymn, where each track serves as a sonic meditation on the Palestinian collective trauma, guided not by a narrative structure, but by evocations that rise like images in a dream.

Composed mainly using processed field recordings and the SOMA Terra, an electroacoustic instrument designed to respond sensitively to pressure and touch, Canticle of Innocent emerges from a physical and intuitive interaction with sound. Unplanned, but “listened to” and modulated in real-time, the sonic material retains a raw, tactile, almost living quality. Synthesis here is not about construction but evocation. Canticle of Innocent is built upon slow drones, stretched harmonics, and layered textures that emerge and dissolve. Motja’s work does not seek explanation but empathy: an attempt to restore the dignity of feeling to that which cannot be understood, only contemplated from afar.

Composing through deep listening, Motja transforms Graham’s spiritual legacy into liquid, meditative sound, blending contemporary minimalism, ritual ambient, and atmospheric noise. A wordless requiem for those who remain — and for those who watch.

The proceeds will be donated to charity to 'Medici del Mondo'

hi - temporex (slowed)

emiLya

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