In this two-minute Vox Pop, I take to the streets of Portland, Maine to explore our relationship with work.

Music Credits: "Our Only Lark" by Blue Dot Sessions (www.sessions.blue) and "Overworked, Underpaid" by Zap Pow

Vox Pop: Does Anybody Like Their Job?

The Colby College Woodsmen keep the skills and traditions of lumberjacking alive.

Postcard: The Woodsmen

In "Footprints," we join Tour Guide Dugan on a walk through history and his mind.

Music: "In Paler Skies" by Blue Dot Sessions (www.sessions.blue)

Profile: Footprints

Playwright Michael Gorman has been writing and rewriting a series of plays about the opioid epidemic for over two decades. Producer Emily Reeves tells the story of his epic artistic quest that spans from theaters to job sites to a recovery center in Augusta, Maine.

This piece won a Silver Award, the highest in the category, for Best Student Documentary at the 2023 New York Festivals Radio Awards.

Credits: Original music by Alex Mejia. Editorial Support from CC Paschal and Aubrey Calaway. Archival footage courtesy of The La MaMa Archives/Ellen Stewart Private Collection, and The Forty Hour Club. “Welcome to La MaMa” from La MaMa Cantata courtesy of the Elizabeth Swados Estate.

If you'd like to contribute to the LINC Center, please find the Amazon wishlist for the Center here: https://a.co/gpAasmL

The Pequod, or, The Lifeboat

In East Lansing, Michigan, an outburst of violence at the local high school — and the discovery of a gun — leads to a community reckoning over school safety, racial equity, and the role of police in schools.

Producer and Host: Emily Reeves
Sound Engineer: Cory Choy
Original Theme Music by Regan Sprenkle
Additional Music from Blue Dot Sessions
Cover Art by Cole Witter

www.emilyreevesaudio.com

Emily Reeves

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