More Than a Friend

Damsel in Distress

I Don’t Like Myself

Dysmorphia

You Are Not My Friend

Bose x NME: C23

Killbot!

RAT TRAP 1: the blueprint

ONE NATION UNDERDOGS

MESSIAH
#crawlers #band #messiah #crawlersmessiah #alternative #alternativeindie #indierock #altrock #newrock #newindie #thattimeofyearalways 
-
I think I’m all the things I hate
I think about crying to manipulate
You’re the one whos insecure
Go on tell the mirror who you’re posin’ for,
Damn.
Borrow my friends prescription pills,
Do it just to feel a thrill
No one tells you drugs can kill ya?
Drinking just to talk to strangers,
Like i'm alive to entertain ya,
Than copy your behaviour
I’ll be your messiah
Like your prettier jesus
I guess I’m all the things I hate
I think about crying to manipulate
The ones who think I’m insecure
Go on tell the mirror who you’re posin’ for,
Damn.
Off guard now I hold the guilt on my hands,
Alone,
Not healthy but at least I’ve got a way to cope,
Damn, Can’t, Cope, Alone
It isn't where I thought my life would be,
Now i’ve hit passed 23,
Consumed by the noise to stay alive
Recovery exposed on the internet
Filtered through a strangers lense
By those I pay to call friends
I’ll be your messiah
Like your prettier jesus
I guess I’m all the things I hate
I think about crying to manipulate
The ones who think I’m insecure
Go on tell the mirror who you’re posin’ for,
Damn.
Off guard now I hold the guilt on my hands,
Alone,
Not healthy but at least I’ve got a way to cope,
Damn, Can’t, Cope, Alone
(It’s that time of year always)
(It’s that time of year always)
(It’s that time of year always)
(It’s that time of year always)
Don’t tell me how to get better
you know that I love it when i’m getting sadder
Don’t tell me how to get better
You know that they love it when i'm getting sadder
Don’t tell me how to get better
The people won’t like me if I’m any louder
Don’t tell me how to get better
you know I fuckin’ love it when i’m getting sadder
Damn, damn, damn.
I guess I’m all the things I hate
Now I’ve started crying to manipulate
Ones who think I’m insecure
Go on tell the mirror who you’re posing for
Damn,
Off guard now I hold the guilt on my hands,
Alone,
(I’ll be your messiah, like your prettier jesus)
Not healthy but at least I’ve got a way to cope,
(I’ll be your messiah, like your prettier jesus)
Damn, Can’t, Cope, Alone
(I’ll be your messiah, like your prettier jesus)
Damn, Can’t, Cope, Alone
(I’ll be your messiah, like your prettier jesus)
Alone
(I am your messiah, like your prettier jesus)
Alone

Messiah

Upbeat energetic ALT / POP / ROCK SONG.  If The Killers and Paramore musically collided. The Killers with a female vocalist.

Call it Falling

Emily Ricks - Call It Falling

God Save The Queens

A fractured manifesto set to hard rock, machine pulse, and cinematic dread.

Coterie of Cretins is a broadcast from the fault line where humanity and technology intersect — not in harmony, but in discomfort, suspicion, and reluctant dependence. These songs live inside the fluorescent hum of a world where every device pretends to listen, every choice feels rehearsed, and every person is half algorithm whether they admit it or not.

Across twelve tracks, the album follows the last free thinkers, doubters, Luddites-for-likes, and digital ghosts as they move between locked doors, broken signals, and too-perfect faces. Some fight back. Some give in. Some just scroll until the scrolling stops.

The sound is heavy, resonant, metallic, industrial at its core but driven by human lungs and human fear. Guitars grind against synths. Drums slam against circuitry. Voices remain the last unprocessed instrument — desperate, stubborn, hopeful, furious.

This is not an album about technology.
It’s an album about living through it.

Coterie of Cretins asks one question repeatedly:

If this is the future, is there anywhere left to stand that’s still ours?

Vain in my Veins

A self proclaimed loner and music addict, Emily Ricks, who is now 23, describes music as her “best friend” growing up. Ricks, who grew up as an only child on a remote ranch North of Los Angeles, had an unusual start in the entertainment industry at a very young age. After playing a small role in a local community play, at the age of 7, Ricks was discovered, and within one year, landed her on-screen debut as the voice of "Bonnie” in the Oscar winning film Toy Story 3. Since then Ricks has gone on to play many roles in TV and film, but has always been making music behind the scenes. For Ricks, her journey in songwriting began after the loss of her dad at the age of 12. She describes losing her father and her journey with grief at such a young age, as the catalyst that catapulted her into the world of not just consuming music, but also creating it. “Whenever I felt sad and missed my dad I would write”, Ricks states. “I needed an outlet for my pain, and music was that for me.” The first instrument she learned was the drums, then the piano, then guitar. Ten years later, Ricks has developed her own distinctive musical style she is ready to share with the world. Through vulnerable lyricism, layered with strong bass lines and minor overtones, Ricks is able to share her story in a way that reaches into the heart of the listener. A storyteller by nature, Ricks can take a dark emotion, and somehow turn it into a seemingly “not so scary” place to dive into...WELCOME, please come in!!

Emily Ricks - Call It Falling

EmilyRicks

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