Nos créatures (ensemble NEXT)

pour Ensemble

Solistes de l'Ensemble intercontemporain et de l'Ensemble Next
Nicolò Foron, direction

TAKENOKO KIDS (2022-23)

Ensemble Intercontemporain & Ensemble Next
Dir.: Nicolò Umberto Foron

Clément Saunier, trompeta
Alain Billard, clarinete bajo
Morgan Laplace Mermoud, percusión
Julia Sinoimeri, acordeón
Sengyun Kim, viola
Alexandre Teyssonnière de Gramont, contrabajo


Grabación del estreno.

27 - I - 2023
Espace Maurice Fleuret - Conservatoire de Paris

Atabala eta euria

Ensemble Next
Dir.: Simon Proust

Takahiro Katayama, clarinete y clarinete bajo
Sengyun Kim, viola
David Mengelle, percusión
Nanami Okuda, piano

Grabación en directo

21 - III - 2023
Espace Maurice Fleuret - Conservatoire de Paris

Urak darama

premiered by Ensemble NEXT at Conservatoire de Paris, Espace Maurice-Fleuret, March 21, 2023.

Simon Proust, conductor
Minaya Chapelain, flute
Jasmine Daquin, oboe
Akiho Nishimura, bass clarinet
David Mengelle, percussion I
Quentin Broyart, percussions II
Arzhel Rouxel, piano/celesta
Julia Sinoimeri, accordeon
Reika Sato, violin
Sengyun Kim, viola
Yi Zhou, violoncello
Vincent Alves De Palma D'Elia, contrabass
Nathan Robain, mix and mastering

Interruptions in the Hallucinatory Realm

Stereo reduction of my ambisonic composition "Songs to be burnt n° 1"

Songs To Be Burnt N°1 (2024)

for string orchestra, percussion and electronics.

Commissioned by Real Filharmonia de Galicia & Euskadiko Orkestra - Basque National Orchestra.

_
Euskadiko Orkestra;
Live electronics, Itziar Viloria;
Conductor, Baldur Brönnimann.

Live recording, May 25, 2024. Musikaste Festibala, Errenteria.

Oihartzun Gorriak (2024) for string orch, perc and electr

Free improvisation recorded at Studio d'Essai at CNSMD de Lyon, France.

Accordion, Bastien Pouillès
Modular Synth, Matheus Souza

Mastering, Michele Tadini

[2025] Free Improvisation: Modular Synth and Accordion

Produced by the Tête à Tête Opera Company and the Royal College of Music

The Drifterman, A Horror Opera

Pillars of Creation, for ensemble (2024)

Solists of ensemble intercontemporain and ensemble NEXT
Kyrian Friedenberg, conductor
Concert of 22.01.2025

"Pillars of Creation" embarks on a profound sonic expedition, delving into themes of evolution and transformation. The composition begins with bold and arresting sound blocks, reminiscent of alarming screams, gradually evolving into ethereal textures characterized by winds and strings, punctuated by escalating bursts. As the piece progresses, a somber pulsation emerges, leading to a climactic eruption of percussion. Emerging from this rumble is a solitary piano harmonic note, initiating a tranquil choral of instrument multiphonics. However, as the piece draws to a close, the initial sound blocks return, though now transformed by the journey they have undertaken, bearing the echoes of all that has come before, ultimately concluding with a piercing scream-like sound. Through its dynamic narrative arc, "Pillars of Creation" invites listeners to contemplate the intricate interplay between turmoil and serenity, darkness and light, leaving an indelible impression of metamorphosis.

Pillars of Creation

"from dust" is a first concert-long live set, made in collab with Pirahã, a new band based in Belgium. 

Commissioned by Centre Henri Pousseur (BE)

Recording from live performance on April 19th, 2025 @LE MOM, Liège, Belgium 

violin - Flora Campbell-Tiech 
cello - Ian-Elfinn Rosiu 
live electronics - Nicolas Roulive 

Sound engineer - Patrick Delges (Centre Henri Pousseur)

from dust

This piece was made as the first miniProject during my cursus in IRCAM 2025

BADTRIP_ADVISOR_#2 for electronics

Whispers of Entropy is an exploration of perpetual sonic flux, drawing an analogy between musical tension and the thermodynamic concept of entropy. Much like the atmospheric phenomenon where heated air ascends, cools, and subsequently descends in a continuous cycle, the composition traverses an ever-evolving landscape of sonic energy. The work embodies a state of dynamic instability, where entropy becomes a metaphor for the transformation and dissipation of sonic material. Through the interplay of piano, violin, and cello, the music navigates a spectrum of tension and release, embodying an ‘entropy of sound.   Despite the marked transitions between varying states of energy, the structure of the work remains unified and homogenous, echoing the seamless, interconnected flow of air currents. These transitions, rather than fragmenting the piece, serve to enhance its organic coherence, immersing the listener in an unbroken, cyclical experience of emergence and dissolution.

Whispers of Entropy

Frammento [94] - (2025) - for flute and double bass
Curva Minore

Alessandro Lo Giudice (flute)
Pietro Elia Barcellona (double bass)

Live recording on June 7, 2025 - Curva Minore archives
Sound engineer: Simone Sfameli
Sala Michele Perriera - Cantieri Culturali alla Zisa, Palermo




A fragment of farewell.
A voice suspended between presence and absence, between memory and disappearance. Like a turning point, the piece moves through a state of transition, where something comes to an end, and something else begins, uncertainly. Flute and double bass chase each other, touch, and imitate one another. Two distant registers searching for common ground, as if the sound could strive toward a single breath.
A dialogue of distances that stretch and contract, in a fragile but ever-moving balance.

Frammento [94] - (2025) - for flute and double bass

1. Fence
2. Dear
3. Limbs
4. Scull
5. Hear

poems by Susan Howe 

Clara Barbier Serrano – soprano

Ictus Ensemble: 
Tom Pauwels – e-guit
Jean-Luc Plouvier – keys
Andrés Ruiz González – trumpet

rec: France Musique 
broadcast & portrait: https://www.radiofrance.fr/francemusique/podcasts/creation-mondiale-l-integrale/own-de-brendan-champeaux-diffusion-integrale-4299829

Interruptions in the Hallucinatory Realm

Emre Eröz

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