Not a fan of the chosen lead and how it's part of the mix. But huge fan of the parts without, great vibe.

some really pleasant synth choices on this track

Im smiling so much rn.  I love it so god damn muuuuuchhh

WOW, you nailed that drum fill! This is too awesome!!

MMC February 2022. Mean industrial rock, made with FL Studio.

MMC February

Mauler, Healer, Fighter, Squealer

Different Morning

Coop track with Dirk. Those were the times

Past Love

Artcity

Special thanks for Truls Marius Aarra for joining in the last minute with those wonderful vocal tracks.
This is the track that I collaborated with Saga Musix and had a lot of fun making.

A shortened version of this track won the Combined Music Compo at MountainBytes 2025. As there was no size restriction, we decided to produce a track with some sequenced samples and vocals.

Original format can be found in Saga's website: https://sagamusix.de/en/comment/read/chasing_dreams/

Chasing Dreams

VIDEO: https://youtu.be/AzuXby3vDuA

Happy synth pop track, with some sprinkles of Mario and other retro sound effects.

Mostly reFX Nexus 2, SIDstation, Yamaha Motif XS-7 and MotifRack, Roland CM-64, JV-2080 and Vengeance samples.

Retro Grooves Vol. 1

8-Bit Voyager

a while ago, after feeling creatively blocked for several weeks, I went to my first life drawing class. Afterward I felt really energized and didn't want to go to bed, so I made this track instead of sleeping that night. The cover art is one of my drawings from that class.

download on bandcamp: https://luministmusic.bandcamp.com/releases

Exhale

One of two B-side tracks from Dubmood & Zabutoms Bad Television 7" (DATA055) available on pre-order from Data Airlines

Bad Television

Astro Surfing

Astro Surfing (With Zabutom)

This is the main song I made during my stay at Thomann's Synth Reactor 2019 in Germany. The question was if it's possible to make some good retro 80s synth music with budget synths (around $500), and it most definitely can.

I set up a little miniature version of my studio with a Yamaha Reface DX, a Yamaha MS61, a Roland Juno DS, Roland SE-02 and a Behringer DeepMind 6. Combined with my MacBook Pro with MOTU Digital Performer, Microbook IIc and MicroLite MIDI interfaces as well as a Thomann T-Mix DM-20 Digital Mixer (also around $500) and some sample packs from my collection. All melodic parts are played by these synths, the drums are slightly from the MX61 (percussion and hi hats) while the drums are Zenhiser 80s Retro Drummer because there are virtually no good retro kits to be found these days. It's all modern stuff apparently.

Thanks to Thomann, Roland, Yamaha and Behringer for letting me borrow these fine pieces of gear. 

Check out the full report here: https://youtu.be/JxTVgEg11MQ
Music video here: https://youtu.be/P0T_HPib_UA

Retro Grooves Vol. 4

Chrome Explosion

Single from the upcoming sound track to a new retro point and click game, The Last Goddess:  https://www.thelastgoddess.net

Video: https://youtu.be/mIcyxuWEU1w

The Last Goddess OST

The Last Goddess - Main Theme

The Last Goddess (Main Theme)

Made for the @chiploveeu compilation "From Europe With Love" last year, but I realised it never made it onto my own profile, so here it is. You can download the compilation on Bandcamp over at https://chiplove.bandcamp.com/album/from-europe-with-love

If you want to hear more new music by me, you should also follow @vitling here on SoundCloud

Nothing Is Right With The World

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Chrome Explosion

Anders Enger Jensen

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