Study

f034 - Ultrafog

Felisha Ledesma - big waves of light

info: https://radio.syg.ma/episodes/seep-3-j
https://daisart.press

seep

seep 3 – J

Felisha Ledesma 081022

to my shadow 
to my shadow 
to my shadow
to shadow of our times

https://perilazone.bandcamp.com/album/time-is-language-we-share

perila – unseen

https://www.nts.live/shows/post-geography/episodes/post-geography-4th-november-2022

Post-Geography w/ Off Center 031122

Microcosmic world building, aural experiments, and tonal in-betweens with Berlin based sound artist Felisha Ledesma.

https://www.nts.live/shows/felisha-ledesma/episodes/felisha-ledesma-3rd-december-2022

Felisha Ledesma 031222

Forty third episode of our "States United" show on @n10-as, with guest @tofudj

States United 43: tofudj

ιllιlı.ıllı ıllııl @gab_ii lııl  lııli lıιllιlı.

hosted by: qwqwqwqwa invites g a b _ i

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Coppice
Surreal Air Fortress
LP (E224)

Release date: April 2018
Mastered by Jacques Beloeil
•
Outside: light-filters-to-be-entered are Surreal Air Fortress. 
New songs from Coppice for physical modeling and modular syntheses.
This is post-industrial device music.

futurevessel.com/coppice

Surreal Air Fortress

Coppice (E224; 2018)

Read the review: https://alcoholseed.com/2018/04/29/audio-visuals-atmosphere-celebrates-50-with-beneath-the-earth/

Beneath the Earth

Sequences - The Repining Inlet

Unfortunely You Are Not Here (unmastered)

Underhand, Underfoot

Single tapeloop on Tascam MF-P01 Portastudio. Recorded live to Ableton Live.

Det är alldeles för sent

Exael + Arad Acid - 'Furi'
Format: 12", Digital
 Release Date: April 3, 2020
Distribution: Rubadub 
Artwork: Christian Alborz Oldham & Naemi

PRE-ORDER:
https://boomkat.com/products/furi-caa62150-816b-43e4-b3b0-55b6599548f3

https://motionward.bandcamp.com/album/exael-arad-acid-furi

MW007, ‘Furi’, is a collection of tracks from two Berlin-based friends / artists Exael and Arad Acid. The material highlights the commonalities between their individual and collaborative works, moving from boundless and chaotic energy to soft kinetic radiance over the course of seven tracks.

https://soundcloud.com/exael
https://soundcloud.com/aradacid

Coppice (E224; 2018)

Entr’acte

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