Ain't docile Automatons, Vol​.​2

Lime

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https://soundcloud.com/recoverflow
ZgZone EP
[MTC003]

01 / HereIam
02 / Mamá te quiero
03 / ZgZone
04 / Japee
05 / Cierzo
06 / Japee (Uf0 remix)

Rec_Overflow presents a pretty atmospheric EP and pulls an abstract, futuristic and technical soundscape.

ZgZone EP can be approached in various ways, but paying attention to its subtleties yields the most amazing results. Rec_Overflow takes us through persistent chords that leave an everlasting aftertaste, synthetic textures that enclose great depth and submerged atmospheres very well achieved.

Uf0 ends the EP with a really amazing remix.
https://soundcloud.com/analog_uf0

AVAILABLE NOW: https://mutoscoperecords.bandcamp.com/album/zgzone-ep

Mutoscope Records
2024 / ©+Ⓟ
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Written, produced and mixed by Rec_Overflow in Zaragoza, Spain.
Additional track remixed by Uf0.
Mastering by Ruben Montesco at SoundClip Studio, Madrid.
https://soundclipstudio.es/

Desing & Artwork by Black Moon.

Nota de publicación:
℗ Mutoscope Records

ZgZone EP

Bandcamp

Rec_Overflow - ZgZone EP / MTC003 snippets

Yzak125

Copyright © 2024 Axel Gautier a.k.a. pert, Esq Pert or pertwillaby
Adaptations - EP

Adaptation #2 - Enjoindre (Allégorie relative à la venimosité de l'herbe) features samples from:
* (parodie) Raiponce en 3 minutes, by Lilou Gauthier - uploaded by Fâcheux Faucheux on YouTube (private video) [Spoken Words]
* Frans leren #Le verbe # enjoindre, by Frans Leren - uploaded by Frans Leren / Franse Les on YouTube [Spoken Words]
* Les fruits cuits, by Dranem, Roger Guttinguer & Paul Briollet on YouTube [Spoken Words]
* Regret / Marche nuptiale, by Antoine Bouscatel on YouTube [Spoken Words]
* Noël De Requista, by Chorale de la Solidarité Aveyronnaise [Vocals]
* Jibberish Jungle ~ The Darktoon Chase, by Christophe Héral & Billy Martin [Hook]
* Black Bag, by Carl Sherlock Holmes - uploaded by magrosi65 [Noise]
* Kashmere, by Kashmere Stage Band [Drums]
* Lost In The K-Hole, by The Chemical Brothers [Drums]
* Around the Fur, by Deftones [Drums]
* Zone Out (from Break Beats), by Myor [Drums] {Original Sample not found}
* Fresh 7 (from Break Beats), by Myor [Drums] {Original Sample not found}
* B-Boy 162 (from Jungle Warfare Vol. 1), by Zero-G [Drums] {Original Sample from Movement (feat. Sweet Pea), by S.L. Troopers}
* King Tubby Meets Rockers Uptown, by King Tubby [Drums]
* On a Roll (from Jungle Warfare Vol. 1), by Zero-G [Drums] {Original Sample not found}
* Amen, Brother, by The Winstons [Drums]

Adaptation #2 - Enjoindre (Allégorie relative à la venimosité de l'herbe)

Sofisticación eléctrica redundante de la dentellada poco ecuacional

Bridge

NoWhere (A1200 acid)

English below

Kastamonu, Küre Dağları ormanlarında oldukça nadir denk gelecek iki farklı göçün kesişimin ses manzarasına şahit olduğum için kendimi şanslı ve bir o kadar da kaygılı hissediyorum. 

Kayıtta duyduğumuz kuş Turna. 
Ana göç yolu hattı olan Orta Karadeniz'den güneye ve kuzeye doğru gerçekleşir. Şu an sonbahar göç günlerinde güneye doğru göç ederler. Orta Karadeniz ile Adana-Osmaniye arasını sık kullanırlar. Genelde gruplar halinde göç eden turnalar yüksek sesleri ile iletişim kurarlar ve bu onları bir arada tutar. 

Yavaş yavaş fade-in bir şekilde turnaların geçişini duymaya başlıyoruz, ona aynı anda benzer bir şekilde uçak sesi de eşlik etmeye başlıyor. Uçağın da turnaların da peak yaptığı nokta aynı oluyor. Sonra turnalar da uçak da fade out olup yavaş yavaş kayboluyorlar. Biyolog ve ornitolog arkadaşım bu denk gelişte oluşan turna seslerinin uçakların sesini tehdit olarak algılamasından kaynaklanabileceğini söyledi. 

Bu bir tehdit olsun ya da olmasın, antrofonik yüksek bir ses göçmen kuşların göç davranışlarını ne kadar etkiler? İki farklı göçün kesişimi olarak yorumladığım bu kayıt aynı zamanda beni insandan öte düşünmeye de iten bir pratik. En basidinden göçmen kuşlar kıtalar arası toplayıcı ve taşıyıcılardır. Bu döngü biyolojik çeşitlilik için oldukça önemlidir. Bu "kargo" görevine müdahalenin etkileri bu zinciri koparır. Ekosistem üzerindeki bu akustik etkinin merkezinde olmaktan çıktığımızda ve bunu paylaştığımızda oluşacak diğer etkileri yeniden değerlendirmemiz gerektiğini düşünüyorum. 

Not: Kayıt gece yarısında kaydedilmiştir. İkinci dakikada kulaklıkla dikkatli dinlediğinizde kanat seslerini de duyabiliyorsunuz. Derin bir orman olduğu için turna sesi birden fazla kez yankılara sebep oluyor.

Fotoğraf: Enis Çakar

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I feel both fortunate and somewhat anxious witnessing the soundscape created by the rare intersection of two different migrations in the forests of Kastamonu's Küre Mountains.

The bird we hear in the recording is the crane. Their main migration route stretches from the Central Black Sea towards both the south and north. Currently, during the autumn migration period, they are moving southwards, frequently using the Central Black Sea to the Adana-Osmaniye region. Cranes, which typically migrate in groups, rely on their loud calls to communicate and stay together.

We gradually begin to hear the cranes fading in, and simultaneously, a similar airplane sound joins in. The peak of the cranes and the airplane coincide. Then, both the cranes and the plane fade out and slowly disappear. A biologist and ornithologist friend mentioned that this alignment might result from cranes perceiving the airplane sounds as a threat.

Whether or not it is a threat, how much does a high anthropogenic sound impact migratory birds' behavior? This recording, which I interpret as the intersection of two different migrations, also encourages me to think more-than-human perspective. At the most basic level, migratory birds act as transcontinental gatherers and carriers, which is vital for biodiversity. The consequences of disrupting this 'cargo' function break the chain. When we step away from the center of this acoustic impact on the ecosystem and share it, I believe we need to re-evaluate other potential effects.

Note: Was recorded at midnight. When listening carefully with headphones around the second minute, you can also hear the sound of wings flapping. Since it’s a dense forest, the crane's call causes multiple echoes.

November 2024

İki Farklı Göçün Kesişimi / The Intersection of Two Different Migrations

Rubicon

Today marks the one year of Perspektif! We are celebrating this special day with a 7 track compilation from 7 different artists.

One Year of Perspektif – VA is now available exclusively on Bandcamp! You can visit the buy link to listen the full tracks and to grab your copies. The compilation is available as “name your price”. Any support is well appreciated!

Artwork and design by Wim Wetsels
Mastered by Thomas Halimi

Special thanks to all the music lovers who supported the releases and the label so far!

Stay tuned for lush releases in 2025!

One Year of Perspektif - VA

LINE_157

A decade is a long pause… how the world has changed since…

Longtime friends and collaborators, iconic ambient composer William Basinski and sound artist/composer Richard Chartier return to LINE with 'Aurora Terminalis', their first new work together since 2015’s ‘Divertissement’ LP (Important Records, US).

From an unexpected sudden burst of sound jaggedly spiraling outward, the tumult fades and shockwaves slide into lulling haze of a melody. Background nuance—nearly imperceptible—and foreground romanticism ripple near each others’ edges. Then, rhythmic and liquid, an erratic drifting over a clouded void... an 'un-still' life... a slow tracing.

'Aurora Terminalis'… a fading gauzy signal for a finality.

Basinski and Chartier have previously released two collaborative works on LINE; Aurora Liminalis (2013) and Untitled 1-3 (2008, an expanded reissue of 'Untitled' originally on Spekk, Japan, 2004), as well as the archival Bandcamp exclusive 'Something from the Pink House' a live improvisation recorded in 2004.

William Basinski's archival album 'The Clocktower at the Beach (1979)' was released on LINE in 2023.

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composed & recorded by Basinski & Chartier 2024

William Basinski: Voyetra 8 + loops
Richard Chartier: electronics, field recordings, processing, mixing

Mastered by Lawrence English at Negative Space

cover image: detail of 'Glass Eye', 2024 by James Elaine (acrylic and house paints, razor cuts on canvas, 62 in x 92 in)

© 2025 LINE

William Basinski published by Musex International (BMI)
Richard Chartier published by Touch Music/Fairwood Music UK Ltd

Aurora Terminalis (excerpt 2)

Field Recordist on Planet Earth 🍃
Sound Artist

Hear the Quiet* Places in Anatolia
Anadolu'nun Sessiz* Yerleri
🔻

İki Farklı Göçün Kesişimi / The Intersection of Two Different Migrations

Enis Çakar

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