Slinky reggae with rich layers of keyboards and guitars for an alternative/reggae hybrid feel.

In the Mood

A powerful piece of world fusion music with driving drums and percussion, keyboards, Native American flute, didjeridu, and overtone singing.

Storm (Didj mix)

A melodic chant with Native American flute, guitars, keyboards, and percussion.

Never-Ending Earth Chant

Dimensional Masters of the Translucent

Iridescent Optics

Using audio I recorded of humpback whales in Maui, I've crafted an epic electronic dub psychedelic groove that passes through various permutations, all accompanied by the whales. This is track #1 of my four-song collection from 2022, "When Nature Calls" (available elsewhere under the artist name Martin Ball).

When Nature Calls

Whale Song

This is the title track to my 2021 release, "Temples of Light" - a collection of powerful electronic, world fusion, dub, reggae, and alternative dance music. This track kicks things off with an Asian vibe with layers of electronic instruments, mandolin, Native American flute, and deep grooves.

Temples of Light

Temples Of Light

From my 2022 EP, "12 Strings" - a collection of 6 songs all built around the 12 string guitar tuned to DADGAD, this track has a distinctly exotic Middle Eastern/Indian sound with a non-western scale. Dark and mysterious, it's a different kind of Samadhi . . .

12 Strings

A Different Kind of Samadhi

A Different Kind Of Samadhi

What begins as an ambient track builds to a trippy reggae groove 

Dimensional Masters Of The Translucent

A trancy ambient track with overtone singing, Native American flute, didjeridu, and synth

The Somnambulist

Chill dub electronica with vocoder vocals

The Fractal Of Being

This track is from the album Lucidium and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/martinball11

Lucidium

Turning the Dark (Part I)

Turning the Dark (2015 Version)

Chill Pill

This track is from one of Martin's other musical projects, Fractal Love Jam, with his wife, Jessalynn Jones (on vocals). A cool dub/electronic track with a catchy vibe and vocal flourishes with vocoder.

Pure Energy (Featuring Jessalynn Jones)

Another track by Fractal Love Jam, Martin's music project with his wife, Jessalynn Jones. Take a psychedelic ride Down the Wormhole with the Tryptamine Molecular Express

Down The Wormhole (featuring Jessalynn Jones)

Opalescent Concrescence

A new heavy dub track with world and electronic influences

Secret Places

Eye Of The Eclipse

Deep dub/electronic track with Native American flute - lead track from my newest album, "Eclipse"

Subtle Fires

Electronic/dub/world fusion with Native American flute, overtone singing, didgeridoo

MORPHOgenesis

Resonance Factor

Cool dub track with Native American flute and didgeridoo

MoxyDub

This is the Fractal Love Jam version of the song "Secret Places" with Jessalynn Jones on vocals

Particles & Waves

Free (featuring Jessalynn Jones)

A track of spoken word about LOVE with ambient soundscape and flute

My Love

A psychedelic soundscape with nature field recordings made in Florida

Speaking of the Nondual

Swamp Dreams

A spares track with flute, wind, and bird calls (not actually birds - it's just me)

How Beautiful it is to See You (instrumental version)

How Beautiful It Is To See You (instrumental Version)

A smoldering track with lead "guitar/sitar" on GeoShred with deep ambience, distortion, and reverb building up to pounding drums played on the Korg Wavedrum

Rhythmic Passages

The Long Night

This track is part of the soundtrack to the audiobook of my novel, "Orobai's Vision." Toward the end of the novel, the shape-shifting raven, Orobai, must go on pilgrimage to the four sacred mountains of Aurduin. Here, he's at Golgath, the White Mountain of the north. The track is meant to invoke the feeling of an ancient being ascending the frozen mountain to its crystal peak with the play of light of the northern lights dancing about him as he trudges along . . .

Orobai's Vision, The Soundtrack

Golgath

This is the title track from my most recent album, which chronicles the separation from and reuniting with my wife. This is the first track I recorded after our separation and captures the big, epic upsurges of emotion I was experiencing at the time.

Finding Life After Love

The Entheogenic Evolution is the musical creation of Martin Ball, a multi-instrumental musician living and working in Ashland, Oregon.  Combining multiple musical influences, Martin creates genre-defying music that is a constantly shifting and changing exploration into the world of sound, texture, rhythm, and melody.  Combining elements of alternative, goth, synth pop, folk, reggae, dub, world fusion, electronic, and more, Martin mixes acoustic instruments (6 and 12 string guitars, mandolin, Native American flute, didjeridu, percussion, harmonica) with electronic instrumentation and symphonic sounds (making all of his own beats and loops), and Tuvan-style throat and overtone singing, for a dynamic range of expressive instrumental music.  To see some of his music videos with his original fractal art, visit his Entheogenic Evolution page on Youtube.

The Entheogenic Evolution

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