m e z c l a s

Name: Fabiola (@cyberfab)
Pronouns: she/her
Location: Detroit/Chicago

Influences: Detroit Techno, Miami Bass, Freestyle, Flamenco, Nature <3

Affiliations/Residencies/Projects: Mostly doing my own thing at the moment :)
My latest involvement in the music world has been Imbue_Detroit’s ‘An Ambient Experience’ series, which has been a great opportunity for experimental mixing. CYBER GiRL, 808 BA$$ QUEEN.

Favorite Quote:
“If you don't think you can dance
 let the music guide you”

Advice for the DJs, producers and artists of our community:
Your connection with music is the strongest network. Get to know what sounds you enjoy, and find them in different styles of music. Explore the sonic void ~~

With this mix Fabiola asks to please learn more about and consider donating to: Orenda Tribe Diné Skate Garden Project (www.pledgeling.com/orenda-skate) "Help build a transformative space for Diné youth and their families on Navajo Nation! Support a public skate park on Indigenous land to empower strength and resilience after the hardships faced during this pandemic."

Daisychain

Daisychain 165 - Fabiola

Smack dab in the middle of Detroit and Miami is Fabiola....or somewhere in Kentucky. I prefer Fabiola TBH.

@cyberfab

FABiOLA @ Accessory 2.4.23

For the final installment of The Blueprint takeover of Runner Magazine, we present to you a mix by FABiOLA!

The Blueprint presents FABiOLA

I'm super happy to have Fabiola as a guest of the show today! I discovered her work by chance while rehashing on soundcloud, and I fell in love with his radio show which jumps from genre to genre to better massage the ears!

Fabiola is a Miami-based producer and DJ with ties in Detroit. Her style gravitates towards left-field, rhythmic, & bassy. She experiments with the digital age while digging into the archive of music. She have amonthly radio show on Beloved.wtf - Smooth Brain Sunday - is dedicated to explore the depths of the sonic realm.

Oroko Radio

Tornado Warning Show #11 - Fabiola

Neptunian Influence, Sixty-One | Featuring @cyberfab

FABiOLA is a Miami based DJ/producer with roots in Detroit. Her sound explores new and origins of dance music, with depths of acid and bass. She is known to have a versatile style and love for funky robotic rhythms. She recently joined forces with other local DJs to run Juicy Fruit - a monthly queer dance party on Miami Beach. Regardless of time or space, FABiOLA invokes a Midwest flair to every set.

You can catch FABiOLA at these upcoming gigs: 

Dante's Hifi Bar - Miami - September 6 - playing alongside special guest and friend coming from New York Kels!
Juicy Fruit Party @ Kill your idol - Miami Beach - September 8 w/ Chris Föor & Alexx in Chainss & special guest from Berlin Vertel
iiipoints festival - Miami - October 20-21 - b2bing with electro icon Deroboter (also featured on the NI mix series!)

This year FABiOLA plans to release a solo EP/LP that will feature a combination of new and older unreleased tracks, so stay tuned and keep your eyes and ears peeled on bandcamp! 

| Tracklist |
Audio Q-5A - States Of Mind
Sanches Hello - Joe Lentini
HADue (Atom™ Remix) - Kyoka
Rock Your Body - DMX Krew
Base Camp Alpha 808 - Underground Resistance
Excuse Me Miss - 2AMFM
Can You Feel The Beat - Nexus 21
I'm Feelin' Good - Pfantasia
Magnetic - Alonzo
Telephonic Power - 857
Epoch - Max Buzone
Welcome To Sonar Base #4 - Sonar Base
Expreso - Elektro - Congo - Richard H Kirk
Movimiento (Under The Moon MGUN Remix) - Fabiola (unreleased)
Area 44139 - MAS 2008

Meet you in the Great Dark Spot <3

NI61 | FABiOLA

We begin Season 8 with Bounce House organizer and resident, DJ Anarres who shepherds us through shame to get us back up on our feet. For Andi, there you ought to know how to experience the bad, so you know how to experience the good. Those familiar with Andi’s style should expect the same depth and variety they always deliver, but this time with an 80’s soul flare and Kermit the Frog. 

For the tracklist and more, head here: moods.substack.com/

Moods is community-curated and community-supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Consider subscribing to our Substack (moods.substack.com/), or give us a buck, four, or more a month directly: danielsharp.cargo.site/Moods

Moods 77: DJ Anarres

Spring’s coming. We’re bearing witness to the thaw in Detroit, and it’s mirrored across the pond in Toronto. The city’s rising DJ and community organizer, 999ADJ (@999adj), takes up the Moods mix helm through a gallery of music that distills a sense of geographic movement and mobility. Lift your tray tables; buckle into your seats; prepare for takeoff; and plan to land somewhere warmer with foliage and forgotten frost.

Moods is community curated and community supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Give us a buck, four, or more a month here: https://substack.com/@moods

We've paired 999ADJ's mix with a work by Kapwani Kiwanga titled Flowers for Africa (Ghana). Read more about it here: https://orgallery.org/exhibitions-projects/kapwani-kiwanga-flowers-for-africa/

For the interview, tracklist, and more on the artist head to our Substack :https://substack.com/@moods

Moods 78: 999ADJ

Moods is flying to Des Moines for the very first time with Mina Mills (@minamills333), a Chicago-based deejay, promotor, and sonic explorer. For this mix, Mills sidesteps her usual vinyl techno sound to cassettes obtained at noise shows in her home town.

Moods is community curated and community supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Give us a buck, four, or more a month here: substack.com/@moods

We’ve paired Mina’s mix with a work by Brazilian artist Cildo Meireles titled Babel. The “tower of incomprehension,” Meireles has called it, is a stack of second-hand analogue radios tuned to different stations and adjusted to the minimum audible volume. What happens is a static hum of nonstop sound—information, music, and ads blending and competing for our ears.

Follow Mina: @minamills333

For the interview, tracklist, and more on the artist head to our Substack :substack.com/@moods

Moods 79: Mina Mills

Afro.fem’s breakbeat and house productions, their Universal Wi-fi show on Great Circles, and sets at events from Sonidero to Le Freaq scratch just the surface of the Philly-based musician’s archive. Their Moods mix takes us deeper—through pivotal moments of sonic discovery from friends sharing tunes to the beloved dubstepforum.com. Move through their deep house, grime, dubstep and more below.


Moods is community curated and community supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Give us a buck, four, or more a month here: https://substack.com/@moods

We’ve paired afro.fem’s mix with a work from 1975 by Stan Douglas from the Disco Angola collection titled “Kung Fu Fighting.”

Follow afro.fem here: @afrofem69

For the interview, tracklist, and more on the artist head to our Substack: https://substack.com/@moods

Moods 80: afro.fem

Colliding Pin’s dance floor driven productions (No Floors and Red Ribbons from 2024 to name a few) and work as a label admin at Apocalypse Rave Culture feel at home during the month of May in Detroit—aka Movement, aka the Techno High Holiday. Pins, née Joe Wright, departs from the main floor nonetheless in their Moods mix, orchestrating waves of sonic selections across drone, jazz, ambient, and Irish traditional folk.

So, while the Moods team gets ready for our barbecue next week, pull up to the pitstop with us before we all get slammed with a wall of techno for five days.

Moods is community curated and community supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Subscribe here: https://moods.substack.com/

We’ve paired Coliding' Pin’s mix with a work by Guillermo Galindo titled “Espejismo” - 2018. For more on Guillermo, head here: https://www.galindog.com/wp3/about/

And to follow Colliding Pins, head to their Soundcloud: @joseph-wright-510264476

Moods 81: Colliding Pins

Sharlese LIVE at Zero Chill (NYC) Womannial Edition

Lifesavers w/ Endash: 4th June '25

Ms. Ed (@ms_ed)—the prolific Maryland-born, California-raised deejay, producer, and label organizer at Acid Camp—has been on the Moods wishlist for a few years now. After sets at The Great Beyond, VPN, Made to Move, Anemone, Kajunga, and more, we’re excited to release her downtempo-meets-uptempo mix across 90s trip hop and 00s blog house. Tune in and read more about the mix and its tracks on our Substack: https://moods.substack.com/

Moods is community curated and community supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Subscribe here: https://moods.substack.com/

Moods 82: Ms. Ed

Aaron Davis returns to The Lot Radio to share new music from Acid Camp Records, friends, and beyond. 

https://www.instagram.com/acidcamp
https://www.soundcloud.com/acidcamp



Acid Camp with Aaron Davis @ The Lot Radio 08-27-2025

Welcome back to @mooooods. For March 2018, we're ushering in the warmth with none other than CYBER GiRL (@cybergirlfab), a songstress of slick beats who takes us back to the glistening glory days of hip hop and RnB. https://moods.substack.com/p/moods-03-cyber-girl

"I never realized how much my mother’s heritage has played a role in my upbringing until recently," Fabiola says. Seville, "a city full of beautiful architecture and nature located in Andalusia, the Southern region of Spain," surrounded her with "plants flooding the windowsill and growing along the walls of our kitchen." Fabiola then danced Flamenco with her mother -- "a traditional Andalusian art form made up of dance (baile), song (cante), guitar (guitarra), and castanets (castanuelos). The music resembles the culture’s admiration of natural rhythm, for each element is equally important in order to create the overall swing of Flamenco. My favorite component of Flamenco is the cajón, which is a percussion instrument shaped as a box originally from Peru, so technically it wasn’t added on until a bit later in time. I always loved listening to Flamenco music when my mom played it, but I wouldn’t necessarily consider it a significant influence in my music taste until I started to produce it on my own. It definitely helped with my rhythm and groove, though."

Detroit's influence saw RnB and hip hip enter the stage. "I remember coming across some people discussing the release of Kanye West’s ‘Late Registration’ on MySpace, and I stayed up all night on my family’s retro big-boxed computer listening to his previous work. That’s when I started to keep up with him, gradually becoming more familiar with hip-hop influences beyond his time. I loved female artists included in my Moods mix such as Aaliyah and Missy Elliott, but I knew these artists because they were popular and were played on the radio. Around age 13-15, I started to feel a bit agitated how underrepresented women were in the music industry. That’s when I discovered some women I still look up to today: Erykah Badu, Queen Latifah, and Lauryn Hill.."

Techno then came around: "I started looking up the history of techno in Detroit and attending Detroit’s annual Electronic Music Festival at Hart Plaza (‘Movement’). I had no idea what to expect besides the very few artists I knew on the line-up the first year, but each year I grew deeper into the scene and felt it become a stronger role in my life."

It helps to explain why Fabiola takes us on such a lush journey through gold-dusted 90s and 00s records. Fantasia, Lauryn Hill, Aaliyah, Salt ‘N’ Pepa, Missy Elliott (nothing but love and respect for MY president): their tracks will have you sitting deep in a bean bag, passing a blunt, watching the rain on a Sunday morning before heading to the neighborhood diner. It's part education, it's part eulogy to American black women legends. And this is just a fraction of what she used to bump to in her youth, from high school to recent discoveries. In all, it's a seamless synthesis. 


-- TRACKLIST -- 

Just a Friend - Biz Markie
I Wish - Skee
Mr. Telephone Man - New Edition
Machine Gun Funk - The Notorious B.I.G.
Shoop - Salt ‘N’ Pepa
Woo Woo Woo Woo - Esham
Doo Wop - Lauryn Hill
Don’t Worry - Aaliyah
Still Not a Player - Big Pun
Honeydips in Gotham - Boogiemonsters
Jazzy Belle - Outkast
When I See U - Fantasia
Juicy Fruit - Mtume
Too Close - Next
Nasty Boys - Janet Jackson
Nasty Girl - Jadakiss
Kiss - Prince
Old School Joint - Missy Elliott
Suavecito - Malo
Only You - Steve Monite
I Want You - Erykah Badu
The Dream Time Machine - WZRD

-- ARTWORK --

CYBER GiRL’s work is then paired with visual artist Cameron Welch's piece Smooth Operator from 2017. Welch's work operates similarly to Fabiola's interest in mining gender, race, and the performance (and permanence) of these variables.

Moods 03: CYBER GiRL

Name: Julie Malice
Alias: Malzof (@juliemalice)
Pronouns: they/them/theirs
Location: Pittsburgh, PA

Influences: gravity, large bodies of water, wind, plants, radio hosts, the community around me and a long history of resiliency

Affiliations/Residencies/Projects: BOOM Concepts / gfx

Favorite Quote: "This company that provides 'security' for numerous agencies as well as rehabilitation services for young girls 'at risk' in the United States, while operating private prisons in Europe, Africa, and Australia, also provides equipment and services to Israeli checkpoints in the West Bank along the route of Israel's apartheid wall as well as to the terminals from which Gaza is kept under continuous siege. G4S also provides goods and services to the Israeli police in the West Bank, while it offers security to private businesses and homes in illegal Israeli settlements in occupied Palestine. As private prison companies have long recognized, the most profitable sector of the prison-industrial complex is immigrant detention and deportation. In the US, G4S provides transportation for deportees who are being ushered out of the US into Mexico, thus colluding with the increasingly repressive immigration practices inside the US." - Angela Davis on G4S, the third largest private corporation in the world (pg. 57) Freedom Is a Constant Struggle: Ferguson, Palestine and the Foundations of a Movement

Advice for the DJs, artists and producers of our community: Don't be afraid to try out new mediums. Keep sharing your ideas and voice. Collaborate with friends and artists that you respect, provide them feedback and mentor each other. Gain ownership over space and do what you want with it. Take space where you can and remember your greatness and worth, even while the world tries to take that from you/us. Be unrelenting in all media. Take breaks when you want to and don't feel guilty about taking time for yourself. Taking care of yourself always comes first.

Tracklist - https://www.facebook.com/DaisychainPodcast/posts/640888383002103?__xts__[0]=68.ARC4GVBAMVTlcGH32Bcr-inrLXEI8z4j8HcDxP1TuWPXLU_fflXReLGyLcmsJ4AeNx_GG6SfVurstMfPKG1WaaDOC629rOe1PET8OVlZMuobudpqvDKLOPicoC7-A3mK4HC5gax-XUw8_NAJOyn9g8uUFJoYxz1QiEhPysy7LK_HUsq4xxf0g8_EYU1ZW2W2f0oC5GJUgFUKXHXZVYraKdfLZaPo_GWbhDIFzKI6jWEUSGY6MTMKOouK5LH_nipAfbwRKwuJPCbFmudBGLXAC1V2m6k_gOa_SutIeKcDY0LIpknEn6obJH_1jF11gIelzZDF-DQkDOi_65YVSPv4FUY&__tn__=-R

Daisychain 071 - Malzof

Endash (Daniel Sharp, b. 1994, Grand Rapids, Michigan) is a Detroit-based artist, musician, writer, and interdisciplinary organizer. Their sonic work explores landscape, memory, science fiction, ambient, and techno.

They have released with Acid Camp (2024) and self-released three EPs (2014-2018) and one LP, Come Home (2019). They are the founder and co-organizer of @mooooods.

To book: dsharp13@gmail.com
Releases: https://endash.bandcamp.com
IG: http://instagram.com/dshrp
Website: https://danielsharp.cargo.site

Played and ran events at:

SutroFM (2024)
Jupiter Disco (2024)
ANYTHING BK (2024)
Beloved Radio, Chicago (2023)
Disco Zwei, Germany (2023)
Hunter Thompson Saloon, Germany (2023)
Imbolc, Detroit (2023-)
Public Records, New York (2022)
Flyover, Minneapolis (2022)
BEVERLY'S, New York (2021)
GLU, New York (2019-)
Basilica Soundscape, Hudson (2019)
The Lot Radio, New York (2018-)
Bossa Nova Civic Club, New York (2018-)
WCBN, Ann Arbor (2015)

@memco alum
they/he/she

⋆｡𖦹 ° nyc / detroit ✩⋆｡𖦹 °✩⋆｡𖦹 °✩ 
 left field - electro - house - idm - bass - acid - breakbeat - EBM - post punk - synth wave - dub edit everything
⋆｡𖦹 °✩⋆｡𖦹 °✩⋆｡𖦹 °✩

c̴̡̼̞͇̐͌̽͗̅͐̌̋͝y̷̢̫͔̭̼͕̯͇͍̼̳̓̊͂͘͜b̸̡̪̠̲͓̣͔̝͈̙͖̞̗̠̯͋̿͌̓̀́̈́͆̿̒͒̀͐̚̕e̶̡̡̤̞̰̟̹̺͍͇̒̽̄͆̇͝r̴̗̼̩̤͖͙̖͘ ̷̼͌́̂͗̑͘̚g̸̰͎̝̫͓̗͈̪̝̦̬͙̻͐̿̃̌͛̇͗̅̉͠͝ͅȉ̸̭͉̩̹̳̠̞̎͑̒̊̑̈́̉̈̄͑ř̶̨̨̧͕̜̬̩̂̀̀̇͆̀̀͑̍̏̕͠͝͝ļ̶̡̬̘̲̻̱̙̮̼̖͊̄̃̂̿̋̈́͒\

Moods 03: CYBER GiRL

Endash

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