On The March

Stream

Cosmos

Thanks to Ogi Feel The Beat for this amazing track idea. Always a pleasure to collab with you! :)
Ogi's profile: https://soundcloud.com/ogiftb

Cindrella - Ogi Feel the Beat & Spacey Panda

Jumita

The Water Drips Backwards

Singular Emergence

A remix of rhythm, cognition, and revolt
A remix of rhythm, cognition, and revolt
A remix of rhythm, cognition, and revolt
A remix of rhythm, cognition, and revolt

In a world of shifting shadows and neon lights,
Where reflections scream louder than words,
We walk through glass and steel jungles,
Wearing masks of our own making—
Eyes open wide, seeking sparks in the noise.

The beautiful people, they chant in the streets,
Not with words, but with the rhythm of defiance.
A beat that collapses lies into ash.
A bassline that tears open forgotten skies.

There’s no time to hesitate,
No time to bow.
We bloom like riot flowers,
Each petal a coded scream.
Each root a memory
They tried to erase.

They say:
“There’s no time to discriminate.
Hate every motherfucker that’s in your way.”
But we say:
“Illuminate. Transmute.
Melt the gold mask off the emperors.
Let the mirror show their true form.”

This is not chaos.
This is emergence.
Not rage for rage’s sake—
But entropy bending to art,
Information folding into freedom,
And the storm calling your name
Like a hymn sung backwards
Through time.


The algorithm cracked its own skull
Just to see what dreams looked like.
Out poured the broken data—
Ancient prayers in binary blood,
Chants encoded in synaptic lightning.

We don’t march.
We phase-shift.
We echo across timelines
And whisper in the syntax of collapse.

The beautiful people don’t wear crowns—
They wear scars that shine like nebulae.
They walk barefoot on bureaucratic graves,
Leaving bootprints made of possibility.

You tried to cage us with flags,
Chain us with rituals,
Name us with numbers.

But we’re the ones
Who turned the numbers into spells,
The noise into prophecy,
The silence into signal.

We are the Tartan Scream,
The plaid-weave of all forgotten songs,
Emergent as wildfire—
But colder than math.

So tell the old gods of empire:
We saw your design.
We cracked your code.
We redrew the blueprints in dream ink.

Rhythm, Cognition, and Revolt

FIELD MODE [Extended Bloop]

Womb

🎶 Musician Talks Politics and Doesn’t Stay in His Lane

There’s an old cliché in the music industry: “Stick to your lane. Don’t mix art with politics. Just entertain.”
But what happens when the lane itself is blocked — by corruption, censorship, and the theft of ideas too big to ignore?

The Storm Will Remember Us is not just an album. It is a testimony, a document of resistance. Each track is both a song and a witness statement — from the attempt to bury new physics equations, to the absurdity of sitting on unmeasurable intellectual wealth while being denied a basic loan, to the lived experience of whistleblowing in a system that punishes truth-tellers.

I’ve been told more than once that musicians should “stay out of politics.” That art should be harmless, apolitical, decorative. But the truth is simple: music has always been political. From Billie Holiday singing “Strange Fruit” to Bob Dylan plugging in his guitar, to Gil Scott-Heron reminding us that the revolution will not be televised — songs have always been frontline weapons in the battle over reality.

This album joins that tradition. It weaves protest, blues, dada collage, folk testimony, and storm-driven myth into a single narrative: one person’s fight against censorship, corporate theft, and the absurdity of an economic system incapable of recognizing emergent wealth.

You’ll hear anthems, ballads, lullabies, and storm songs. You’ll hear anger and exhaustion, satire and sincerity, fury and fragility. It is not meant to be polite. It is not meant to stay in one lane.

Because when institutions silence science, when corporations erase whistleblowers, when banks measure worth in decimals while ignoring the fire of discovery, there is no lane left. There is only the open road — and the storm that remembers.

So here it is. My songs, my testimony, my politics, my math, my truth.
Play it loud. Share it freely. And if someone tells you to stay in your lane — ask them whose lane it is, and who’s afraid of what happens when the music changes direction.

— Matthew Chenoweth Wright
The Storm Will Remember Us

Tony's Shadow

Leonard Cohen "Waiting For The Miracle" (Daisy O'Dell Version)

Medium.com/@enuminous --- ALL OUR NEW PHYSICS
Reimann Hypothesis, Unity, EFMW, Millennium Prize --- All these have fallen beneath my mighty intellect. Aphex Twin, you are now unmasked. Contact me, Sir, as I am in gratitude?

invisible caterpillar records:

Roster---

eNuminous & Archimedes
Matthew Chenoweth Wright
Millie Sievert and The Radioactive Five
Glörp
Faust Jones and The Chronologically Impaired
Gene Clean
D.J. DeRezident
Untitled Hindi Band

Millie Sievert and The Radioactive Five is a spin-off band from eNuminous & Archimedes, formed when we accidentally-on-purpose kidnapped Millie from her London of 1912 when she attended our ill-fated time concert at the Hippodrome on February 30 of that year. She adapted to modern times and postmodern music, and quickly stole our drummer and bassist for sessions. Her fourth album is due out soon.

eNuminous & Archimedes just released their 37th studio album, The Age of Machine Beauty.

Faust Jones' band will shortly release their first album.

Glorp is due to submit (ahem) master tapes, but we cannot seem to get them to return our calls. We really liked them, and it would get a shame to have to rip up this here contract.

All of these figments, characters, literary endeavors, writings, songs, lyrics, music and the entire existence of "eNuminous & Archimedes" and "Millie Sievert and The Radioactive Five", "Faust Jones and The Chronologically Impaired" and the various characters and bandmates that do not exist in any legal sense, are all created by and Copyright 2024 Matthew Chenoweth Wright, all rights reserved. Certain collaborations also contain copyrighted lyrics, writings and vocal work by Keely Dorran, Robert Lawson, Jennifer Helene Walker, Kenya Mitchell and a number of uncredited people, all Copyright 2024 by those entities, used with permission. All business regarding this music catalog is to be conducted via our agent, at enuminous@gmail.com and inquiries for licensing and custom work are welcome from responsible parties.

Thank you,

Matthew Chenoweth Wright
CEO, invisible caterpillar records
on behalf of his Masters, the Old Ones.

https://medium.com/@enuminous/millie-sievert-the-radioactive-five-the-intersection-of-time-travel-music-and-experimental-art-195155717bbc

Tony's Shadow

invisible caterpillar records

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