Also, everything you're doing is getting better and better. Really nice production on this by the way!

Nooo! What happened to the old thumbnail?

@vronaseven: aww thanks so much! I've just had too much time to make songs.

Wow, nice, your music keeps on getting more professional and cinematic. Looking forward to your next songs!

Beautiful mix, beautiful voice, just everything is awesome. Keep slaying :)

OLD HABITS DIE HARD

Two years ago I watched the 2005 film "Pride & prejudice" and after seeing it, I wrote this song. It took two years to create a recording I was satisfied with, so here you go!
Emily Frost - vocals, guitar, piano, violins, synth, recording and mixing

LYRICS:
Hand on a hand and a pocket full of hope
You could wish for anything you'd like
You could try to memorize but the movement of her eyes can't be captured even by the slightest touch
Oh yeah, oh yeah
Chorus: She's only air when no one's there
Who could see you or judge what you do
Only air between this pair
You could feel the pressure and the pain in the air
In the air
You could to recognize what you see before your eyes as you look into your own reflection
You can try to forget and to forgive what's been said
If you live once take a chance on what you are, what you are,
What you are
Chorus: He's only air when no one's there
Who could see you or judge what you do
Only air between this pair
You could feel the pressure and the pain in the air
In the air

Only Air

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Unreleased

Laurel Crazy (Patsy Cline Cover)

Copyright 2018 BMI All Rights Reserved 
(E. Fernandez, N. Virdis)

Written & Performed by Paranormal
Produced by @https://soundcloud.com/neasama
Cuts by Nea
Recorded by Gio Langumas at Langumas Studios, Queens, NY
Mixed by DJ Fred Ones at TME Studios, The Bronx, NY

We tend to duck when the truth spits
Gun clicks in consonance with the concept of time...tick, tick
My environment devised by lying men
Imperium of delirium, a stranger to elated sentiments 
Lost internally in some unknown distance, screaming out rejection
Am I demented to dare question?
The regulated messes vested in this nation under God
The blood streaks of stars and stripes that certify your social bond
Screaming please let me be, I'll allow myself to be deceived
For the sake of safety, sedated by the crave for TV dreams
Its passive habits from a generation abandoned
Consumer zombies that frolic to the avenues of Madison
Its the zeitgeist of high tech intellectual bandits
Our love will never be income, its considered beyond logical standards 
So what the fuck is logic, when too many questions is a problem 
We pardon ourselves from the nuisance, distorted by the gossip

The Project For Global Madness

Blood Streaks of Stars & Stripes

Blood Streaks Of Stars & Stripes (prod. Nea)

Artist: Future Islands
Title: Tomorrow / Fountain 7”
Catalogue Number: UTR055
Formats: 7” / DIGITAL

Track listing:
A. Tomorrow
B. The Fountain

* * * RELEASE DATE / SEPTEMBER 3RD * * *

Since 2008’s ‘Wave Like Home’ debut album on Upset The Rhythm, Future Islands have gone from strength to strength, writing two classic albums of romantic yet melancholic synthpop for Thrill Jockey as well as exhaustively touring Europe and America to frenzied devotion. This new 7” on Upset The Rhythm ‘Tomorrow’ / ‘The Fountain’ sees the band at the top of their game, releasing some of their most compelling and sophisticated songs yet, building on the aching themes and poignant focus of their last album ‘On The Water’.

‘Tomorrow’ is a soulful swoon, its light tread is mesmerising amongst the slow burning synth cycles and relaxed bass progress. Samuel T. Herring’s ever-impressive vocal has never sounded more akin to Sam Cooke as he smoothly laments “I’m saying sorry every time we talk” before careening into a flight of sustained, arguably uncontrollable emotion. Some choice, additional vocals from Jenn Wasner (of Wye Oak), Lexie Mountain and Elena Johnston only make the song seem more impassioned; its ardent nature perfectly rendered into melody.

‘The Fountain’ meanwhile is a luscious narrative sunk into a slow dance. It’s a song that tells a tale of courtship, heady rush and leaps of faith. It’s a beautifully descriptive lyric, full of “shady groves”, “hanging gardens” and “human loam”, nodding a head to both Genet and Rilke as it passes. “I know my lines, and there’s a lot less space and a little bit of time… I know the way – It’s fine” sings Herring tenderly. Gerrit Welmers keyboard work here is stunning, the blooming chords and fluted air soaring across a landscape of crushed cymbals and quivering ambience, peaking with William Cashion’s deeply expressive, echoing bass ascent.

‘Tomorrow’ / ‘The Fountain’ was recorded and produced with long-term collaborator Chester Endersby Gwazda and mastered by Sarah Register (Talk Normal). Tyler Weeks provides the liminal, colourscape cover and the vinyl is heavyweight, white and limited to 1000 copies worldwide.

AVAILABLE HERE: http://upsettherhythm.bigcartel.com


Future Islands - 'Tomorrow'

there's always one who goes
and someone who remains
to lift the heavy loads
of memory and pain

and winter turns to spring
while summer fades away
i think it must be harder
for those who have to stay

but I don't blame you
for moving on 
go and be happy
even though I'm not around 

some will cross that bridge
and some will brave the sea
to find something worth keeping
that's hidden in the deep

there's so much more to come
so take comfort in your dreams
and nobody knows what's ahead
but I wish you peace 

but I don't blame you
for moving on 
go and be happy
even though I'm not around 

i don't blame you
cause life goes on
just be happy
that's all I could ever want

Only Air

EMILY FROST

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