Hexadic track using tuning Bb-Eb-Bb-C-F-Bb. A 10 note progression is used.  New tonal field technique used selecting 5 new notes from 23 cards. A four by six square from the root note. This is the first note - Bb tonal field experiment.

Fog #1

Hexadic track using tuning Bb-Eb-Bb-C-F-Bb. A 10 note progression is used. New tonal field technique used selecting 5 new notes from 23 cards. A four by six square from the root note. This is the second note - B tonal field experiment.

Fog #2

Hexadic track using tuning Bb-Eb-Bb-C-F-Bb. A 10 note progression is used. New tonal field technique used selecting 5 new notes from 23 cards. A four by six square from the root note. This is the third note - A tonal field experiment.

Fog #3

Hexadic track using tuning Bb-Eb-Bb-C-F-Bb. A 10 note progression is used. New tonal field technique used selecting 5 new notes from 23 cards. A four by six square from the root note. This is the forth note - C tonal field experiment.

Fog #4

Hexadic track using tuning Bb-Eb-Bb-C-F-Bb. A 10 note progression is used. New tonal field technique used selecting 5 new notes from 23 cards. A four by six square from the root note. This is the fifth note - D tonal field experiment.

Fog #5

Finally an end to this mysterious Hexadic piece!! What I did is a mystery. Hexadic v Free Improvisation. 5 note sequence, Improvisation pieces referencing fractured tonal fields for each note.

Mist Parts 1 - 5

Field #3 of a five field recording/progression. Tuning BbFBbFBbC. Again very noisy and completely improvised.

Written from the Ben Chasny Hexadic Figure that came with Hexadic III.

I used both dynamic and static correspondence tonal fields for the improvised guitar. There is also a backwards riff and a heavy rhythm track.

This field uses Pole 10♥IV. Root tone K♥. No centre tone. 

All I can say is "Hmmmmm"!

Organ of Hex - Field #3

Field #4 of a five field recording/progression. Tuning BbFBbFBbC. A bit quieter this time and completely improvised.

Written from the Ben Chasny Hexadic Figure that came with Hexadic III.

I used both dynamic and static correspondence tonal fields for the improvised guitar. There is also a backwards riff and a rhythm track that uses the same chord but forward. Solo guitar distorted and improvised.

This field uses Pole 6♥V. Root tone 6♥. No centre tone.

Organ of Hex - Field #4

Field #5 of a five field recording/progression. Tuning BbFXFBbC. Very noisy this time, completely improvised and with the 4th string missing.

Written from the Ben Chasny Hexadic Figure that came with Hexadic III.

I used both dynamic and partly static correspondence tonal fields for the improvised guitar. There is also a backwards riff and a rhythm track that uses the root and interval note of the dynamic field #5. Main guitar very distorted and improvised.

This field uses Pole J♦III. Root tone 3♥. No centre tone.

Organ of Hex - Field #5

New Hexadic track. 4 string composition in Bb-E-x-x-Bb-C.

Composed using Linear Heaviness/Lightness and arriving at a 6 note progression. Two backwards guitar tracks with one track (on the left) being the main sequence. 

The "solo" track used fractured tonal fields from picking 6 notes at random from the top octave (1st and 2nd string) for each progression note.

The End Springs