Easy Listening

This one is 90% done, I reckon.
It's a SID-remix. Original by Laxity, if I remember correctly.

Here is the finished version:
http://remix.kwed.org/download.php/5116/Mordi%20-%20Basics.mp3

Basics (wip)

Found this nearly finished track from 2010. Was originally made for a RC plane video project, but never got used. 

Cover image adapted from https://iamchampionaire.files.wordpress.com/2014/05/computer-animal-eagle-wallpaper-free-download-e.jpg

Fly so high

Fly So High

Marshmallows

About 11 years late to the party, I found this insanely beautiful rendition from Melissa Hollick. Originally a Chris Isaak song from his Forever Blue album. Melissa did a touching and tender, slow piano ballad which sucker punched everyone who played through this epic game in the Wolfenstein-saga. I never had a powerful enough PC back when the Wolfenstein New Order came out, and just earlier this year, had the opportunity to play the game. The ending got me too, and hard!

So, of course I just had to do my take on this song and sprinkle it with some magic 80s power ballad dust. I took the original recording from Melissa and separated the vocals from the backing track using lalal.ai. From there, I had to find a median tempo as the original is organically swaying quite a bit. I settled on 106 BPM and time-aligned her vocals to the grid, while trying to keep as much as the original feel and flow.

I also added a few bars here and there and shortened the intro. The structure of the song is a bit different from standard A-A-B-C-A... etc. so what's normally the chorus, became a second pre-chorus, with the Ooh section ending up as the real chorus. Furthermore I changed the chords up a bit, as the normal three/four chord progression became too tiresome for five and a half minute of slow power ballad.

Not too much going on in the backing section, a mixture of Yamaha TX816 (DX7) stereo Epianos, pads, and twinkle bells etc, as well as some Fingered Bass/Amped bass guitars layered with Nexus5 guitar patches and pads. Drums are a mix of Nexus5 80s drums and Zenhiser Retro 80s Drummer samples.

Håvard Caspersen laid down a series of Michael Thompson ambient guitars, strummed accoustic and some searing lead stuff in the background. Stellar work as usual!

I Believe Remix [Feat. Melissa Hollick and Håvard Caspersen] (Instrumental)

Slap bass, cowbells, spanish guitars. What more could you possibly want?

Ritenoury

Originally featured in Elite's cracktro for Challenge Foot Senior. This version uses digidrums as originally intended. 

Super Mega Ultra Turrican+ (Digidrum version)

A cover of And one's Military fashion show on the atari st without sid or any timer effects at 50hz.
Never heard the song before and was surprised how catchy it is!

Made it for the little single screen demo "A Letter to Sommarhack" by effect.
Released at sommarhack 2025 and the demo won 1st place! (not because of the music lol)

snd can be found on cerror dot nl slash music
In the modpack can be found here: sndh/xrwwr010.snd

military fashion show / A Letter to Sommarhack (atari st)

Today, Andy chats with Alex Lightspeed and a few of his co-conspirators Todd Daggett and The Neon Syndicate!  Alex talks about fixing up old Pontiac Fieros, getting one of his tracks in the Forza Horizon soundtrack, and even getting one of his cars into a major Hollywood picture starring Robert Pattinson as Edward Cullen. Todd chats about his drum and bass roots and writing novels, Gabriele loves keytars and bell peppers, and Alex sunk in the mud at burning man. And if you love cryo-chambers than hang on to your hats because we talk about the thing you love.

If you like what you’re hearing you can support Beyond Synth on Patreon: www.patreon.com/beyondsynth or PayPal: www.paypal.com/paypalme/beyondsynth

You can check out ALEX LIGHTSPEED Here:
https://rossocorsarecords.bandcamp.com/album/lost-future
https://alexlightspeed.com/
https://alexlightspeed.bandcamp.com/
https://www.instagram.com/alex_lightspeed/
https://www.facebook.com/DJAlexLightspeed/
https://open.spotify.com/artist/31nFIDC4nnQN3h3cWE5KaK

Neon Syndicate:
http://theneonsyndicate.bandcamp.com
https://open.spotify.com/artist/2v2xRhlJWJ95WOBBWfj91w?si=NG3DbNC1R9WE6k0g9UmIFw
https://www.instagram.com/theneonsyndicate/
https://www.youtube.com/channel/UCQAtkxKrK7xXYfDZvRQaEcw
https://www.facebook.com/theneonsyndicate

https://badkillrecords.bandcamp.com/

Today’s playlist:

Alex Lightspeed - “Turbo Transistor (feat. Nathan Whited)"
Alex Lightspeed - “Crimson Sunset (feat. The Neon Syndicate)"
Alex Lightspeed - “Falkor (feat. The Neon Syndicate)"
Alex Lightspeed - “Reemergence (feat. Phaserland)"
Alex Lightspeed - “Antihero (feat. Nathan Whited & The Neon Syndicate)"
Alex Lightspeed - “Halcyon (feat. Bry Steck)"
Alex Lightspeed - “Fire at Will (feat. The Neon Syndicate)"
Alex Lightspeed - “Lost Summer (feat. Nathan Whited, Siren Nephilim, The Neon Syndicate & Trevor Lund)"

Beyond Synth - 434 - Alex Lightspeed

After a lengthy process of finding the right vibe, I finally found the vibe needed to beef up this gem of a song from Alex Ball. I started on it last year, but inspiration had left me and my daytime job took most of my time and energy.

I took Alex' original stems he sent me and worked around his Juno 106S arpeggio intro and set off from there. The vocals were grouped in two main and chorus mixes so I had little to go on, but chopped up here and there to make a longer intro with some effects. I also doubled them and fattened it all up so it pops a little bit more on the choruses. 

I kept a little of his original guitars, but added more synth and some samples I had lying around that fit the song (yes, I'm only faking it in the video... I can't play guitar to save my life, really! :P). The rest is pretty much some of my goto synths and drumkits to really get the groove kicking. Even added a modulation, which barely made it because Digital Performer and Izotope RX had some trouble pitch shifting the vocals well enough without artefacts and Alex sounding like a smurf!

Hopefully I made it slap some more. Enjoy rewinding your clocks to something inspired by 1988...ish!

Afterglow Remix [Feat. Alex Ball] Instrumental

© Funky Fish 2022
A revised/clean-up project of "Shadow of My angel" started in 2019 ,but i got severe tinnitus in 2020
so didnt finish it before 2022.

There's been several aspects of the original mix from 2003 that has annoyed me over the years because of fast pace tracking/sloppy work :)

xm file is located at modarchive.org [funky_fish_-_shadow_of_my_angel_2022.xm]

Shadow of My Angel(Revision 2022)

Ephémère

iRIDESCENT

FREE at https://knight.ocremix.org !

A Knight (for a Knight) is the 15th independent album published by OverClocked ReMix. It features 4 tracks by DaMonz, arranging music from the Hollow Knight soundtrack for the PC.
It was made by fans, for fans, and is not affiliated with or endorsed by Team Cherry; all images, characters, and original compositions are copyright their respective owners.

Creator/Director
• DaMonz

Artwork
• Annie Doyon
- http://anniedoyon.artstation.com

Cello
• Christine Giguère

Recording/Cello Transcription
• Trainbeat

Executive Producers
• DarkeSword
• Liontamer

Founded in 1999, OverClocked ReMix is an organization dedicated to the appreciation and promotion of video game music as an art form. Its primary focus is ocremix.org, a website featuring thousands of free fan arrangements, information on game music and composers, resources for aspiring artists, and a thriving community of video game music fans. OC ReMix operates under the umbrella and sponsorship of Game Music Initiative, Inc, a 501c3 non-profit charitable organization (EIN: 81-4140676).

CONTACT US!
For forum & site assistance, interviews, articles, conventions, and soundtrack development with OC ReMix, please reach out!
• admin@ocremix.org
• https://ocremix.org/info/About_Us

SUPPORT US!
OverClocked ReMix is a not-for-profit site that provides a ton of free music, which requires a ton of bandwidth and a pretty hefty web server. We need your help to keep the site running!

• Patreon: https://patreon.com/ocremix
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FREE download

DaMonz feat. Christine Giguère - 01 A Dream (Dirtmouth)

Original here: https://www.youtube.com/watch?v=J67nkzoJ_2M

Stickerbush Symphony (wip)

Byproduct - New Game+ (2016)
Tracklist:
00:00 - Intro (game is hard)
01:15 - Space Things
07:48 - Underwater Things
10:46 - Digging Implements
15:37 - Leveling Music
19:22 - Hideout
24:42 - Take Turns
30:15 - Interlude (DLC required)
32:03 - Paokala & Byproduct - Robotics
35:35 - Singularity
39:58 - Runaway AI
43:16 - Dance for the Robot Overlords
46:42 - Cleansing
50:51 - Paokala - Lost Colony (Byproduct remix)

Download the album here for free! (160kbps mp3)
Buy it from bandcamp for the mixed album and individual tracks in the format of your choice, plus a collection of 14 bonus tracks. It's name-your-price!
http://byproduct.bandcamp.com/album/new-game
credits, sources, licensing and more information at http://byproductmusic.com/newgameplus.html
Also on Spotify: http://play.spotify.com/album/2miyqvsVr6itVN08nFNz6T

New Game+ (2016) full album

Very straightforward rendition. A bit weird solo in the middle.

Tears of my Heart (orig DRAX) wip

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Fly So High

Anders Enger Jensen

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