https://www.instagram.com/ryans__pix/
https://www.dublab.com/shows/dying-songs
(radio air date: 3/17/2022)

lambent kina
@nickfopeano music for gathering moss 2 & 1
@sap-as-tears "long thaw” but you’re accepting positive affirmations from a fairy
@nika-koi ghostfile#07
@goo_age scape 3 finding wygdai
@tumy06 new moon
@babykaho1 plaster
@teklintowe @a1ko1 go hard daily
@rogergoon hypermarket
@user-746088352 @bb-scout-22222 adventure to god
@pat16120 crossfade
@littlestar3 february
@lilicalways @107_18 summer ends in twos
@m4j3sty shard_whisp
@nika-koi garden

https://soundcloud.com/cminuss/ryans_pix

Ryan - mix for Dying Songs

thirty seventh of our "States United" show on @n10-as, with guest @gab_ii

States United 37: ｇａｂ_ｉ

Label + event series run by otis, Slagwerk operates as a platform primarily focussing on contemporary experimental music and digital art. Besides organizing events, they present themselves as a music label. Their aesthetic ranges from metamodern internetculture to endeavours into spiritual ambiences contaminated with strikingly metallic club environments.

Slagwerk w/ Otis  @ Kiosk Radio 19.10.2023

from 'Transcorporal Portal', out now on Somewhere Press
@slowfoam

Transcorporeal Portal

Bandcamp

Slowfoam - Divine Morpho, Shimmering (feat. RAN PARK)

KURDISH BERLINER

Releasing on various artists compilation 12" ORSOVA - 9th Sep 2024

12thisle.bandcamp.com/album/orsova

A2. Guizzi - Conga Cave (ISLE017)

Danish label Posh Isolation join us for an hour a month. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/posh-isolation/episodes/posh-isolation-25th-september-2024

Posh Isolation w/ Soli City 250924

If you liked it, a like or follow would mean a lot. Oh, and a repost would be amazing too.

FUJIWARP 10

Bindrone

This rework started as an instant response to the atmosphere of the original track - raw, distant, and beautifully restrained. I pitched it down five semitones, added my own percussion and reshaped some textures with subtle harmonic layers and ambient shifts. Special thanks to Bihler for the inspiration, guidance, and the oppotunity to make this a shared release.
Listen late at night. Let it settle in the quiet.

Listen on Spotify: https://open.spotify.com/track/6P4nJzP3kpqDmp9uBe3uM1

Bihler - Exhaustion ( Kenn Dust Low Edit )

Bihler - Exhaustion (Kenn Dust Low Edit)

We are excited to welcome Australian artist Moontide to the Earthly Measures family with his truly beautiful EP 'Dreams Within Dreams' including remixes from Kusht and ourselves.

Dreams Within Dreams is built entirely from field recordings captured in churches, temples, and other places of ritual. The EP marks Moontide's use of exclusively analog synthesisers for the drums and melodies, which respond to these recorded environments.

The work explores the acoustic properties of these intentional spaces, their reverbs, silences, and ambient textures. Each track layers these field recordings with analog synthesis, creating compositions that exist somewhere between documentation and interpretation.

Moontide - Bay of Whales feat. Miles Decarteret

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

Glyn Maier - An Indefinite Lattice (ENM08)

enmossed

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