Pro Unlimited refers to soundcloud premium accounts from the ancient ages. It's an archeological dig the label used to find its sources. 

This 17 tracks various is a wide spectrum gathering of label affiliates, newcomers and producers we had a crush on in the past months.

It's generous in term of styles and offers uplifting ambient, psychedelic ravy cuts, punk trip hop, post-clubbish belters and a big variety of sound design pleasures.

Available in CD limited edition and digital (link in bio)

Mastering : Lorenzo Targhetta
Design : Christophe Synak & Nina Muro
A&R : @sleekfata

12 - Modern Collapse - Hoarse

https://soundcloud.com/user-775234683
https://soundcloud.com/plasmasourcesmusic
🛒 https://plasmasources.bandcamp.com/album/soundsystem-music
🔊 https://youtu.be/cQQv4yCvibA

Plasma Sources is proud to present nosync’s Soundsystem Music, an EP which provides a fresh perspective on the high-fidelity and sci-fi influenced electronic music the imprint is known for. 

nosync’s work sits in a truly unique space in the sound system/club music-o-sphere. This in large part is due to his heavy deployment of progressive metal instrumentation, from chugging walls of overdriven guitars to relentless double-time kick patterns. On paper, utilising this palette in a club-music context may seem like an impossible task. However, where others might see a chasm of disparity, nosync has deftly identified the bridge connecting these two genres, seeing in these two landscapes the same desired emotional state - despite the different methodologies used to achieve this. 

“This record attempts to make the case that the essence of what makes these sounds so obsessively loved are one and the same. Gripping dramatism and intensity are the overlapping themes that I have attempted to bring out here, through the record’s sound design and film-like structure.”

Indeed Soundsystem Music as a whole feels wildly cinematic and is as much an exercise in atmosphere creation as music for sound systems, with nosync citing the video game Dead Space and its sequel as key influences for this body of work. From the claustrophobic, elasticated wind chamber of ‘Traced’ to the broken choir voices and FiS-esque ambient abyss of ‘Dead Land’, nosync has expertly matched the pace and atmosphere of these hugely iconic and utterly terrifying video games and channeled them into a purely sonic experience. 

The metal influences nosync brings to the table slice through the entire corpus of Soundsystem Music, although the linkage is perhaps at its most clear on ‘Airlock’, which features a full-on death-metal guitar chugging through the first half. In perhaps the most surprising switch-up of the entire EP, things suddenly twist into a guttural underwater club track a third of the way through. 

nosync’s love for the vast ecosystem of club/soundsystem music also comes through loud and clear on this release, from the grime-inflected leads and hyper-detailed polyrhythmic noise workouts of ‘Unregistered Hypercam’ to the reverberated metal clangs of ‘Kauket’s Arena’ which feels like witch-house on steroids - the soundtrack to some final boss battle with some type of nightmare-demon-entity. 

nosync has achieved something unique with Soundsystem Music. By drawing together a hugely disparate corpus of influences and pummelling them into a noise-fuelled apocalyptic aberration, he has created a sound which feels consistent, fully his own, and in many places, utterly dread-inducing.

Tracklist: 

1. Aberrations
2. Traced
3. Unregistered Hypercam
4. Dead Land
5. Airlock
6. Kauket’s Arena

PREMIERE: nosync - Airlock [Plasma Sources]

https://sfx-space.bandcamp.com/album/blistering

Defanged

M.1_5 - 10

Atrice Work Series Part II
self-released & digital only

1. Crave
2. Kine
3. Voracious Sirens

Production, writing, composition: Atrice
Master: Beau Thomas at Ten Eight Seven Mastering
Artwork by Joana Huguenin & HANK SERVICES
Funded by Kulturpauschale Basel-Stadt

Bandcamp

Kine

Mn25

The CRTTR-CLB series carries the vision of exploring different ways of challenging the notion of club music. For each release we want to bring together four artists who have somehow given us a glitchy feeling on the dancefloor, while digging or in any other listening situation. We’ll be releasing a new track every friday.

So go ahead and listen to the fourth batch of freshly made tunes from the following lovely artists <3<3<3

> Capiuz <
https://soundcloud.com/tu_music

> Noria Lilt <
https://soundcloud.com/norialilt
https://strecke.bandcamp.com/album/the-insiders-of-the-in-between

> Joyo Ann <
https://soundcloud.com/joyo_ann

> Circular Square <
https://soundcloud.com/circular_square
https://circular-square.bandcamp.com/

Circular Square - DW-1.4(ms)

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

Zoë Mc Pherson - Chaos 3.0 Live, 2024 
Buy: https://sfx-space.bandcamp.com/album/chaos-30-live

"Soothing yet hyperfast. Here is a triptych of tracks that Zoë has been playing and recorded at their live shows lately, notably at Quebec's Mutek, France's Nuits Sonores, Austria's Elevate Festival. All at 185 BPM, from nostalgic breaks melodies, to speedcore, you name it! "

@zoemcpherson
@s-f-x-0101

[Premiere] Zoë Mc Pherson - Let It Go (out on SFX)

Whatever Man

Art and Music: François-Xavier Vigneault-Marcil

Mastering: Jake Fields

Neige Noire - Cloud Voyager - 04 A Stranger

Straight out of Florence, Italy, OOH are a label that stand high upon their own mountain top. Across their growing catalogue, spanning twenty releases and counting, they bring a highly curated, avant-garde vibe with sound design lying at its core. They have played host to artists such as Peder Mannerfelt, Dale Cornish and Sim Hutchins among others. Continuing such a thread, they now prepare their twenty-first release from french duo, Glass, entitled 'crY' EP. 

Recently debuting with independent French label, Sante Records,Glass present a body of work that is full of meaning on 'crY' EP. Not simply a collection of productions but an expansive investigation into sound in the broadest sense. In their own words, 'crY' EP is 'a response to an explicit impulse to investigate modern commodification beyond its soothing, enjoyable and relaxing facade.' This can certainly be seen in Glass' sound design, juxtaposing elements of weirdo techno, jungle and experimental with nuances from gaming and other electronically related worlds.

On track 'Appointment Scheduling System', Glass have parsed a modernist take on jungle. The immediacy of unrelenting drum patterns pairs with raw samples from everyday life. Tension is built in the syncopation of elements from laser stabs to door knocks, the track is a pummeling fistful of energy.

Read more: https://hyponik.com/features/first-listen-glass-appointment-scheduling-system-ooh-sounds/
@glassglassmusic
@ooh-sounds

M.1_5 - 10

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