END RESULT PRODUCTIONS

Rumination is a state of mind described to be compulsively focused attention on the symptoms of one's distress, and on its possible causes and consequences, as opposed to its solutions. Following a struggle with grief, the bereaved often fall into a state of rumination.

As such, "Rumination" is the next five-song LP in the Mountain Man catalog. It’s written as a thematic follow-up to the "Grief" LP, released in 2011 on Think Fast! Records, and it serves as a chronological follow-up to the "Two" EP, released in 2012 on No Sleep Records.

After their formation in summer of 2009, Worcester Massachusetts’ Mountain Man has a short but expansive discography. "Rumination" finds them further developing the experimentation in songwriting that they first demonstrated in "Grief" and subsequently refined in "Two".

Mountain Man - Kingdom Came

Abandos began as the brainchild of Kyle Marchiafava. After releasing a 7" on Bruised Tongue in addition to another 7" later in 2014, the band rebranded itself in January of 2015. Kyle made the switch to use an MPC 1000 in lieu of a live drummer and bassist, as many lineup changes had plagued Abandos from the start.

After stripping down to just an MPC, Wes Russel of Hot Guts was brought aboard to Abandos on guitar; "Nurture" being the first release of their material in this lineup. The style of music they produce in this way is heavily influenced by genres of EBM and synthpunk, with unique character added to it by way of Wes' guitar work and Kyle's vocal tone.

[ER-33] Abandos - One Away

Exclusive podcast from @andrey-pushkarev to Trax Magazine.

More info on Trax : http://fr.traxmag.com/audio/31907-trax-173-andrey-pushkarev-interview

INFO ON TRAX

TRAX.173 ANDREY PUSHKAREV

New York City’s Veronica Vasicka very much discovered an untapped musical mine when searching for music for her radio show more than a decade ago. That mine was full of rare, overlooked and forgotten DIY synth records from the 70s and 80s and inspired her to start her own label, Minimal Wave. Since then it has become an imprint with a very focussed musical and visual identity, has spawned compilations on Peanut Butter Wolf's Stones Throw Records and has made Veronica an in demand DJ all round the world.

At those gigs, she offers up a sleek musical vision that is mirrored here in the mix she had done for our on going series.  Starting with a poignant monologue about new music, it then drops into a rugged groove that is industrial and machine made, abstract and futuristic. The ensuing hour touches on the robo-techno of Levon Vincent, terse beats and raved-up electro as well as some colourful and trippy disco. A lot is packed in, but a buffed metal sheen ties the whole thing together and subtly oozes the very essence of Minimal Wave. 

Dekmantel Podcast 072 - Veronica Vasicka

‘Possibly the most important thing this side of the world’

FRANKIE GOES TO HOLLYWOOD Two Tribes (Annihilation) (ZTT, 1984)
THE RESIDENTS Kaw-liga (The Housey Mix) (Torso, 1989)
PATRICK COWLEY Get a Little (Megatone, 1981)
THE MOLE TBA (Philpot, 2005)
PAUL HAIG Blue for You (Interference, 1982)
GAZ NEVADA Special Agent Man (Female Version) (Italian, 1983)
MARRS Anitina (The First Time I See She Dance) (4AD, 1987)
JAPAN Quiet Life (Hansa, 1979)
THE HUMAN LEAGUE Do or Die (Virgin, 1981)
MOEBIUS/PLANK/NEUMEIER All Repro (Sky, 1983)
BOARDS OF CANADA Nlogax (Skam, 1996)
PSYCHIC TV She Was Surprised (Temple, 1988)
LOWTEC Workshop 6 (drums) (Workshop, 2008)
TANTRA The Hills of Katmandu (Philips, 1979)
YELLO No More Words (Stiff, 1983)
DAF The Gun (Powder Keg Mix) (JCI, 1987)
CONRAD SCHNITZLER Auf Dem Schwarzen Kanal (RCA, 1980)
QUANDO QUANGO Atom Rock (Mark Kamins NY Remix) (Factory, 1985)
DEPECHE MODE Shout (Rio Mix) (Mute, 1981)
MORY KANTE Ye Ke Ye Ke (Afro Acid Remix) (London, 1987)
BABY FORD In Your Blood (Insumision, 1991)
KAOTIC CHEMISTRY Drum Trip II (Moving Shadow, 1992)
RENEGADE SOUNDWAVE Space Gladiator (Dub) (Mute, 1989)
NWA Express Yourself (Bonus Beats) (Ruthless, 1988)
THE DOC Portrait of a Masterpiece (Atlantic, 1989)
KING SUN On the Club Tip (Profile, 1989)
ULTRAMAGNETIC MCs When I Burn (Next Plateau, 1997)
TIM SIMENON You See Me in 3D (J Saul Kane Remix) (Rhythm King, 1991)
LENNIE DE ICE We Are IE (IE, 1991)
KAOTIC CHEMISTRY Strip Search (Moving Shadow, 1991)
DJ ASSAULT Asses Jigglin (drums) (Electrofunk, 1997)
SHAKE Frenchie (Frictional, 2010)
DEAD MILKMEN Instant Club Hit (You'll Dance To Anything) (Restless, 1986)
MINISTRY Over the Shoulder (Sire, 1985)

‘Choke on this you Danceteria types’

Karl & Ken Meier 'Instant Club Hit'

Infinite Abraxas

The first release of the End Result Productions Summer Campaign 2016 is a C33 cassette tape titled Entelechy by artist PulseWidthMod, the solo project of Baltimore-based Maeghan Donovan.

From the artist:
“I choose the album title Entelechy because I feel humanity is at a serious crossroads right now. We can choose to transform into our full potential and overcome the nonsense; or we can devolve and possibly become victims to some sort of ELE.”

Made available 01 July 2016, End Result Productions is teaming up the following night with the Extra Dark promotion crew to present a PulseWidthMod live set in the fourth installation of their Difference Engine party.

Entelechy

[ER-42] PulseWidthMod - beMORE

The Brvtalist is proud to present a new mix by Barcelona-based artists Morgan Hammer + Lokier. Collectively known as She Made Monster, the two are some of the most exciting producer/Djs  in the current wave of genre bending electronic music. Mixing everything from techno, house, wave and electro, New Brvtalism No. 063 is a left of center exploration of new, old and anything in between. Includes tracks from artists Schwefelgelb, Umberto and Junq. For more information please visit www.thebrvtalist.com/newbrvtalism063/ 

@she-made-monster
@morgan-hammer
@lokier

New Brvtalism No. 063 - Morgan Hammer + Lokier

Expedition III offers two new glacial movements from SPT, techno mainstay of the End Result Productions IOEPR subsidiary. In similar fashion to previous expeditions, the tape explores one area of the Antarctic on the A-side and another on the B-side. A southeast advancement of 175 km (ca. 110 mi) is made from Expedition II’s end at the Riiser-Larsen Peninsula, in order to begin the A-side of Expedition III along the edges of the Prince Harald Coast. The B-side then embarks from the shores of the Prince Harald Coast onto the Lützow-Holm Bay. 

The slow-moving modulation of a tape-sourced Antarctic field recording sets the preliminary tone of the release on ‘Prince Harald Coast’, quickly followed by an elegant bassline from the Make Noise DPO. Kick drum is worked into the mix until the introduction of the lead line from the Roland System-1, after which point the track’s duration is composed by the continual addition and subtraction of rhythmic elements within long delay lines and deep reverberant spaces. 

‘Lützow-Holm Bay’ sees the DPO employed for heavy ambient drone at the track’s beginning, with overlays of percussive elements from the Mutable Instruments Clouds and noise elements from a different tape of Antarctic field recording. Thunderous pitch-shifting sweeps are introduced to accompany the rhythm of the Clouds, until drum elements and eventually the lead lines of the Roland System-1 are worked in. The timbral qualities of the DPO are revealed as the duration of its envelope is decreased, ultimately letting it find its place as the bassline just as in ‘Prince Harald Coast’. Thereafter, the track’s remainder is composed of additions and subtractions similar to those of ‘Prince Harald Coast’, but amounting to its closure from much starker progressions in the basslines and lead lines. 

In production style, Expedition III returns to the cleanliness of direct recording, rather than the captures of live performances to cassette tape which were used for Expedition II. Still, the tracks were produced entirely live with no overdubs, in rehearsal for live performances at rizumu events in Philadelphia. 

Mastering was carried out on hardware equipment with tape by Alex Garcia-Rivera of Mystic Valley Studio, giving Expedition III the most balanced and professional sonic quality out of all the expeditions completed thus far.

Expedition III

[ER-48] SPT - Prince Harald Coast (Excerpt)

GRCR-011 - WOLF DEM - Hypnophobia
A1 - Aquatic Pixelation
A2 - Lethe
B1 - Tin Procession 
B2 - A Cruise Down The Styx

Official Release date: 07 October 2016 //Mastered and cut by Dietrich Schoenemann at Complete Mastering // Pressed at Brooklyn Phono //Jacket Design by Seppuku Overwrite // Jacket screen printing by Mark Price

Pick it up at your local shop or order here:  https://greatcircles.bandcamp.com/album/wolf-dem-hydrophobia-grcr-011

GRCR-011 - WOLF DEM - Hydrophobia - 12" Preview

Il Suono Scuro is a series of all-soundtrack mixes
Studio wizardry provided by @shawnryan

Track Listing:

Wendy Carlos - Theme From A Clockwork Orange (A Clockwork Orange, 1972)
Todd Canedy - Mellow Two (Killing Cars, 1986)
Klaus Schulze - Pain (Angst, 1984)
Jacques Zwart - Heart Attack (Abwärts, 1984)
Libra - Schock (Schock, 1977)
Aquarium Sounds - Buio (Così Per Gioco, 1979)
Paolo Vasile - The Robbery (Controrapina, 1979)
I Pooh - Odissey (Racconti Fantastici, 1978)
Enrico Simonetti - Drug's Theme (Gamma, 1975)
Triple Action - D.A.M.S. (Loretta Goggi In Quiz, 1984)
François De Roubaix - Fête Loulou Essai Flash Back Prison (Commissaire Moulin, 1976)
Goblin - Buio Omega Suite (Buio Omega, 1979)
Jacques Zwart - Danger (Abwärts, 1984)
Cooper & Hughes - The Assault (I Paladini - Storia D'Armi E D'Amori, 1983)
Favoriti E Vincenti - Sweet Killer (Brillante, 1985)
Tullio De Piscopo - Black Star (L'Arma, 1978)
Jean Pierre Rusconi - Le Testament (Mesrine, 1984)
Onyx - Octagon (Der Alte, 1983)
John Carpenter & Alan Howarth - Team Assembly (Prince of Darkness, 1987)
Sebastian Argol - Horsemen in the Wind (Yol, 1982)
Jay Chattaway - Making the Silver Bullet (Silver Bullet, 1985)
Aldo Tamborelli - Mix Up/Buldozer (Tornado, 1983)

Il Suono Scuro 6

ONLY FOR ROBOTS
Qbot : recorded exclusively for Don't Trust Humans, November 2012
donttrusthumans.com
djqbot.com

tracklisting:
Dan Oberbauer : Metal Atmosphere
Federico Sahne: Epistemology [Peder Scientific Rebuild]
Cassegrain: Luban | Prologue
Guidewire: Ressurection [Brian Knarfield remix] | Android Musiq
Mark Morris: The History of a Robot [Go Hiyama remix] | Ketra
Monoloc: Try | CLR
Cabarete Groove: Tourette's Syndrome [Cabarete's 2.4 rework] | Silent Steps
Pinion: Mirv7 | Perc Trax
Andres Gil: Pizzicato | Slap Jaxx
Roman Lindau: Borne | Ann Aimee
Mays + Eigenes Rezept: Pena | Blind Spot
Joseph McGeechan: Failed by the Conformists | Prosthetic Pressings
Forward Strategy Group: Labour Division | Perc Trax
Tommy Four Seven: Armed 3 | CLR
Daegon: m45 [Rene Walther remix] | Android Muziq
Gedevann: People Attractor | Lead Square
Orphx: Appartition | Sonic Groove
Go Hiyama: Farnsworth House | Token
Unbalance: Unbalance 3.1 | Unbalance
Romanolito: Asstone [Lance Blaise's reinterpretation] | Android Muziq
Patrick Krieger: Symbolism [Sawf remix] | Gynoid Audio
Par Grindvik; Sinister [S100 remix] | Sinister
Bas Mooy: Warsaw [Walker FSG remix] | Audio Assault
Dead Sound: Unknown | Labyrinth
Unab Zetineb: Takisso Remu | Labyrinth
Surgeon: The Power of Doubt | Dynamic Tension
Chris Page: Derailleur [Rebekah remix] | Affin
Gabeen: Sculptio | Plastiq
Polyfuse: Laconic | polyfuse.bandcamp.com

Only For Robots #27

End Result Productions is a cassette and zine imprint from Philadelphia, PA, that occasionally releases records and organizes events.

Oh shit. there is Nothing xD
Just feel free to Ask if you want^^ Cheers!

[ER-48] SPT - Prince Harald Coast (Excerpt)

END RESULT PRODUCTIONS

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