Off «Another Point»
out now on C20 Cassette and digital

via https://offcenter.online

010 / 20 mins runtime

Gliding over glistening landscapes, edges of sharp leaves,
a soft patch of moss, high tree tops.

Green metallic ripples open up into a stream.

Sand torn from the silent grounds beneath.

[upwards, clashing, seamlessly blending]

The earth is bubbling up, smearing across your vision,
bordering on illusions.

Then a crunch, clear image, feeling aroused.

Lena Tsibizova, Piper Spray and Sergey Podluzhny interconnect.
The energy that forms within and gushes out is undeniable.

Recorded in 2019 & 2020 between Vietnam,
Kudrovo RU, Moscow RU & Tbilisi GE

Dubbed to cassette March 2021 in Den Haag NL

All tracks written and produced by @kabinw

Photography by AIR Krew
Design by Luca van Grinsven

Another Point

AIR Krew - Spaces for discussions but ...

Taken from AST123: Th Blisks - How So?

Available physically / digitally here:
https://alteredstatestapes.bandcamp.com/album/how-so

Th Blisks - Guesthouse

info: https://radio.syg.ma/episodes/seep-3-j
https://daisart.press

seep

seep 3 – J

London’s abundant waterways and parks provide an oneiric muse for Cucina Povera and Ben Vince’s resounding debut full-length collaboration, an engrossing suite of weightless sax, synth and disklavier-bedded, noirish nocturnes that land somewhere between Grouper and Terry Riley. 

Centred around Maria Rossi aka Cucina Povera’s muzzy vocal loops and the faintest melodic motifs, London-based composer and multi-instrumentalist Ben Vince accompanies on saxophone, synth and piano, shrouding Rossi's vocals in swirls of dimly lit psychedelic smoke. As a newcomer to London, Rossi was "caught up in a sort of wondrous overwhelm” - a feeling that seeps through every movement of the almost hour long album. Working mostly at the Roundhouse, the pair find a musical confluence between Rossi's words - "fluid, dreamy, hazy ideations" - and Vince's shadowy renditions.

Vince's plasmic echoes and Rossi's aerial delivery form a poetic union, twisting and painting each sound in pearlescent shades. Rossi's folk roots shine through like cracks of dawn sunlight on 'Sumu Puistossa' ("fog in the park"), reverberating over organ and dream-zone sax; her words tip into muted surrealism thanks to the controlled chaos of Vince's bleak treatments. His grasp of jazz is transfixing: bending sax motifs like ghostly memories of music from another timeline, smudging them into the soundfield. It’s most effective on 'Siellä Näen Kaiken' ("there I see everything"), where sickly, dissonant notes flicker like an almost-extinguished candle alongside motorised furniture music courtesy of a Disklavier.

Born out of wonder, daydreaming innocence and creative discovery, 'There I See Everything ‘ is the sound of two exploratory collaborators swimming into each other's ideas. From the Terry Riley-esque transcendence of '∞' to the sacred incantation of long-form closer 'Pikku Muurahaiskeko' ("little anthill"), the pair expose a new layer of creativity with each turn, gradually zooming out from discreet, vulnerable beauty to encompass a gently orchestrated chaos of sustained, sublime tension.

Cucina Povera & Ben Vince - Sumu Puistossa

"Singe" is the new record by Angelo Harmsworth, a musician who hails from the American Southwest and is operating now out of Berlin. Harmsworth’s work deals resolutely in extremes, but this music is not concerned with presenting binary or dichotomous relationships so much as it is with reconciling disparate sensibilities and sounds. Layers of meticulously edited and sculpted tones swirl around one another, creating kaleidoscopic patterns and hallucinated choral motifs that seem to thrive on amplitude or the position of the listener’s head. There is a visceral physicality to this music that aligns it with some of the core tenets of harsh noise, even while its tonal and timbral choices recall those of ambient music. This record follows excellent releases on enmossed/Psychic Liberation, Angoisse, Opal Tapes, and Harmsworth’s own Lime Lodge imprint and may be the high water mark of his published output thus far. There is drama and implied narrative in these seven compositions that seethes and hums as if reveling in a sort of violent gracefulness. LP/Digital available on 9/30/22.

Aporia (feat. Felisha Ledesma)

<b>Yves De Mey</b>
The Weight of a Feather for a Tiny Creature (February 2014)
entracte.co.uk/mixes

Max Loderbauer: Kontur
Lumisokea: Contrapasso
Nate Young: Side D, track3: Untitled
Jarr Moff: Fiancial Glam
Kraken: unknown title
Kondaktor: Signal # 1
AnD: DTR
Dalglish: Ciaradh
Ø: Kesyn haltijat
Basic House: Time Table
Batillus: Andy Stott remix
Kondaktor: Signal # 1 (part 2)
Pye Corner Audio: Cont No Stop
Jóhann Eiríksson: Innerclock
Andrew Liles: Texas
Pole für 2: Arne Deforce + Yves De Mey
Autechre: M39 Diffain

Yves De Mey--February 2014

Mix #09 - Lena Tsibizova & Piper Spray

Felisha Ledesma 081022

https://soundcloud.com/matildatjader

https://www.retreatradio.net/scaling

Scaling #2 w/ Matilda Tjäder (06/10/22)

Microcosmic world building, aural experiments, and tonal in-betweens with Berlin based sound artist Felisha Ledesma.

https://www.nts.live/shows/felisha-ledesma/episodes/felisha-ledesma-3rd-december-2022

Felisha Ledesma 031222

The soundtrack to 'O Magic Power of Bleakness', an installation at Tate Britain in 2019. Scallies & Fairies become mired under a Motorway Bridge below the M53.

Yves De Mey--February 2014

Entr’acte

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