enxpl series [collaboration with PSYCHIC LIBERATION]

Scène III with Nick Klein - 03/05/2022

a mix I made for my best friend for his birthday back in June <3
--> cover by Ren Schwarz

for matt

https://soundcloud.com/noemibuchi is a Swiss/French composer and sound artist that creates electronic, symphonic maximalism. Her music is defined by a delicate synthesis of textural rhythms and electroacoustic-orchestral abstraction. She explores the potential of consonance and dissonance, contrasts rhythmic physicality with disruption and playfully emphasizes irregularities, creating an expansive listening experience marked by detail and elevation.
After her studies in electroacoustic composition, musicology and german literature, she already played at various festivals and was awarded a culture prize of the city of Zürich.  https://soundcloud.com/ous_ooo will be releasing her debut album ‘Matter’ and its prelude ‘Hyle’ in 2022, as well as the debut album of Musique Infinie, a collaboration between Noémi Büchi and Swiss/Italian composer and installation artist Feldermelder.



"What was a crucial sound experience in your life?"

When I discovered drone music and listened to „l'île Re-sonante“ by Eliane Radigue on a hot summer day in an empty house. It was a kind of enlightenment for me.

Links:
Website: www.noemibuchi.net
Bandcamp: https://noemibuchi.bandcamp.com
Soundcloud: https://soundcloud.com/noemibuchi
Instagram: https://www.instagram.com/noemibuchi/
Youtube: https://www.youtube.com/channel/UC_PMDo8ToLUIjJ1--NYx_Gg

SÉPULCRALE - Mix for MNEMOYNE by Noémi Büchi
The idea of my mix was to represent sonically and musically my current aesthetic and artistic world. I chose pieces by artists who deeply touch and inspire me. Because as an artist you are never alone, even if you think you are. I find it fascinating to see an artistic aesthetic as a whole, a conglomerate of different works, by different artists, creating a whole work with a zeitgeist.

Tracklist:
1. All over the mix: Sound design by Noémi Büchi
2. Manuela Blackburn - Switched On
3. Feldermelder - Cycles
4. Vanessa Amara - I Don’t Think We’re All Anything
5. Subletvis - Blue Line / Talk To Me
6. Onethrix Point Never - Lost But Never Alone
7. Noémi Büchi - Elemental Fear
8. SPIME.IM - Exaland V
9. Furtherset - Auras
10. Amon Tobin - Milk Millionaire
11. Timothy Duval - Through The Night
12. Noémi Büchi & Feldermelder - Chasing Crispr Variants
13. Onethrix Point Never - Stress Waves
14. Alessandro Cortini - Let Go
15. Vanessa Amara - Rebellion, Daydreaming
16. Feldermleder - Fragments Of Yesterday
17. Tim Hecker - Virginal I
18. Noémi Büchi - Unknown
19. Susumu Yokota - Imagine
20. Julianna Barwick - Forever

MNEMOYNE #040 - NOÉMI BÜCHI

Broshuda's impressive output of releases and original production pieces for radio, appearing on imprints and platforms such as Haunter Records, NoCorner, Soda Gong and NTS reaches a new apex with 𝑨𝒅𝒖𝒎𝒃𝒓𝒂𝒕𝒊𝒐.

Two live performances between 2019-2022 were re-constructed and edited in studio, creating a meticulous snapshot of the artist´s current sound and practice.

𝑨𝒅𝒖𝒎𝒃𝒓𝒂𝒕𝒊𝒐 glistens, sputters, and undulates for more than an hour of stream of consciousness electronics, showcasing a unique palette of intricately textured excursions touching on hypnagogic synth music, skeletal dub fragments, blistering noise and gloomy minimal composition along the way.

With nearly a decade of studio and live experience, Broshuda's pacing on the release is impeccable, guiding the listener through caverns of psychoacoustic wonders and technicolor swathes of ineffable modal shifts.

𝑨𝒅𝒖𝒎𝒃𝒓𝒂𝒕𝒊𝒐 is a gem of a document, capturing an exceptional period of work for a key figure haunting the furthest fringes of contemporary electronic music.

---

Cross-pollinating a wide textural range of influences, Broshuda's music incorporates elements of sound art, electroacoustic techniques, chopped spoken word dissections and field recorded material, as well as more rhythmically oriented and noise-heavy excursions.

Though kaleidoscopically varied, the work is held together by a playful sense of experimentation and a willingness to explore new directions of sound through an experimental approach and the use of freeform production techniques to expand and further his already broad sonic palette.

Pursuing a strong Fluxus inspired interdisciplinary ethos in his artistic output, the same attitude is applied to his audio works, resulting in detailed sketches which at the same time show and disguise their inner logic while transporting a diverse range of carefully distilled feelings and emotions.

As an avid broadcaster, Broshuda has supplied one off audio-pieces and guest mix contributions for radio stations and institutions such as NTS, Cashmere Radio, Dublab, Rinse FM, Radio Sygma, Dummy Magazine, If Only & more, as well as having completed a three month guest residency at Bristol's own Noods Radio.

In September 2019 he inaugurated his bimonthly radio broadcast, "Intrinsic Speculations" on Radio LYL.

Over the years he has performed and exhibited his works internationally in a variety of cultural and immersive club-centric settings including Haus der Kulturen der Welt (Berlin), Stettin Philharmonic, Berghain's Säule, Rye Wax, Power Lunches, The Waiting Room, (London), The Exchange (Bristol), Forest Limit (Tokyo), Macao (Milan), NII (Moscow) and Damás (Lisbon) amongst others. 

releases January 25, 2023

Side A mastered by Rupert Clervaux
Side B mastered by Glyn Maier
Audio finalized for cassette tape by Glyn Maier
Artwork by Broshuda
Design by RJM Vanderheyden
Special dedication and thanks to Ewa Pawlik

Adumbratio

Broshuda - Adumbratio [Side B Excerpt] (ENXPL16)

European network Gravity invites Planeta Za resident Mor Wen. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com


Outsiders: Gravity Network w/ Mor Wen @ Kiosk Radio 01.02.2023

dropped some unreleased from my pocket, in which i combine shoegaze guitars with amen breaks and my signature sound design.

upper ground

listen to me now 

07.02
@lyl_radio

more lyl.live/show/choses-contraires/

Why Do You Believe Me?

SELN Recordings co-founder plays unreleased and forthcoming music (plus other detritus).

http://www.instagram.com/conradpack_

Conrad Pack @ The Lot Radio 03-24-2023

PREMIERE : Le Matin (@cestlematin) - What Would We Do [LAN] (@lan-berlin)

With a name like “Le Matin” - French for “the morning” - one could be forgiven for expecting something mellow. Gritty drums are layered over revolving time signatures, taking inspiration from footwork, grime, hip hop and rave. Le Matin celebrates the power of a vocal sample, chopping, reconstructing, looping to infinity and re-emerging with momentary clarity before diving back into disarray. Claiming that “we can change the party”, or “I just took my first shot”, his sense of humour is as strong as his sense of rhythm. Noisy hits pan and shake from one side to the other, turning the body to butter, Le Matin is a master of deranged patterns. Simple yet effective, his latest release is sure to unhinge any joint.

Links:
https://soundcloud.com/lan-berlin
https://soundcloud.com/cestlematin
https://lansonor.bandcamp.com
https://www.instagram.com/_willisanne

What Would We Do

PREMIERE : Le Matin - What Would We Do [LAN]

Zuli, experimental club producer and VENT co-founder hailing from Cairo hits the NTS airwaves to showcase his club wares: aggressively left-field.

https://www.nts.live/shows/ZULI/episodes/ZULI-27th-march-2023

ZULI: Nile Sessions Vol XVII: Ahmed Alaa b2b Noiztatic 270323

Watch the music video here: https://www.youtube.com/watch?v=kJEos2XfIiE

listen/buy the full album,  𝑾𝒊𝒔𝒉 𝒀𝒐𝒖 𝑾𝒆𝒓𝒆 𝑵𝒊𝒄𝒆𝒓 [ENXPL19]:
https://enmossed.bandcamp.com/album/wish-you-were-nicer
https://psychicliberation.bandcamp.com/album/enxpl19-wish-you-were-nicer

Video by Adriana João
Sound by usof
Audio finalized by Glyn Maier

https://adrianajoao.com
https://linktr.ee/usofusofusofusof
https://enmossed.org
https://nickklein.work

Wish You Were Nice

watch

Brat [ENXPL19]

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, and is interested in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series. Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed.
Glass elevators, an unknown hotel lobby piano recital, office toilet rants, window side night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as “Sound Fiction”, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue. She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled ‘Sound Fiction,’ she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event ‘Sorrow Club Seoul’ since 2019.

ACCEPT ALL COOKIES

PURCHA$E

ENXPL22 - JIYOUNG WI - A3. SWIPE LEFT

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing in Japan, China, Taiwan, Germany, England, the US, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

STACKED

ENXPL21 - MAKOTO OSHIRO - A1. TALK TALK TALK

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing across Asia, Europe, North America, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 and 𝑵𝒆𝒘 𝑷𝒉𝒂𝒔𝒆 recorded at UdK Berlin Sound Studies and Sonic Arts Studio in 2022.
𝑾𝒂𝒏𝒅𝒆𝒓 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑽𝒐𝒊𝒅 recorded at Morphine Raum (Berlin) in 2023.
𝑺𝒕𝒂𝒄𝒌𝒆𝒅 recorded at Permian (Tokyo) in 2020.

–--

Makoto Oshiro is a Berlin-Tokyo based performer and artist. His primary medium is sound, but he also combines other elements including light, electricity and movement of objects. In live performances, he uses self-made tools and instruments that are based on electronic devices, every day materials, and junk. His installation work handles sound as a physical and auditory phenomenon, and focuses on characteristics such as vibration and interference.

He is also a member of the live installation / performance group The Great △(夏の大△) with Takahiro Kawaguchi and Satoshi Yashiro, and runs the label Basic Function. 

---

Audio finalized by Glyn Maier
Design by Dominique S

Stacked

Makoto Oshiro - Wander Through The Void (ENXPL21)

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, with an interest in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series.

Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed. Glass elevators, an unknown hotel lobby piano recital, office toilet rants, windowside night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

---

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue.

She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event 𝘚𝘰𝘳𝘳𝘰𝘸 𝘊𝘭𝘶𝘣 𝘚𝘦𝘰𝘶𝘭 since 2019. 

---

Voices by Windy Kim, Carl G., Schang09
Piano by Sungeun Lee
Audio finalized by Glyn Maier
Design by Dominique S

Accept All Cookies

Jiyoung Wi - Walking Tumor (ENXPL22)

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/9_kjAos1HnY

Glimpse 1470 (Oct 11 2025)

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

Broshuda - Adumbratio [Side B Excerpt] (ENXPL16)

enmossed

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