you're my new discovery, proud of me to find u:)

Widowspeak- Wicked Game (Chris Isaak cover)

my baby has a swollen face
long stiff limbs
them eyes are black pits
of a place where I've been
her hair is long
still smells like mud
she answered to my kiss
with a rotten tongue

no death can
tear us apart

her body is cold
well it's gonna get colder
but my love will ignite
what was left to smoulder
I move my hips
in her I am home
I'll keep on loving
'till the marrow dries from her bones

no death can
tear us apart

taken from her selftitled debut, all music and words by Mirel Wagner
(p) 2011 Mirel Wagner, Kioski (Finland)
(c) 2011 Bone Voyage Recordings

http://www.BoneVoyageRecordings.com
album out now in Europe through Bone Voyage Recordings.
US release through Friendly Fire Recordings, March 27.2012

summer 2014 will see the release of her sophomore album, worldwide via Sub Pop Records 

Mirel Wagner

Mirel Wagner - No Death

Buy Stop Playing With My Heart on 7" vinyl from <a href="http://store.hitcityusa.com/product/avid-dancer-stop-playing-with-my-heart" rel="nofollow" target="_blank">Hit City U.S.A.</a>

I Want To See You Dance

Stop Playing With My Heart

Sarah Jaffe - Clementine

Hopeless

06 And Leave

Wolf Larsen 
{singer // songwriter // type-writer}

From the album, Quiet at the Kitchen Door.

CD: www.wolflarsenmusic.com
iTunes: itun.es/iPD73Y

Buy Record

Kitchen Door - Wolf Larsen

Laminate Pet Animal

Let Me In - Snowmine

VIOLET 'Y.O.U'

Off the debut LP titled "Hazel", out June 11th 2013 on Gold Robot Records as a limited edition 12" record.  (Pre)Order here - http://tinyurl.com/c96ewyt

Hazel

Maze

Young Hunting - Maze

After appearing alongside Clint Mansell and Philip Glass on the soundtrack for Park Chan-Wook's recent psychological thriller Stoker, Emily Wells prepares to release her debut UK album and single.

Album ‘Mama’ (out June 3rd via Partisan) combines subtle hip-hop inflections and wide-ranging sounds with Emily’s distinctive feline vocals, creating a record that is simultaneously light & delicate with a bold punch of personality.

Contrasting with the heavy layering and electronics of the original, the European version of ‘Mama’ sees Wells re-imagining the entire record acoustically for a second disc and mirror version. These fresh renditions of an already unique record are stunningly austere, recorded solely with voice and guitar. Emily Wells has stripped off her own armour, leaving only her crystalline voice and equally unambiguous songwriting on display.

String-laden single ‘Passenger’ is released on April 29th. Its noir-ish tone is cinematic in its scope - a song that becomes a real focal point of Mama.

Watch the video for ‘Passenger’ here: http://www.youtube.com/watch?v=MXAaPvVaZDQ

From the start of her career, Wells’ musical interests were simply too wide ranging for just one instrument. Trained as a classical violinist, the Texan soon created her own sonic “spaceship,” an ever-growing pulsating arsenal of synthesizers, effects pedals and toy instruments, all tied together with live sampling and a genre-agnostic approach that is diverse, distinctive, and utterly her own. Honing her sound on a series of independent releases, including an acclaimed cover of The Notorious B.I.G.’s classic ‘Juicy’, it was these initial glimpses and the countless live dates both as bandleader and solo performer that carved out the musician she has become today.

The female singer-songwriter stable may be packed with unique voices and varying degrees of talent, but Emily Wells is an artist whose innate complexities lift her out of that particular stable and into a realm all of her own.

Passenger

Emily Wells

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