Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

ROT OCTO

Fucking for a Reason

HELEN OUT NOWWWWW

Heart on Hypem: https://hypem.com/track/2xqjr/Oliver+Malcolm+-+Helen

Watch the music video for "Switched Up": bit.ly/SwitchedUpMusicVideoYT

Follow Oliver Malcolm:
instagram.com/olivermalcolm
twitter.com/olivermalcolm
www.facebook.com/olivermalcolmmusic/
bit.ly/OliverMalcolmSpotify

Are You Living In The Real World? - EP

Helen

Listen

420 - Untitled 5

Come Over (feat. Popcaan)

By Floras

Taken from the album 'Renegade Breakdown', out now on Ninja Tune: https://mariedavidson.lnk.to/renegade-breakdownSo

Follow Marie Davidson -
Spotify: https://found.ee/marie-sp
Apple Music: https://found.ee/marie-am
Instagram: https://found.ee/marie-ig
Facebook: https://found.ee/marie-fb
Twitter: https://found.ee/marie-tw
Youtube: https://found.ee/marie-yt
Bandcamp: https://found.ee/marie-bc
Soundcloud: https://found.ee/marie-sc

Renegade Breakdown

C’est parce que j’m’en fous

Galore

girl on my throne (feat. Casey MQ)

Gabriel Gifford & Harvey Causon - Dust Rises

Womb

Under My Skin

STEEZ

Face

Give Me A Reason

Wonder

Wonder (feat. Still Woozy & MTMBO)

Own It

Download Now! 


https://music.empi.re/oaklandnights

Kamaiyah & Capolow - Undercover

Arugula

Alright (ft. AKIRA)

i watch cartoons
i dont watch the news
bent at the edge dressed dans ma doudoune
f a whole foods who really got juice
now they always ask lulu why you so blue
my lullaby hullabaloo
cheque ouesh mec touche pas a ma thune
filth scum sucker
slug mud grubber
diss bish catfish u other pups guppies
maggot boy
watch u squirm on the hook like a maggot
looking so sharp eyes like daggers
2 4 the 1 that's some madness
la petite anglaise ouais
i should watch my manners
fix yourself a drink bitch
i can make hits while you nitpick
say youre doing bits but you're just shit
i can make hits while you nitpick

witch spinster
watch me kill a bachelor
in like a hackerbot
hit me with the captcha
sometimes tiny dancer
then im tony danza
when i pull up at the function
looking pretty handsome
oh that was your party
more like fuckery
still that nerd call it zuckerb
overgrown 
monotone
call me corny until they try shucking me
what you know about what
god never woman no man never god
joined in the fun but they're calling u a thot
yeah you look good do u like what u got 
fix yourself a a drink bitch
better to make art than be critic
keep on doing bits
yeah you got this

before i die i wanna see the northern lights
start the car
all night
rip the tar right our of my throat
skip the milky way
i roly polied over all aloney 
felt my belly full of woe
used to be unhappy i was born a woman but it's all i know
im over it
i swear we're all divine
tesla coil
lit in tokyo
glowworms in the summer
as a one year old

i forgot about false hope
i love u
bitch u get nothing

you're a 20e bill i don't want none
you're a 20$ bill i don't want none
2020 wanna feel what the light's on
20 mil and no deal that's what i want

never call em pussy cos pussy magnificent
dissonant she
killed the prisoners
bitch
im boudicca 
sword on my hip
zip lip less you're kissing it

you think you really got me 

saw a lotta doom in the daylight
always 20 20 when its hindsight
they always wanna act like i dont know
fresh XL 
yamamoto

never call em pussy cos pussy magnificent
dissonant she
killed the prisoners
bitch
im boudicca 
sword on my hip
zip lip less you're kissing it
tight grip on the icepick
now they really want me
i keep that hannie on me
got that johnny 
beat that giovanni

sword on my hip
eat dirt
drip like a nosebleed on a white tshirt

some fruit has seeds 
but it still tastes so sweet
i gotta new phone
theres no pictures of you in it
is this what they call moving forward
i dont know
really on my rocks like im ross
thuggin on em stop the tears
visions of eternity
they're not hurting me
i got flowers up to here
heard the garden in my ears
hundred years until it's known
hundred years until i
now i let go
i just want things to grow

all this shit makes me wanna smoke
not holding me 
hold me like a choke

stay home in my two tone and i get so low that i die
mix my white socks and my white shoes and i get so low that i
its my hideout dont wolfcry
im kiki
im most fly
dunhill on the sunshades
my heart aches
i mark make
saw two windows with the red drapes 

wake up like an uppercut
my day job not a paid job
hazy morning noone on the highway
nothing on the radar
not rolling shit but i roll alone
photos stole my soul
watch me pull that hood like my melody 
but im more beezle than im yuniko

i dont give a fuck if u dont like me

shieldmaiden

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Mercurial Nerve (PAN 112)

Gib was du hast

Gib was du hast (feat. mxchild)

I neither know (oida | οἶδα | perf act ind 1 sg) nor understand what you are saying.
  And he went out into the exterior court, and the cock crew.

soundcloud:tracks:799203664

ROT OCTO

οἶδα [oida]