AB Playlist 120 Part 1

DOWN THE LINE
Written, Performed, Produced & Mastered
by Andrew Borderick Coptright AB Music 2021
https://www.youtube.com/watch?v=Zo_Tm55fLsY

ONE DAY IT WAS ALL FOR YOU
LEARN TO GIVE AND TAKE BUT CRY
A BIRTHDAY WISH IS ALL THATS TRUE
A WISHING WELL WITH NO DESIRE

TEN YEARS ON AND TO SMART TO LEARN
ON YOUR BIKE AND LOST IN STUFF
I THINK ABOUT THE SCHOOL DAYS GONE
WHAT WE SEE WE LEARN TO TRY

YOU CAN GIVE THEM LOVE, GIVE THEM ALL THE TIME
SOMETIMES IN THEIR LIFE, THEY WILL FIND

WHAT YOU SEE IS WHAT YOU GET
AND WE'RE PASSING IT DOWN THE LINE
WHAT YOU SEE IS WHAT YOU GET
DOWN THE LINE.........
WHAT YOU SEE IS WHAT YOU GET
DOWN THE LINE.........
WHAT YOU SEE IS WHAT YOU GET
(break)
THE WISE GREY MAN CAN BEARLY HEAR
GRANDCHILD SENDS A TEXT OF LOVE
LOOKING OUT ACROSS THE SEA
HE REMEMBERS HOW HE USED TO BE

YOU CAN GIVE THEM LOVE, GIVE THEM ALL THE TIME
SOMETIMES IN THEIR LIFE, THEY WILL FIND

WHAT YOU SEE IS WHAT YOU GET
AND WE'RE PASSING IT DOWN THE LINE
WHAT YOU SEE IS WHAT YOU GET
DOWN THE LINE.........
WHAT YOU SEE IS WHAT YOU GET
DOWN THELINE.........
WHAT YOU SEE IS WHAT YOU GET

LIFE

DOWN THE LINE

DOWN THE LINE (see info for video link)

PSYCHALOVIC SONIC ENERGETIC GARAGE ROCK

Don't miss the music video and give us a like and a follow on Youtube: 
https://www.youtube.com/watch?v=VkFyhjcNHEc

Words And Music By René Methner, Recorded and Produced by Para Lia, Mix By Para Lia With Thommy Hein, Mastered By Thommy Hein In The Thommy Hein Tonstudios Berlin.
Cover Artwork By: Georgia Moschogianni @tzo-moschogianni
P&C 2023 PARA LIA UNDER EXCLUSIVE LICENSE TO ABOUT US RECORDS GMBH

'IN CLASH WITH THE ZEITGEIST' - The New Album - 25.08.2023
PSYCHALOVIC SONIC SONGS FOR LOVERS AND SURVIVORS
https://paralia.lnk.to/Clash

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► Website: para-lia.de/de/

the streets behind us have often seen a come and go
and sometimes we feel incomplete
but the reason we don’t know
till the right one says hello
when you at least expect it

c’est la vie
keep going
c’est la vie

coming close and drifting back
in endless meaningless affairs
but it’s a soul without disguise
who joins you creepin‘ up the backstairs of life
when you at least expect it

c’est la vie
keep going
c’est la vie
we strollin‘ on
c’est la vie

C´est La Vie

Nighthawk Confession

From The Heart

From The Heart - With AnandaTuk

Stop Drop and Roll

Stop Drop And Roll

Piano -  courtesy of Roberto Klavi 😃

Thank You Roberto 🙏

Stand By Me - Ben E. King ( cover with uke and piano)

Doof doof, motherfucker 
When I come you’re going oof oof
I be smoking on the poof poof poof
Then I’m mining down your roof roof roof
I’ll be laying down the truth truth
It’s time for the fucking doof doof, motherfucker
Doof Doof

Ay, I’m self-made baby
Hella famous, I make them jealous
This the menace that fucks with the order 
And no deodorants can hide the stench, it’s over man
Oh, the sanction’s there? 
Bitch, we’re united like Manchester
It’s about time, we’ve had this vision
Didn’t just start it, we practiced it
And that’s just half of this shit
The other half’s deep where you can’t witness
And the fact is this, that and the third 
And the fourth and the fifth and the eighty eighth 
This shit is getting very crazy
Keep spending every day in daydreams
Please baby let me get in there
See, I’ve been getting there with every pay shift
Been making every bed
It pains me to see every bitch in there
It can’t be the thing that will help me lay and get sleep too
Don’t tell me that it’s too soon
I’m in love with the night
And every new moon our plans collide
And God decides that who’s who
And if I decide then I decide 
That lose lose ain’t what it’s all about

It’s got the doof doof, motherfucker 
When I come you’re going oof oof
I be smoking on the poof poof poof
Then I’m mining down your roof roof roof
I’ll be laying down the truth truth
It’s time for the fucking doof doof, motherfucker
Doof Doof

Doof Doof

Pierre Bordetti productions (c) 12/2024.

Merry Christmas to all and many thanks for your continued support.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Lyrics

Like every morning,
I turn on the radio,
like every morning,
Bad news makes the show,
depressing grayness,
absent brightness,

war wins everywhere,
the climate change,
floods everywhere,
drought even stranger,

Before it's too late,
let's sing of love,
before it's too late,
let's pray to the lord god,
let's forget this nightmare,
let's stop all these wars,

Alone glimmer of hope the Music

This is a mastered version of this song that I had originally posted on here in 2022. I love how it’s given the song more sonic oomph! I hope you enjoy it. Thanks to Ryan at RCD Audio. 
Take care
James 

Lyrics - Don’t want to be sat here

Goldfinches on feeders, in the winter sun
You’re sat by the window, watching as more come
I’m sat looking at you, quiet in my chair
Questioning my commitment, wondering if I still care

Have we dragged this deadweight, with no engine and no wheels, for far too long?
My broken back is screaming, my poor heart is just pleading - lets move on

The old dog keeps on scratching, he whines and then he sighs
And you bark questions at me, but never wait for my reply
All patience I may have had, its gone and now I know
We’ll suffocate and fester and our resentment will just grow 

Have we dragged this deadweight, with no engine and no wheels, for far too long?
My  broken back is screaming, my poor heart is just pleading - lets move on

Let’s give it up
Lets give it up
Cos I don’t want to be sat here, mean and bored
Lets give it up, lets give it up
Cos I don’t want to be sat here anymore

Solo

Have we dragged this deadweight, with no engine and no wheels for far too long?
My broken back is screaming, my poor heart is just pleading - lets move on

Lets give it up, please lets give it up
Cos I don’t want to be sat here, mean and  bored
Lets give it up, lets give it up
Cos I don’t want to be sat here anymore

(Come on come on)tell me 
tell me what you want 
Yeah, tell me what you’re thinking 
 (repeat and fade-out) 

Copyright James Whiteman 28 January 2022

Don't Want To Be Sat Here (RCD Master)

waking up

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron cello & strings, sound effects, editing production

This song began with Mahan writing a chord progression on his acoustic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh and asked if he'd add some vocals. So Josh came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add more parts, so Josh also laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for.
That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark added the cool, proggy mellotron strings, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to include some additional synth strings you hear throughout, too.
Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section.
We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans
For when I go

Time moves by painfully fast
Everything goes and nothing lasts

We're only here for a very short time
You live your life and I'll live mine
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's
Relentless plans

When it all comes ‘round
I don’t let it get me down
‘Cause in the end,
I won't make a sound
This life is very short
And we're all very small
Everything’s in motion
On this spinning ball
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder
Wonder at it all



Wonder (Eclectic Collective with Mahan Mahan)

Music : Janne Hennie & Little Man
Vocals & lyrics : Janne Hennie

You once told me I didn't have enough
To offer you
Well, that might be true
But I got something I know you want
I've got bippetibopp

Chorus.
I may not be the prettiest girl you've ever seen
My wallet is cold
My pocket ain't full of gold
But I do something no one else can do
I Bippetibopp with you

Bippetibopp

I've got something I know you want
I've got bippetibopp

Chorus

If you replace me with someone new
You might end up miserable and blue
Cause I've got something I know you want
I've got Bittepibopp

Chorus

Bippetibopp

I've got something I know you want
I've got Bippetibopp

Are you sure you really want to go?
You will miss out what you already know
I'm the only one who can do
Bippetibopp with you

Chorus

Bippetibopp

One of my favourite Soundcloud artists @remnant60 posted a gorgeous track that he left open for collaboration, so I jumped at the chance to try and add something that might fit with his ambient, mystical guitar sound. I settled on some ethereal cello chords (played on keyboard with some pitch bend modulation) and this is the result. I try to recommend listening with headphones when I think it's worth it, and I think it applies in this case.  :)

Check out his playlist where he compiled various other really cool adaptations of his original tune. Thanks Bill for continuing to inspire us with your magic! 

PLAYLIST: Variations On A Dream
https://soundcloud.com/remnant60/sets/variations-on-a-dream

Universal Language (collab with Remnant60)

"Politically motivated globetrotting singer-songwriter Bruce Cockburn. It’s “Call it Democracy”, a song as taken from his 1986 album World Of Wonders.
Cockburn had spent the 1980s making albums and writing songs while also making personal trips to points on the map where the negative effects of Western economic policy was making the most impact in that era. The World Bank and the International Monetary Fund continued their “aid” to Third World countries, lending them the funds to manage their economies effectively (read: in line with Western corporate agendas) in exchange for turning over their right to self determination in support of private interests. This was, and is today, generally done by way of huge rates of interest on loans that are designed to never be paid off. Certain people might say this is nothing less than economic imperialism. 
It helps that he had direct experience with the effects of what he’s singing about, traveling to where the effects could be felt the most personally. Bruce Cockburn has written about this kind of political and economic maneuvering for a good chunk of his career by now, doing just that. All the while, he’s made music that is noted for its dynamism, high levels of musicianship, and for its value as pure performance while doing so, never letting a message get in the way of the art.
That’s what is more than evident here on this tune, a song driven by his machine gun stream of lyrical protest that touches on dirty deals with tin pot leaders, the machinations of big business, the poor cast aside, and lots of money to be made at their expense. But, it’s the rhythm of those words and the musical drive behind them that makes this song sing. The lyrics are less the sermon, and is almost like a percussion line on this song. Cockburn’s guitar solo weeps with bitter anger at a world gone wrong, as wondrous as it is. This is an important thread to follow in his music, particularly from the early ’80s and into the ’90s; that a sense of outrage at the world is fed by single moments of profundity and well-being, contrasted with the bigger picture of injustice and suffering.
With that understood, this song demonstrates another aspect of Cockburn’s approach to songwriting, too. By this time in his career, the quasi-mysticism undercurrents to his writing had taken on some pretty strident political characteristics. The single observations of beauty and transcendence which informed his early work are still there. But, they are put into a relevant context to what’s external to them. His interest in spirituality and his sociopolitical impulses are often cited as the two poles in Cockburn’s music in general. But, I don’t really see them as poles so much as I used to, being a pretty long-term Cockburn fan by now. The dichotomies between politics and spirituality, and between nature and civilization are the engine of his creative output. They are inextricable elements of his work.
In this song, the lines “The only response to the deification of tyranny by so-called developed nations/Idolatry of ideology” certainly bears this out. With this song, we get the language of both the spiritual and the political, and the veil between the two are lifted; “deification”, “tyranny”, “idolatry”, “ideology”. This is all to say that Cockburn is not just a political writer for politics sake. A song as strident as this one could not have been written if Cockburn didn’t have some vision for a better world, at least partially informed by a conflicting worldview to that of the “dirty MFs” mentioned in the song. After all, the album off of which this song comes is called World Of Wonders, with many other songs celebrating the delicate beauty of the world in its fine details, balanced against the hardships which happen in it. “Call It Democracy” is not a cynical song, even if it’s an angry one."    The Delete Bin
Mastered Track: Distrokid Mixea
Image: Polina

Call it Democracy-Bruce Cockburn (Cover)

Shake Down Time

an original song. from my album [My Art Is Suffering].

---

[LYRICS]

now,
i haven't slept for days
i don't even know the last time i ate
( this ashtray... )
[ HERE'S ANOTHER RED FLAG SONG ]
( full always... )
[ YOU NEVER LISTEN OR SING ALONG ]

reaching out to what i call a "friend"
as a means to provide proof that i'm not dead
( still useless... )
[ NOTHING I MAKE ]
( no noose fits... )
[ MAKES ME HAPPY ]

hold it in your hand 
JUST BREATHE IN.
then-
bring it slowly to your wrist
BLISS BURNS.
when life turns bland-
KNOW YOU CAN:
grace your skin
with a razor's kiss

ketamine? 
i mean-
i might?
i may...
KNOWING SOMEDAY I'LL DIE
KEEPS ME SLEEPING SOUNDLY
dramamine.
i need:
to keep.
to feed.
ALL THE NAUSEA INSIDE
WHENEVER MIGRAINES TAKE ME

i've been-
RUNNING WITH FIRE
under my feet again
so i can
lie to these 
FAKE FUCKING PEOPLE
with groomed-in ANXIETY

am i lonely?

i've been-
RUNNING WITH FIRE
under my feet again
so i can
fight the need 
TO KEEP ASKING PEOPLE
the questions i tend to think

am i lonely?

[ ONE DAY I'LL FADE LEWY BODY IN MY BRAIN ]
[ THE ONLY SWEET RELEASE FROM A LIFE THAT WAS ALL PAIN ]

am i lonely?

( i don't think so? )
then again- 
i don't win...
[ COMPLIMENTS, I DON'T GET ]
what do i know?
( my life... bores me? )
sometimes love-
mostly numb...
[ MISS. ME. WITH. THAT. FAKE. SHIT. ]

am i lonely?

[ SOME DAYS I SLIP GET COMPLACENT AND FORGET ]
[ HOW EVERY DAY'S A STRUGGLE AND EVERYTHING. IS. STILL. SHIT. ]

am i lonely?

tropicanna Cusack

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

„a style of Doom blending from destructive energy to a own creative dominance“

Epic Down is a duo from Leipzig, Germany dedicated to the sluggish grooves and lumbering riffs of sludge & doom, started in 2021 by Mitzschi (guitar(s)/bass) and Fabian (drums/vocals).
Influenced by primal doom, drone and stoner, the sound of Epic Down is mainly characterized by solid downtempo grooves and rolling walls of guitars, complemented by slightly melancholic vocals.

With the release of their first EP "Equinox Pt1" and it’s sequel "Equinox Pt2" in 2023, the band stepped into the light of publicity.
After signing to Argonauta Records the band was able to celebrate the release of „days of oblivion“ as their debut album in fall 2024.

Follow us & stay tuned:

Nighthawk Confession

Epic Down

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