Edges (2010) for piano and percussion

Kurkku
for flute, oboe, soprano saxophone, piano, accordion, contrabass.

Feb 7, 2017, Pre-art Soloists
Army Hall, Sarajevo

Boris Previsic, Flute
Matthias Arter, Oboe
Raphael Camenisch, Saxophone
Gilles Grimaitre, Piano
Vladimir Blagojević, Accordion
Aleksander Gabrys, Contrabass

Kurkku (2015)

Cartography of the Eye
for flute, harp, violoncello, contrabass

July 15, 2018, Ensemble Multilatérale
Jean-Philippe Wurtz, conductor
L’Église Notre-Dame de l’Assomption (Saint-Martin Vésubie, Nice)

Matteo Cesari, Flute
Aurélie Saraf, Harp
Pablo Tognan, Violoncello
Nicolas Crosse, Contrabass

Cartography of the Eye (2018)

Programme note (Proposal)
In this composition, that is related to the idea of city and space, I would like to create a sound world that will enclose fragments of the physical, three- dimensional space. The listeners will experience an imaginary urban environment, where sounds of flying musical objects (fanciful insects and birds), coexist, interact and mingle with an undefined continuous noise, an endless cloud of background commotion.
Realising the idea of this contradictory sound world, two aspects of spatial music will be explored. In the first aspect I will examine the ensemble dispersion, in order to make line-segments (triangles, circles, squares) in space. The position of the performers will supply the audience with visible sound sources. Musical gestures, functioning as unifying motives, will occur at these separate points, and will deliberate spatialisation of musical events. The listener will get the impression of these musical gestures, travelling into space, being developed, and transformed.
The second aspect of spatial music that will be examined, is the sound as a mass of static textures converted in space.Through internal, microscopic differentiations in the sonorities of the ensemble, I attempt to create textures that will change timbre, shape, and character in a slow motion. This time, the movement of the sound will be so compact and solid that its transformation cannot, automatically, be realised by the audience.

A Moment's Space (in progress-2019)/Workshoped by Riot Ensemble

Intro into the theatre play "Blaznost igre".

Blaznost igre (2019)

Tüh
for contrabass solo

Performed by Florentin Ginot in September 2019 in Royaumont.

Tüh

Forest

Vocals: Sylvio Dvnte

Instagram;
@fixxbeats
@thesylviodvnte

Sylvio Dvnte - Let Me Know (prod. fixxbeats)

Tropismes II - V - I 
for accordion solo
composed for Panagiotis Andreoglou
performed in OutHear Music Week, 13 December 2019, Larissa.

Forest

Engin Yiğit

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