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Kam gjetur këtë shirit në një shportë plehrash

Young Hearts Run Free

A I W A - Some Time Maybe

Anxiety Is The New LBD

Peaking Lights - Birds Of Paradise (Maria Minerva's Ooh Aah Eh edit)

Out now on vinyl & digital.
Buy the vinyl ➜ bigwax.fr/imacliche
Buy on iTunes ➜ itunes.apple.com/album/id1143209429

It is one of Kusuma’s strong suits to produce tracks with a disco kit that go beyond the usual confines of the genre. Here’s a fine example of this. With latin percussion, arpeggios and several layers of melody, the robotic feel is still present but less so than on "Automatone". There's an element of darkness, as hinted by the track title, if they had discos in Tolkien’s universe, DJs would probably spin this.

Two years after the release of his acclaimed debut the “GONG 3000” EP on I’m a Cliché, Jakarta’s best kept secret is back on Cosmo Vitelli’s imprint with four terrific original tracks. Jonathan Kusuma is a producer who has managed in the space of a few releases and remixes to develop a signature sound which mostly relies on taking disco and EBM elements and putting them in new and unexpected contexts, offering us a glimpse of what modern dance music would sound like if house and techno had never existed.

Narcotic, hedonistic, abstract and particularly efficient on the dancefloor, Kusuma’s music is always about quality and never about quantity and so we are particularly thrilled to share with the world the four new tracks that constitute this EP.

 





Automatone EP

Buy the vinyl

Jonathan Kusuma — "Mordor Disko" (full stream)

Title: Untitled
Artist: Patrick Conway
Catalog #: FP011
Release Date: Spring 2017

Tracklisting:
A1: Samphire
B1: Yogi
B2: Pegasus

Buy on Juno

Patrick Conway - Untitled [FP011]

Out on August 25th. 

Vinyl: https://lobsterrecords.co.uk/products/europa-facegrinder-pre-order
Digital: https://transatlanticrecords.bandcamp.com/album/facegrinder

Europa - Facegrinder (TAR002)

A1. Ayln - Translinguistic

Pre-Order Vinyl ~ http://bit.ly/ordermiddaymoon

Midday Moon is a survey of ambient and experimental music that emerged from Australia and New Zealand between 1980 and 1995. These recordings are sourced from a rich variety of micro-labels, private pressings, theatre soundtracks and artists’ personal archives.

Curated by Melbourne based DJ and archivalist, Sanpo Disco (a.k.a Rowan Mason), the collection delves deep into the world of outsider music that emerged in Australia and New Zealand in the latter half of the twentieth century, as synthesisers and early workstations began to enter the consumer marketplace.

'Midday Moon' out November 2 thru Bedroom Suck / Remote Control Records (AU/NZ), Omnian Music Group (USA/CAN) and Cargo Records (UK/EU). 

http://bedroomsuckrecords.com

Midday Moon 

Helen Ripley-Marshall - Under the Sun

READ > inverted-audio.com/premiere-basses-terres-sentiment-oceanique

Lifted from @bassesterres highly-anticipated followup to the superb 'Counting Pulsations', our pick 'Sentiment Océanique' is a stunning zero-G ballet of sorts. Naked Light is scheduled for release via @bfdmrec in February 2019.

Basses Terres - Sentiment Océanique [BFDM]

Degradia (2018) is a sound work by Anni Puolakka and Miša Skalskis, originally made for an exhibition of the same name. They were inspired by some old Finnish poems in which vulva plays a central part and becomes a powerful character of its own right. Parts of Degradia are translated and altered lines from these poems, for example, where vulva is likened with a biting dog's jaws and a running wolf's gums.

www.annipuolakka.com
https://soundcloud.com/ang3l_sp1der

Anni Puolakka and Miša Skalskis – Degradia

‘Bioschismic’ 
“Time becomes plastic. Your experience of time morphs................And when you come out of it, on the strong days right before the next scheduled infusion, all of that time compresses into blurry waves of noise.” Xeni Jardin

Time is defined by and within the human experience yet the dominance of ‘linear’ time prevails. We are inextricably linked with time, ‘Life’ is measured in time.

Depending on particular situations our experience of time can be elusive, appear stretched, accelerated, and on occasions all too specifically in synch with defined parameters. Audio recordings, film, Internet, and photography are some of the means by which we choose to mark ‘times’. Such documentary methods signify our need to externalise particular events and also to activate memories.

‘Bioschismic’ is created solely from audio and photographic documentation of Xeni’s time spent receiving chemotherapy. The repetitive drip drip rhythm of the toxic chemicals measured in precise doses over a specific period of time provide the prospect of extending (life) time. Time is the dominant force yet the effects of the drugs change the experience of time to a space that is other worldly - a different time zone - a schism within and for life itself. 
Cosey Fanni Tutti

‘Bioschism’ - inspired and made possible by Xeni Jardin

-------------------------------------
www.coseyfannitutti.com 
www.xeni.net

Nominated by ICA  www.ica.org.uk

This work is part of ICA SOUNDWORKS - www.ica.org.uk/soundworks
http://soundcloud.com/icalondon/cosey-fanni-tutti-bioschismic

Bioschismic

New single from Bernardino Femminielli's upcoming album L'EXIL 

Follow : https://soundcloud.com/editionsappaerent

“​ The Ballad of Daddy & Johnny”, co-written with D.Vanchesteing, is an obvious testimony: the melancholy pop lullaby. It's "La ballade de Johnny Jane" (Gainsbourg) but less cheesy and more morbid. Metaphorically, it’s a doll from the 19th century, giggling and looking you straight in the eyes. Musically, it’s a ​Giallo À La Femminielli​. There is no blood, no blade penetration--just a swift graze of the jugular. The bittersweet memories, the American pleasures, and the quest for a dream have become his own undoing-- the mask has finally fallen off. The entertainer can finally emerge on the other side with his double and swallow the pill.

LA BALLADE DE DADDY ET JOHNNY
Bernardino Femminielli: synthesizer / vox / The Showman 
Asaël Robitaille: celesta / piano / Johnny 
Jackson MacIntosh: electric bass
Guillaume Ethier: drums
Dominic Vanchesteing: piano
Alex Crow: 12-string acoustic guitar

Music video: https://vimeo.com/424068818

Artwork: Thea Govorchin 

Produced by Dominic Vanchesteing
© 2020 Bernardino Femminielli / Éditions Appærent. All rights reserved.

L'Exil

La Ballade de Daddy & Johnny

Bernardino Femminielli is proud to present his first 2020 LP L’Exil. The album is composed of lost Plaisirs Américains sessions recorded in Montréal, Quebec. Lyrics were written and recorded in Paris and Berlin in 2019 and mixed again in Montréal in early 2020 by producer
Dominic Vanchesteing (Plaisirs Américains, Double Invitation). L’Exil is the “pre-conclusion” (Prequel / Part 0) to two other LP’s— Johnny 4ever (Part I) and Nobody’s Boy: Johnny (Part II)— which will be released later this year.

L’Exil (2020)

L’Exil, the album, the performance, the satire, took shape after the notorious arrest of Bernardino Femminielli by American border authorities during a US tour in 2018. Instantly, the American Pleasures, the American dream became obsolete, irrelevant, of the past. The showman and his anguished wife decide to abandon their failing restaurant, their debts and their meagre North American livelihood to wander the old continent in search of a fresh start.

L’Exil is an paradoxical anthem for the unsuccessful. An elegiac and lyrical autofiction in the form of a concept album. A satire of show business, a tribute to society’s outcasts and heroes— a story which tells of the financial, artistic and spiritual failure of the exiled American showman (Femminielli). We learn early that the showman has a desire to symbolize the contradictions of life. We learn that the showman is affected by a multitude of dissociativeidentity disorders. A visit of an angel named “Johnny” seems to make him believe in the existence of his double, who sadly does not come seeking camaraderie, but with malicious intentions. He's the employee, the boyfriend, the slave. The showman loves his wife because she looks like the showman. Johnny and the wife have become products of his tormented world. Spiritual and psychological cannibalism is rife, and all will be complicit in the showman’s atrocities.

The literary and cinematographic borrowings are here violently diverted from their proper meaning to tell the story in their own way. Pasolini’s Italy, Fassbinder’s Germany, The Years of Lead, Macronist France, police terrorism, paranoia, obsession with the double, substance addiction, money and marriage are all subjects touched upon with humor and despair. As the showman ominously cautions: You don’t argue with a sly dog, you break his teeth and his jaw.

Bernardino Femminielli, frustrated by his status as a misunderstood artist, has constructed a semi-fictional caricature of himself. A guy adrift, an anti-hero, the politeness of despair, a loser crooner who's lost his way. The album has many faces of the same distress: those of the victims of a system that marginalizes them. Repeated themes and catalysts present in the album:

One’s failure to achieve professional success can lead to unexpected volatility.

Exile is oppressive thus one must also transform into an oppressor.
Violence is a direct result of frenzied desperation.
Cannibal mechanics are often precipitated by financial devastation.
Self destruction becomes a means of self preservation.
Consumption always without moderation.
Money is earned, and then like life, it’s burned.

All music and lyrics by Bernardino Femminielli except Track 4 (D. Vanchesteing / Femminielli). Recorded in Montréal, Paris, Berlin and Copenhagen. Special thanks to Yair Elazar Glotman, John Katsav (CRAVE), Dimitri Dedonder chez Les Studios Mégaphone, Adrien Belkout and Elliot Berthault pour le hot tip. Artwork by Thea Govorchin. Insert art and layout assistance by Jesse Osborne-Lanthier.  

Produced by Dominic Vanchesteing
© 2020 Bernardino Femminielli / Éditions Appærent. All rights reserved.

La Ballade De Daddy & Johnny

Palanga Street Radio
presents:
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CELESTE SELECTS 
by @celesteneila
👍
http://palanga.live

CELESTE SELECTS EPISODE 5

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CYRING + TRYING
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Anxiety Is The New LBD

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