Short extracts from various full length releases, live recordings, mixes etc.

Extracts / Live / Mixes

MARIA BC - Adelaide
JOYUL - A Stage (Ulla Remix)
BARDO TODOL Y SUS AVES SIN NIDO - Part I
KLARA LEWIS & PEDER MANNERFELT- You Need To Be Kind
SPACE AFRIKA - Strength ft LA Timpa
ASTRID SONNE - Stuck in Pause
PRINCESS DIANA OF WALES - Choir Chant
KINDTREE - 0.1
ASTRID SONNE - Fields of Grass
CITY & I.O - Bomb-blasted Stack (with vvilms)
MAXWELL STERLING - Eris
KELLY MURAN - Helix III
SEBASTIANO CARGHINI - Daydream Loopy
ROSACEAE - Courage
RONCE - Oyster Girl
PPPAINTERRR - Shut
NO DREAMS - Anti-Epiphany

LYL Radio with Felisha Ledesma & Angelo Harmsworth - 10.12.21

not same sun

[surf029]

As a current participant at the Recurse Center in NYC, I’ve had the pleasure of exploring new forms of composition, most specifically in the Python programming language. At first I was focused on writing my library of compositional tools that work with MIDI data, though I was soon introduced to the idea of data sonification through another “recurser”, Edith Viau (MTL), who explores the subject through her Financialist project. Edith seemed to be the only other person at RC exploring the subject already and we soon formed the Data Sonification Group at RC thereafter.
Sonifications of Price consists of two compositions written in Python, mapped to the prices of Bitcoin and Gold, respectively. “Bitcoin” represents the price everyday from 2010-2021 and “Gold” represents the price each month since 1950.
Large and invisible forces run our modern world and often they can feel exceptionally abstract, and even scary within the context of our lives. This work is an attempt to demystify their scale and convey a translation of power.

Sound and art by Randy Riback (soundcloud.com/jungdeejay)
Mastered by Pavel Milyakov (soundcloud.com/buttechno)


🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Jung DJ ~ Gold

"Singe" is the new record by Angelo Harmsworth, a musician who hails from the American Southwest and is operating now out of Berlin. Harmsworth’s work deals resolutely in extremes, but this music is not concerned with presenting binary or dichotomous relationships so much as it is with reconciling disparate sensibilities and sounds. Layers of meticulously edited and sculpted tones swirl around one another, creating kaleidoscopic patterns and hallucinated choral motifs that seem to thrive on amplitude or the position of the listener’s head. There is a visceral physicality to this music that aligns it with some of the core tenets of harsh noise, even while its tonal and timbral choices recall those of ambient music. This record follows excellent releases on enmossed/Psychic Liberation, Angoisse, Opal Tapes, and Harmsworth’s own Lime Lodge imprint and may be the high water mark of his published output thus far. There is drama and implied narrative in these seven compositions that seethes and hums as if reveling in a sort of violent gracefulness. LP/Digital available on 9/30/22.

Aporia (feat. Felisha Ledesma)

info: https://radio.syg.ma/episodes/wide-mesh-riforma-kinked-xonya

kinked:
https://laposorride.xyz
https://kinked.bandcamp.com
https://riforma.bandcamp.com
https://on.soundcloud.com/tJc6e

xonya:
https://on.soundcloud.com/kkMqQ

Wide.Mesh (Riforma)

Wide.Mesh (Riforma) – Kinked & Xonya

Laughing Out, a three track 7" pop single, released by The Tapeworm's Wormhole imprint, released August 12th in a limited edition of 123 copies

Pre-order and further info...
https://touchshop.org/product_info.php?cPath=103&products_id=785

Screenprint of a legendary double-act by Lukas Julius Keijser

Dale Cornish & Phil Julian - Laughing Out (out August 12th)

Phil Julian & John Macedo - 'Cinnery 1' from 'Bind' CD released by Hideous Replica, June 2016. 
http://hideousreplica.co.uk/hr12

Phil Julian & John Macedo - 'Cinnery 1' from 'Bind'

Phil Julian 
Relay
CD (E213)

Release date: March 2017
http//www.entracte.co.uk/projects/phil-julian-e213/

1. Relay (6'43")
2. Coherence I (3'08")
3. Aperture* (5'06")
4. Field (7'39")
5. Coherence II (2'31")
6. Tropic (11'46")

Recorded and mixed 2014–16 in London
except * (ventilation system field recordings,
New York, 2012)

These recordings originated as multichannel pieces presented
at events organised around Goldsmiths University, London, 
by Sandra Kazlauskaite and Tom Mudd during 2015. These have 
been reworked and reconstructed here for stereo.

All the recordings have their origins in repeating patterns or 
sequences which then drift over time or start to collapse entirely, 
either by design or by accident — e.g. poor quality or non-
existent synchronisation between different devices, fluctuating 
or random/unstable voltages, human interference etc.

Edition of 150 copies

Relay

Phil Julian (E213; 2017)

The Two Ronnies, The Pet Shop Boys, Suicide and now Dale 'n' Phil. 6.2.16 marks the first live outing of much new material from these two excellent human beings - and it also marks possibly the only time we’ve seen proper heckling in OTO’s usually library quiet atmos. “It’s not Whitehouse definitely!” someone yells, but what is? We can't repeat Dale's real retort - you'll have to download the whole asymetric out-of-sync software driven half hour yourself for that. “Language is a nuisance” goes one of their ‘songs’, and they’re right, but if we’re going to use it then we for one want Dale Cornish in charge of the dictionary. 

---

Dale Cornish / vocals

Phil Julian / electronics

---

Recorded live at Cafe OTO on Monday 6th of Febuary 2017 by Shaun Crook. Mixed by James Dunn and mastered by Phil Julian.

Dale Cornish & Phil Julian - 6.2.17

Buy on cassette or digital: http://shop.conditional.club/album/clastics

The doggedly prolific and eclectic Phil Julian opens up a brand new deck of cards on the sublimely crunchy and elastic 'Clastics'.

Austerely described as 'five sets of interrelated pattern based / sequencer derived recordings', Clastics lays down a gauntlet of straitjacket electronics, fizzing and crackling into and out of life. Mutated patterns evolve and decay without a care in the world.

Supremely excited to bring this to Conditional. One for the believers.

Music by Phil Julian.
Art by Renick Bell.

Clastics

Phil Julian - 'EA' (from 'Clastics', CON007)

Philip Julian
Entr’acte Mix (January 2012)
entracte.co.uk/mixes

00:00  The New Blockaders: History of Nothing
03:01  Bruce Gilbert: Slot Andolou
07:13  Storm Bugs: Hodge
11:18  Else Marie Pade: Faust – Rejsen Til Bloksbjerg og Valborgsnat
14:03  This Heat: Horizontal Hold
21:15  Michel Waisvisz: Crackles
23:50  Carol Robinson: Meshed Maze
25:54  Edward Artemiev: Untitled (Zerkalo)
27:38  Joe Colley: Treadmill Song
31:28  Max Neuhaus: Fontana Mix – Feed (Columbia Records Studios, 
           New York City, 1968)
36:15  Tristram Carey: Untitled (Quatermass And The Pit)
39:42  Wayne Bell & Tobe Hooper: End Titles (The Texas Chanisaw 
           Massacre, 1974); bootleg
40:44  Bernd Schurer: Wave Loss Demux, Version ll
45:05  Les Troubadours Du Roi Baudouin: Sanctus

https://soundcloud.com/philjulian

Philip Julian--January 2012

The soundtrack to 'O Magic Power of Bleakness', an installation at Tate Britain in 2019. Scallies & Fairies become mired under a Motorway Bridge below the M53.

O Magic Power of Bleakness

12" and digital to be released June 2nd.

@jiovanni-nadal

J. Albert - Skitter

Hi Q

..been ok i guess

Under their exael moniker, Berlin-based producer Naemi makes highly imaginative music that can be seen as a study in contrasts- precise, hyper-detailed drum programming sits atop fuzzy, organic pools of ambience, virtuosic futurism is wrung from a falling apart laptop. Following a string of excellent releases, both solo and in group settings, “Flowered Knife Shadows” features eight productions that feel like the full realization of the project, demonstrating the artist’s range and knack for vivid, pressurized productions. From the dextrous, chops-flexing “Koch Metish” to the sanguine “Reality’s Sweetheart,” Naemi’s clarity of vision and instantly recognizable aesthetic are delivered here with remarkable potency. Frost on the window, whispers in the dark.

Releases February 5, 2021
Written and produced by exael
Mastered by Kassian Troyer at D&M
Artwork by Alex McCullough

sodagong.com
sodagong.bandcamp.com

exael - Reality's Sweetheart (with Zoe Darsee) (Moon Pie Mix)

Leipzig based @taucontrib (formally Otilo) debuts on sferic with a suite of paradoxically dense and hyper-intricate zones, smudged to oblivion. Breathing, living, shapeshifting 2021 vacant lounge space.

Edition of 100 copies & digital - OUT FEB 2021.
Artwork : @svyatykh

tau contrib - encode (sferic008) [Preview]

Phil Julian is a UK based composer and improviser active since the late 1990s principally working with modular electronic devices and computers.

Audio works by Julian (and under the Cheapmachines alias) have been published on labels including Entr’acte, Banned Production, The Tapeworm, Harbinger Sound, Confront Recordings, Staalplaat (Open Circuit imprint), con-v, Beartown Records as well as numerous compilation appearances.

He also runs the Authorised Version label.

Julian has collaborated on remixes, recordings and performances with Tomas Korber, Michael Renkel, Jason Kahn, Daniel Jones, Kostis Kilymis, Tom Mudd, Angharad Davies, John Macedo, Dominic Lash, Dimitra Lazaridou-Chatzigoga, Dale Cornish, Ryan Jordan, Maurizio Bianchi, Nihilist Assault Group, The New Blockaders and GX Jupitter-Larsen of The Haters as well as being a member of the improvised drone ensemble Signals with Mark Beazley and Chris Gowers and playing as part of Mark Wastell’s improvising group The Seen.

Philip Julian--January 2012

Entr’acte

Related tracks