Name: Silly Goose - Anthem Part Two by endoftimerecords
Duration: 3 min 45 s
Description: Silly Goose is a magical Blink-182 cover band featuring vocals from Jenn Ghetto (S, Carissa's Wierd).

This is such a good song. Fingers crossed i can get a copy of the 7"

Still one of the most genius things to ever happen to anyone who has ever covered anyone. Thanks, Jenn. You rule.

THIS IS NOT A CLEAN SONG!!!! MY MOM GOT MAD!!!!

this song is the best song ever i want to buy its ciopyright

Silly Goose is a magical Blink-182 cover band featuring vocals from Jenn Ghetto (S, Carissa's Wierd).

Silly Goose - Anthem Part Two

Destruction Unit "Feed The Dogs"

Pre-order LP/CD: http://www.slumberlandrecords.com/catalog/show/270
Pre-order from iTunes: http://smarturl.it/dalliance-itunes

Gold-Bears' second full-length, "Dalliance," is a record about regret. It reminds you of that time you lied to your friend when you said you were too busy to hang out, but instead went to the bar alone. Or when you sent that really shitty email to your brother about something that really has no bearing anymore, because you were too caught up in the moment to think clearly. It also reminds you of the time you got divorced... from whatever or whomever.

In the past two years since Gold-Bears released their debut album "Are You Falling in Love?," main Bear Jeremy Underwood gathered a new crop of friends to carry out his fuzz-filled visions. "Dalliance" is more focused and abrasive than that 2011 debut, combining their noise-pop influences from forebears like Boyracer and The Wedding Present with shades of the post-hardcore, emo and post-punk on which the band all cut their musical teeth. This is not to say that Gold-Bears gave up impossibly catchy song-writing, just that their signature indie punk anthems are now even sharper, the guitars even more slashing, and the songs even more harrowing and heartfelt than ever.

"Dalliance" opens with the anthemic "Yeah, Tonight," a proper pop song featuring a duet between Underwood and Emma Kupa (of the defunct London indiepop band Standard Fare) that sets the agenda right away — sharp melodies and even sharper guitars, all whizzing by in less than three minutes. “Chest” rushes in almost immediately after, barely two and a half minutes of punk energy and fizzing feedback.

The stomping "From Gainesville to Tallahassee" features a gnarly feedback guitar solo and backing vocals from Black Tambourine's Pam Berry. “Punk Song No. 15” is as described, a blazing flash that condenses the history of UK noisy pop into just over one minute. “I Hope They’re Right” and the lovely, jangling “Hey, Sophie” show how much the band have expand their range, slowing the pace, turning up the jangle and taking on the big subjects.

Gold-Bears cover a lot of territory, musical and lyrical, in "Dalliance"’s 32 minutes and by the time that we reach the miniature epic of closer “Fathers And Daughters” we realize that we’re watching a band and a song-writer hit their stride, turning in an album that’s exciting, thoughtful and infectious.


Gold-Bears - For You

Death and the Internet is out 4/28 on Fire Talk

LP - http://firetalkrecs.com/shop/advaeta-death-and-the-internet
ITunes - Coming Soon!
Bandcamp - https://firetalk.bandcamp.com/album/death-and-the-internet

Advaeta is the collaborative project of Brooklyn based musicians Lani Combier-Kapel, Amanda Salane and Sara Fantry. With a complex sound that is heavily melodic, loud and textural, they grind velvet harmonies and lush noise into a landscape that is both evocative and wholly enveloping.



Buy on ITUNES

ADVAETA - Angelfish

Philadelphia Collins is the collaborative project of Devin Mcknight (Speedy Ortiz/Grass Is Green) and Theo Hartlett (Ovlov/Flat Swamp). The two recorded all the music on their debut EP, Derp Swervin', and had various friends take over on vocals. "Sofa Queen" features lead vocals from Ellen Kempner (Palehound).

Derp Swervin' is due out July 21st on Exploding In Sound Records.

Philadelphia Collins - Sofa Queen (feat. Ellen Kempner)

Swanning

Written recorded and performed by Natalie de Silver in 2018

Who May Have Found God?

In Love Again

'Good Sense' is taken from Hash Redactor's debut album entitled 'Drecksound', out April 26th through Upset The Rhythm and Goner Records.

A quick glance at the résumés of Hash Redactor’s members might seed certain expectations.  The band is fronted by guitarist Alec McIntyre of Ex-Cult, with NOTS rhythm warriors Meredith Lones on bass and Charlotte Watson on drums, and rounded off by George Williford on second guitar.  But their debut full-length dives into territory that feels distinctly untethered from their lineage and era.  Drecksound is a clattering, shambolic oasis in the sleek digital desert of the late twenty-teens.  
 
Perhaps both because and in spite of the alienation that typifies the glut of rock music at the end of this god-damned decade, these twelve songs deliver a pointed social criticism, more cathartic than suffocating, while championing a nihilism that greets the abyss by laughing mockingly in its face. The chorus to the incendiary Step 2: Success is sneered, not sung, “It’s a long con job and you just got it wrong / banned from the world.” Or take Open Invite’s opening missive, “I won’t settle for anything less than a four-star refugee camp.” McIntyre’s lyrics present a puckish fascination with humankind’s rake-stepping self destruction.  He’s a merry prankster, but more in the mold of a jackbooted Monty Python character than a Ken Kesey acid casualty. Case in point: A-side epic In The Tank, where a vindictive custodian boils alive the wealthy patrons at the sensory-deprivation tank facility where he works.
 
McIntyre and Williford’s guitar interplay on Drecksound draws from some weird rundown of usual and unusual suspects in the tight corner of avant-punk guitar work, recalling some free-association that includes: Marquee Moon, John Fahey gone electric, the playing on Ornette Coleman’s mid-70s Body Meta and Dancing In Your Head, prime-era Flesheaters, and (why not) the first two Meat Puppets albums. Without anything resembling traditional leads, guitars snake in, out and around Lones’s bass lines, which alternate between slinky earworm hooks and steel cable raw power.  All of this is locked in by Watson’s characteristically visceral swing.  It doesn’t feel controversial to claim that the duo of Watson and Lones constitutes one of the best rhythm sections to be heard anywhere in contemporary punk music.
 
Having played out heavy in 2018 with a refined live show, a four-song demo, and several Gonerfest appearances under their belt, HR cut the record at home on a borrowed 8-track cassette machine. The deranged raw tracks were mixed into final form by Matt Qualls at Young Avenue Sound, and mastered by Jason Ward at Chicago Mastering. Hash Redactor will be touring the States in summer and with plans for Europe later in 2019. Drecksound is out April 26 on Upset the Rhythm in UK/EU and the rest of the world on Goner.

Available to pre-order here: upsettherhythm.bigcartel.com/

Drecksound

Hash Redactor - 'Good Sense'

End of Time is an independent, micro-sized record label based in Seattle. Running ourselves into the ground since 2012. Catering to the freaks since 2013.

Silly Goose - Anthem Part Two

endoftimerecords

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