enmf [flexi] + enmd [digital] + enmb [lp] series

Incredibly glad to be premiering the a-side of Pat's latest offering on enmossed; an LP which nascent sounds we had the opportunity to host in 2022 at OCCII in Amsterdam. At times an unapologetic outburst against the system, e.78 holds the listener captive as it paints a sonic picture of the society we have become.

---
Order via: https://enmossed.bandcamp.com/album/e78

Credits:
Audio mastered by Glyn Maier
Cover sculpture and photo by Lauren Pakradooni
Design by Joe Bastardo

LP limited to 100 copies, black vinyl, with bespoke hemp paper jackets silkscreened by Mark Rice (Goatmother Industrial) using black + silver ink

https://soundcloud.com/enmossed

Premiere: Patrick Gallagher - e.78 (side A) [enmossed]

An array of commonplace metal objects - chains, pans, a bicycle, a chair - recorded by Ross Alexander at home in Berlin during the pandemic comprise the source material of 11 𝑮𝒂𝒕𝒆𝒔. Functioning as a temporal and mnemonic exploration into the nature and conception of “home”, the album evokes Alexander’s earliest memories and broader hauntological perspectives of post-industrial England:

“Growing up in South Yorkshire in the 1980s and 90s was an existence haunted with the ghosts of a heavy manufacturing industry which once thrived in the region. On both a visceral and sensorial level it might be considered equally as impossible to escape the nostalgic stories of mines and steelworks as it was to escape the smell of molten metal in the air drifting from the Don Valley.”

The improvised metallic scrapes, bangs, and bowings recorded by Alexander were further abstracted in live performances using granular sampling techniques, creating a new and extrinsic world to which subconscious thoughts can flee, sonically and contextually. The results are both dreamy and unpredictable, fusing the immediacy of acoustic percussion with the billowing resonances imbued by granular synthesis.

“On tracing back through distant memories of my formative years for sound-objects which represented to me the essential idea of ‘being from’ as opposed to ‘being a visitor’ I related to a pervasive association with the sounds of metal and metallic objects, mostly in respect to how certain structural properties relate to haptic and resonant nature and the manifestation of those properties as sonic results. I feel this is the result of growing up in a place where heavy industry, or at least the remnant of which, was central to society, community and everyday life.”

---

Ross Alexander is an artist, producer and curator based in Berlin working in the context of expansive trans-disciplinary practice and non-individualist ideals. His broad ranging body of work as an artist has encompassed music, performance, sound art, visual arts, installation, radio art, digital media, augmented reality, intervention, social practice and education. Ross has presented and performed at such institutions as ICA London, Transmediale Festival, Nyege Nyege Festival, Documenta Kassel and Martin-Gropius Bau Berlin.

As a curator and organizer his experimental and diverse practice has seen him work with Transmediale festival, Maerzmusik, Glastonbury Festival, Cashmere Radio, Nyege Nyege Festival Uganda and extensively with his own Salon Oblique production collective.

rossalexanderpayne.com
instagram.com/o0rossalexander0o
rossalexanderworks.bandcamp.com
mixcloud.com/rossalexandermix

11 Gates

Ross Alexander - Piece 2 (ENMD-04)

"Tumble into the dark kitchen, stub your toe and your necklace gives its beads to the floor. Each bead finds a completely separate trajectory. The second you turn on the lights one of them suddenly stops in the middle of the room. This bead wants to go unnoticed, and possibly merge with the fluorescent buzz. It looks like a secret sorry roach in an alien bright savannah. It’s convinced that lack of movement grants an invisibility cloak against predators and spectators. You respect the bead and don’t pick it up. With time it becomes as fixed as furniture.

One day you’re watching the news. There is a volcano waking up on screen. The camera zooms into the slowest lump of lava and you notice the bead has been changing. Cheek against cold tile to look closer: the bead is growing spores. Your pupils widen like a circle of water made by a rock falling into a dim black pond."

- Marta Núñez Pouzols

---

David Coccagna (Chaperone) is a Philadelphia-based writer and musician focusing primarily on transgressive human behavior, poverty, class division, and addiction. Born and raised in Philadelphia, the principle imagery and sonic influences of the depressed Northeast neighborhood Lawncrest has served as the palette and canvas Coccagna works upon. He has worked with labels Great Circles, Jungle Gym, Con.apt, and Minor Adjustments, with more recent focuses leaning into repetitive sound and theme. He is an avid cyclist and has two cats.

motion like catching balance on the moving train

Chaperone feat. Nazanin Noori - motion like catching balance on the moving train [Excerpt] (ENMF-03)

"for 0" is a radio show by usof where the most outward fringes of underground art are welcomed and brought together to create two hours of genderless musical submission.

@felishaledesma on the first 35 minutes. Tracklist:
Kwami Winfield - cheap
0comeups - Used 2b Dust (feat. Ian Bruner)
Ian Mikyska and Fredrik Rasten - In, Pt. XI
Mau - I Was Ambitious And Yet Fragile 
Horacio Vaggione - Rechant
Phil Geraldi - Oklahoma After Dark
Carme López - III: AVÓS. A Pepe e Manuela
Alex Zhang Hungtai - Young Gods Run Free

"for 0" #33 w/ Felisha Ledesma | Rádio Quântica

Session #2 - sonoj

stm03.2021

“For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D). The record, out April 12 on 29 Speedway, summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

At A Canter

Track from "c–recup" EP
d-towards.bandcamp.com/album/c-recup

Released in a clam shell case
Limited edition of 7 copies
Duration: 29:35

Mastering - Alexandr Pustynsky (@ajokki)

—

34-R 
evol acid [TX]
34
24
h layer

24 (from "c–recup" EP)

‘fast delivery’

artwork- nyc based artist ash galka. 

"I was so drawn to this particular drawing, the intricacies and shading of this work really is something. Listening to the back story makes you cherish it even more. 

I found their artwork through a talented artist/producer which I’m excited to later announce on the series. 

Inspiration was also taken from my recent walks up towards Canada Coombe, so nice to see the place fall into the colours of spring. 

I hope you enjoy.

Got some really good names lined up too, stay tuned.
fast"

fast delivery - plnt01

𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘵𝘩𝘪𝘴 𝘱𝘰𝘳𝘰𝘶𝘴 𝘣𝘰𝘥𝘺,
𝘢𝘯 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘴𝘪𝘵𝘦 — 𝘢 𝘭𝘪𝘷𝘪𝘯𝘨, 𝘣𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘢𝘭𝘵𝘢𝘳
𝘵𝘰 𝘰𝘶𝘳 𝘰𝘭𝘥𝘦𝘴𝘵 𝘧𝘦𝘢𝘳𝘴 𝘢𝘯𝘥 𝘥𝘦𝘦𝘱𝘦𝘴𝘵 𝘥𝘦𝘴𝘪𝘳𝘦𝘴.
𝘵𝘩𝘦 𝘱𝘢𝘵𝘩 𝘵𝘰 𝘵𝘩𝘦 𝘩𝘦𝘢𝘳𝘵 𝘪𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘸𝘪𝘭𝘥𝘦𝘳𝘯𝘦𝘴𝘴.

- Kristen Soller, April 2022

“In the back of the throat there is a subterranean river that holds you, humming towards the cave’s end. This end is a liminal mirror reflecting the contours of your voice. The mirror shows how —when brought to certain aquatic depths— unheard of limbs and wondrous branches are prone to sprout from your voice. Blind sibyls, your voice’s branches climb towards the surface, in search of light and warmth. After the great drought, your voice’s limbs persevere. They stand naked, pulsating in the purple that lies underneath grey. Your voice’s limbs erect themselves as monuments to air, kin among the deafening night. The water level is now only tall enough to keep your voice’s core below. Your voice, fed by the swamp, cradled by duckweed, wrapped in horse tail, has become a secret organ. Your voice palpitates and releases twin echoes that undulate, to smoke’s rhythm, in the afterglow. Intricately connected by labyrinth to soil and moon, through the water lilies’ roots, your voice weaves an underweb that flickers like the eye of a flame. Your voice sediments the entwined veils of miracle and prayer.”

- Marta Núñez Pouzols, October 2023

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taupe set xl is the devotional sound project of Kristen Soller, a Miami-based artist and hypnotist of the Philippine diaspora. Kristen illuminates the subterranean and oneiric landscapes of imagination, spirit, and memory — giving voice to the personal and ancestral stories of grief and desire that emerge in the process.

All music by Kristen Soller
Audio finalized by Glyn Maier
Cover photo by Jenn Huynh
Design by Joe Bastardo

All proceeds to:
Love the Everglades Movement (www.lovetheeverglades.org)
Union of Agricultural Work Committees, Palestine (https://uawc-pal.org)

swamp prayer

taupe set xl - dissolving forms (ENMB-15)

𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘵𝘩𝘪𝘴 𝘱𝘰𝘳𝘰𝘶𝘴 𝘣𝘰𝘥𝘺,

𝘢𝘯 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘴𝘪𝘵𝘦 — 𝘢 𝘭𝘪𝘷𝘪𝘯𝘨, 𝘣𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘢𝘭𝘵𝘢𝘳

𝘵𝘰 𝘰𝘶𝘳 𝘰𝘭𝘥𝘦𝘴𝘵 𝘧𝘦𝘢𝘳𝘴 𝘢𝘯𝘥 𝘥𝘦𝘦𝘱𝘦𝘴𝘵 𝘥𝘦𝘴𝘪𝘳𝘦𝘴.

𝘵𝘩𝘦 𝘱𝘢𝘵𝘩 𝘵𝘰 𝘵𝘩𝘦 𝘩𝘦𝘢𝘳𝘵 𝘪𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘸𝘪𝘭𝘥𝘦𝘳𝘯𝘦𝘴𝘴.

- Kristen Soller, April 2022


“In the back of the throat there is a subterranean river that holds you, humming towards the cave’s end. This end is a liminal mirror reflecting the contours of your voice. The mirror shows how —when brought to certain aquatic depths— unheard of limbs and wondrous branches are prone to sprout from your voice. Blind sibyls, your voice’s branches climb towards the surface, in search of light and warmth. After the great drought, your voice’s limbs persevere. They stand naked, pulsating in the purple that lies underneath grey. Your voice’s limbs erect themselves as monuments to air, kin among the deafening night. The water level is now only tall enough to keep your voice’s core below. Your voice, fed by the swamp, cradled by duckweed, wrapped in horse tail, has become a secret organ. Your voice palpitates and releases twin echoes that undulate, to smoke’s rhythm, in the afterglow. Intricately connected by labyrinth to soil and moon, through the water lilies’ roots, your voice weaves an underweb that flickers like the eye of a flame. Your voice sediments the entwined veils of miracle and prayer.”

- Marta Núñez Pouzols, October 2023All music by Kristen Soller

Audio finalized by Glyn Maier
Cover photo by Jenn Huynh
Design by Joe Bastardo

All proceeds to:
Love the Everglades Movement (https://www.lovetheeverglades.org/)
Union of Agricultural Work Committees, Palestine (https://uawc-pal.org/)

Premiere: taupe set xl - Iridescence [enmossed]

Detox № 39 - Obi Uto

info + tracklist: https://radio.syg.ma/episodes/wide-mesh-riforma-somaticae-cloak-of-kings-not399093
https://riforma.bandcamp.com/album/blue-lagoon
https://riforma.bandcamp.com/album/ayont

Wide.Mesh (Riforma) – Somaticae, Cloak Of Kings & Not399093

“giant reptile tongue slowly u n f u r l s toward a looming cloud
home of spicy drops that pierce the air into tiny peepholes

these taste buds widen like pink pupils
they get bigger to let more flavor in
receiving is both greedy and generous
a will to be shaped by sensation
and the knowledge it leaves behind
a snail’s trail pointing to the exits in this ship

this tasty cloud swims over us
changing the color in everything
lips kind of blue, asphalt’s sparkle metallic
skin becomes oyster, translucent
taking in the light and giving it back
in the form of something that slides down
the way sweat may fall in a straight line
or make a turn to drive
around the temple

this cloud abducts the earth
by sudden temperature change
lack of sun makes plants and rocks turn inward
the sky now a sheltering vault
distributing the heavy weight of what’s above”

- Marta Núñez Pouzols

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Sachi Kobayashi began making house music in 2017 but in recent years has shifted her focus towards ambient and experimental sounds. Kobayashi has sung in choirs since childhood, drawing from those experiences in her current focus in making harmonic ambient music. The liturgical aspects of her history in choirs is present in her work, which explores the theme of "the conflict between the sacred and the secular". Kobayashi also takes inspiration from nature and her surrounding environment of Saitama, Japan. Ever-broadening her artistic pallet, she has recently been developing and recording harsher sounds in the realm of noise music. 

---

Source photos for design by Sachi Kobayashi
Interview by Rob Goyanes
Audio and design finalization by Glyn Maier

Clouds in the Sky

Sachi Kobayashi - Clouds in the Sky V (ENMS-03)

"The sounds on Florian T M Zeisig's 'Coatcheck' are little like the experience of stereotypical clubbing. Likewise, these remixes are meant for the club of the future, or perhaps, the non-club of the present: a place emphasizing organic flows instead of machinic rhythms, a place of distanced, isolated collectivity at a time of transition to something different. Many of these remixes have resulted in entirely new compositions, more like collaborations than reinterpretations.

Joanna Pope—Berlin-based independent researcher, writer, composer, and producer—conjures a gorgeous pastoral composition based upon Zeisig’s filtered textures on “First Version.” Montreal-based Patrick Holland takes “Only Textures,” originally a swirling miasma, and sculpts it into dub burner perfection. Meanwhile, Exael’s breakbeat treatment of “Aspire,” reinserts the track into a more recognizable dance lineage. Forest Management, the moniker of Chicago-based John Daniel, strips out the low end of the cheekily titled “Ambient Middle Part” and hones in on its vacillating, verdant undergrowth.

In addition to the remixes, 3 bonus tracks from Florian T M Zeisig are included in this release. They were recorded during the same sessions as 'Coatcheck' but were not included on the LP due to time and space constraints."

releases October 30, 2020

order :: enmossed.bandcamp.com/album/coatcheck-remixes

artwork :: Sam Lubicz ~ www.instagram.com/slubicz

mastering :: Glyn Maier

Coatcheck Remixes

Joanna Pope - First Version [Remix] (ENMD01)

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

Joanna Pope - First Version [Remix] (ENMD01)

enmossed

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