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Black Fendi Prod.etrenaltone

Sudbeat jump into 2025 with an incredible debut for a new duo making some serious waves. 

Alto Astral are Matias Villafañe and Martina Mozzoni, an Argentinian pair based in Spain making amazing, emotional music as a live performance duo incorporating live vocals, guitars, pianos, synthesizers, and controllers. Touring across the globe, they have been nominated for Best Duo and Best Live Set in M.E.C Awards in Argentina, and have an impressive back catalogue on labels such as The Soundgarden, Or Two Strangers and Movement. 

Opening with 'Between Us' starts off like a sleeping giant, drawing the listener in. A tribal beat gets the dancefloor moving joins quickly by dancing hats and pretty arps. Martinas vocals are heartfelt and instantly captivating drawing even the curious passer-by deeper into their emotional web of wonder! Next up, 'Luciérnaga' begins in quiet ambience before launching into a tough progressive groove that hypnotises with delicate arps and a thunderous bassline. Super deep, but highly danceable, the energy is undeniable.

Between Us

Luciérnaga

Get Your Copy

SB264 | Alto Astral 'Luciérnaga'

01-25 live extract

Enoprod-Om(unsigned)

- The Goldcast 130 - 

Part 1 - Recorded live on June 25th, 2022 from the annual Sbcltr organized birthday celebration in Los Angeles. This year involved an 8 hour open to close performance in a beautiful open air space. Where hundreds of smiling faces danced well into the morning to a gorgeous sunrise.

The Goldcast 130 (Jun 20, 2025) live at Sbcltr 2022 pt. 1

Artist: Jason Peters
Title: We Used to Watch the Sunrise
Label: Roam Recordings
Release Date: 2025-07-11
Cat. No.: ROM141


"Roam Recordings label head Jason Peters returns with his latest single, We Used to Watch the Sunrise — a nostalgic and emotionally charged track blending warm electronic melodies, acid-tinged rhythms, and an arpeggiated bassline. Anchored by Jason Peters own vocals, the song plays like a modern rave ballad, echoing the sentiment: I remember when we used to watch the sunrise. The release is rounded out by two standout remixes that complement the original while offering distinct perspectives. Longtime Roam collaborator Fabrizio Mammarella delivers a high-energy rework, amplifying the track with vibrant synth work and reshaping it into a focused, dancefloor-ready jam. On the flip side, Neu-Romancer & Radondo slow things down with a lush, mid-tempo interpretation. Their remix leans into moody 80s nostalgia, infusing the track with a goth-tinged, neo-new wave aesthetic. Together, the package offers a rich and cohesive listening experience that spans emotional highs and late-night dancefloor vibes. "

Art by Cristina Capetillo.

Tracklist:
1.We Used to Watch the Sunrise (Original)
2.We Used to Watch the Sunrise (Fabrizio Mammarella Remix)
3.We Used to Watch the Sunrise (Neu-Romancer & Radondo Remix)
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Follow Jason Peters:
► Soundcloud: https://soundcloud.com/jasonjppeters
► Instargam: www.instagram.com/jasonjppeters/
► Facebook: www.facebook.com/jasonpetersroam

Follow Roam Recordings:
► Soundcloud: https://soundcloud.com/roam-recordings
► Instargam: www.instagram.com/roamrecordings/
► Facebook: www.facebook.com/roamrecordings/#

We Used to Watch the Sunrise

Beatport

PREMIERE: Jason Peters - We Used to Watch the Sunrise (Original) [Roam Recordings]

[HOT SHOT SERIES 152] - Podcast by Dave Haco [M.D.H.]

Ladies and gentlemen - Today we've got the honor to present you Dave Haco from Poland !!!

Big thanks https://soundcloud.com/dave-haco 🙏

Enjoy!!!
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BIO:

Dave Haco - a DJ with 18 years of experience. He has spent most of that time playing harder electronica, but he's never been able to limit himself to one genre, as he says, "there's too much goodness in this world to limit yourself." For several years now, he's been immersed in all types of house music, focusing primarily on progressive, organic, and deep. His selection also includes downtempo, which he's had the pleasure of performing for audiences on numerous occasions. During this time, he's had the pleasure of sharing the stage with, among others, Z - Oscar Mulero, SHXCXCHCXSH, NIkita Zabelin, Just Emma, Yetti Meissner, El Mundo, Gus Gus, Nox Vahn, Kiasmos, Marc Romboy, NTO, Sahale, Alex Niggemann, DJ T, Funk D'Void, Martin Eyerer, Loktibrada, Dinky, Antonio De Angelis, Lucy, Eomac, Subjected, , Kangding Ray, Nihad Tule...

A set composed entirely of progressive house. You'll find plenty of spacious and understated sounds, as well as more dense and energetic ones. I hope everyone will find something for themselves :)

Tracks from:
David Podhel & ECHO DAFT 2, Mike Griego, Cidinc. Essco, Ewan Rill, Taylan, Brann(AR), Callecat, Kabi(AR), Mayro, Indigo Man, Tali Muss, Tomy Wahl, AlexO Rion, Spencer Brown & Ezequiel Arias, D-Nox & EdSteele, Austin Pettit, Vakabular, Martin Fredes, Simos Tagias & Mike Rish

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Follow the Artist :

►Facebook: www.facebook.com/DaveHaco/
►Soundcloud: https://soundcloud.com/dave-haco
►Instagram: https://www.instagram.com/davehaco/

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Follow M.D.H. on Facebook
www.facebook.com/Newchapterseries/

Follow M.D.H. on Instagram
www.instagram.com/melodic.deep.house_ofc/

[HOT SHOT SERIES 152] - Podcast by Dave Haco [M.D.H.]

Unknown album (9/28/2017 1:23:41 PM)

Somewhere Between a Memory and a Dream - A Psychedelic Trance Mix

DEEP HOUSE RMX SUMMER 2020 :)
                            
                      BY DORIAN ELEZAJ 
                  
                 (ART NAME DEEJAY D NICE )

Sia - Saved My Life (DJ D Nice REMIX 2020)

Psychedelic Chill-out Music Mix:

1- Unstable Elements:  Chillout Vibes
2- Lab's Cloud	:  Indian Culture
3- Koan: In The Makarian Gardens
4- Harax: Trace
5- Deepernet:  For So Long I've Been Wondering
6- Erot:  Eclipse (Alwoods Remix)
7- CJ Catalizer:  I'll be there (album remix)
8- Chronos & C.J Catalizer:  Crystalic Sea
9- Alwoods: Psychedelic Dream
10- Solar Fields: Levitate
11- Akshan: Adagio For The Braves
12- GMO vs. Dense: Sounds And Smells
13- Unstable Elements: Artificial Sense
14- Astronaut Ape: Sputnik
15- Unstable Elements: Chillout Vibes

Psychill Set 5: Digital Poetry

Years ago I realized that the recording studio was becoming a musical instrument. I even lectured about it, proclaiming that "by turning sound into malleable material, studios invite you to construct new worlds of sounds as painters construct worlds of form and color." I was thrilled at how people were using studios to make music that otherwise simply could not exist. Studios opened up possibilities. But now I'm struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity. This transfer is not paying off. Sure, muscles are unreliable, but they represent several million years of accumulated finesse. Musicians enjoy drawing on that finesse (and audiences respond to its exercise), so when muscular activity is rendered useless, the creative process is frustrated. No wonder artists who can afford the best of anything keep buying "retro" electronics and instruments, and revert to retro media.

The trouble begins with a design philosophy that equates "more options" with "greater freedom." Designers struggle endlessly with a problem that is almost nonexistent for users: "How do we pack the maximum number of options into the minimum space and price?" In my experience, the instruments and tools that endure (because they are loved by their users) have limited options.

Software options proliferate extremely easily, too easily in fact, because too many options create tools that can't ever be used intuitively. Intuitive actions confine the detail work to a dedicated part of the brain, leaving the rest of one's mind free to respond with attention and sensitivity to the changing texture of the moment. With tools, we crave intimacy. This appetite for emotional resonance explains why users – when given a choice – prefer deep rapport over endless options. You can't have a relationship with a device whose limits are unknown to you, because without limits it keeps becoming something else. Brian Eno 1999.





Enoprod-Om(unsigned)

ΞИOPROD

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