It is several days internet does not permit to listen much of your audios, but I love organ and piano and I have written 40 fugas that I have recorded in electroacoustic form; you can listen to some of them in my page in soundcloud. I have noticed your audios because it is neither narcissism nor vanity, and there is a real expression in your recordings, it is not projections or interpretations, and the text in a composition and for a composer is important, that is the reason of musicologic studies, and I feel this in your audios.

one of the most beautiful  playing...thank you for making today so beautiful!

i love this music, and you play it so well !

Johann Sebastian Bach - Piano: Anne Queffélec - BWV 639 "Ich ruf zu dir Herr Jesu Christ" Aus dem Orgelbüchlein von J.S. Bach.

Johann Sebastian Bach - Piano  Anne Queffélec  - BWV 639  Ich Ruf Zu Dir Herr Jesu Christ

A recording of J.S. Bach's 'Preludie in C' played by Neil Balfour.

When J.S. Bach began working on his epic Well-Tempered Clavier in 1722, chances are he wasn't thinking that it would become one of the defining musical texts in keyboard history. But, somehow, it has - and the Prelude No. 1 in C Major is where it all starts.

The Well-Tempered Clavier (there are two volumes of it, each containing a prelude and a fugue in each musical key) kicks off in C Major, the most 'natural' musical key, so he obviously made sure that the first entry is a good one. Few pieces of keyboard music sound so delicate and fragile, but there's a very Bach-ian stability to it as well. 

It's a strikingly simple piece to begin with, gently phasing through different chords and registers, but it's one of those pieces that demands to be tinkered with. Consequently, you'll hear plenty of different interpretations of this much-loved work.

Prelude No. 1 In C Major | Bach

Annen Polka op.117

Johann STRAUSS II (1825-1899)

Arrangement : Duo CORD'EOLE

Live concert Été 2013 

Fanny MAYNE & Nicolas FAURE

Flûte Traversière & Violoncelle

www.duocordeole.fr

Johann STRAUSS II (1825-1899) - Annen Polka op.117

Mozart Violin Sonata K.301 Hilary Hahn & Natalie Zhu

Robert Schumann - Träumerei (dreaming)

Michael S. is also new to our class. But his emotionalism while playing impressed us really quickly! Here are is one of most sad Chopin piece...the famous nocturne no.20. Enjoy! 

F. Chopin: Nocturne No. 20 in c-sharp minor - Michael Schimdt

Zbigniew Preisner  - Lacrimosa

Mendelssohn Violin Concerto, first movement. Wayne Lee, violin; Emely Phelps, piano. Recorded Fall 2010 in New York.

Mendelssohn Violin Concerto, first movement

Being well acquainted with Traurigkeit, I included this emotion in my composings of July 1992. There are darker and colder keys than A minor which suit anguish and isolation, but here the key suits the simple, plaintive melody, and chromatic harmony gradually brings other colours and feelings into the weave. 

Traurigkeit (Sadness)

Resina is the alias of Karolina Rec, a cellist/ composer based in Warsaw, who signed to 130701 having sent in this album as a hugely impressive demo late last year. A very accomplished performer with a background in Polish underground music, this eponymous album is her solo debut and sees a rich, atmospheric re-imagining of a Polish music rooted in a feeling for indigenous nature / landscape and realised via an intuitive, experimental approach to playing.

A fantastic debut release, ‘Resina’ is an immersive and deeply enchanting album, which unveils a unique and striking new talent. 

more info at 130701.com

Robert Schumann - Träumerei (dreaming)

Emily Holzer

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