Muy buen track contrastando claridad y distorsión! Buen bajo incluso por iphone

Released 27 September 2013 by Clang (clang007) clang.cl (Copenhagen)
Produced by Juan Cristóbal Saavedra aka Equipo at Spain, France & Brasil between April and August 2013. equipoweb.de

Mastered by Danieto at Imparlab, Santiago (Chile)
Cover art by Krafika, Barcelona (Spain)
Text by Juan Pablo Abalo, Santiago (Chile)

Buy on Beatport

Acorralada (Adjetivos) [clang007] Sept 2013

https://www.nts.live/shows/laurel-halo/episodes/laurel-halo-30th-may-2022

Awe is something you feel when confronted with forces beyond your control: nature, the cosmos, chaos, human error, hallucinations.

Awe w/ Laurel Halo & Mica Levi - 300522

À la rencontre de Marcos Morau, chorégraphe de La Belle au bois dormant, et de son dramaturge Roberto Fratini, qui partageront leurs intentions pour cette nouvelle création avec le Ballet de l'Opéra de Lyon. Une rencontre présentée par le journaliste Philippe Noisette.

Alors on danse ? — La Belle au bois dormant

Staubsauger Live 250415 Kochareal ZH

Podcast exclusivo de @equipo para la serie You Play I Write #YPIW.

El productor chileno afincado en Barcelona aborda la electrónica desde cualquier punto de vista: experimental, dub o ambient (por decir algunos géneros), siguen sin ser suficientes para saciar su curiosidad infinita que le lleva, cuando se trata de pinchar, a poner en juego todo un arsenal de sonidos, estilos y efectos que basculan saltando más allá de la electrónica. Mucho más allá.

¿Os acordáis de aquella historia que hablaba de cómo una persona sola gritando en el valle hacía un eco que parecían mil y amedrentaban al intruso? @equipo (Cristóbal Saavedra) es lo mismo: pero desde su estudio hasta tus altavoces. 

 www.vanitydust.com/equipo

vanitydust.com

You Play I Write [01] — Equipo

The orchestra of Marina Rosenfeld's 'Free Exercise' is a hybrid made up of both military and experimental musicians, who together map a large-scale composition for drummers, percussionists, wind players and others over two key sites in Montreal, the Museum of Contemporary Art (MAC) and a nearby regimental drill hall (Regiment de Maisonneuve). Participants, including the Fusiliers de Mont Royal, an enlisted band based at the Armoury of the Fusiliers Mont-Royal, and luminaries from Montreal's rock, contemporary and free/improvised music scenes including Jessica Moss, Cleo Palacio-Quintin, Philippe Lauzier, Sandra Joseph, Kristie Ibrahim, as well as drummers Eli Keszler and Greg Fox, mount an initial collective performance of Rosenfeld's score, distributed throughout the gymnasium-like 'terrain de parade' of the Cathcart Armoury. Over the course of an approximately 60-minute performance, participants engage in a series of collective musical "exercises" testing the limit points of rhythmic and melodic unisons. In subsequent performances, segments of the work are restaged within the confines of the museum, further extending the sonic juxtapositions and mappings of the initial performance into the space of the exhibition.

Free Exercise was originally performed in the linked galleries at the Bergen Kunsthall in Bergen Norway, as part of Borealis Festival 2014, and featured performers from the Royal Norwegian Naval Band. Rosenfeld's new version for the Biennale de Montreal moves the work into open, resonant space and expands upon sequences from the Norwegian production that highlight patterns of cooperation and conflict that play out in acoustic space.

'Free Exercise'  - version for Biennale de Montreal - 2016 - excerpt 2

Ben Vida
Reducing The Tempo To Zero
SHELTER PRESS / SP108

Recorded 2016-2019 New York
Mastering: Stephan Mathieu
Artwork: Xavier Antin

The theme of time is unavoidable when approaching Ben Vida’s Reducing the Tempo to Zero, his latest endeavour with Shelter Press. A singe work, pushing the bounds of Digital and Analog Synthesis, which stretches to just over 4 hours in length, its realization is the product of years of effort - the process of recording and editing extending across the period between 2015 and 2019, offering momentary conclusion to an arc of ideas and practice which which first appeared on Damaged Particulates, issued in 2016.

RTTTZ is a temporal nesting doll - a meditation, conceived by Vida as a part of a daily practice which embarked upon sustained periods of focused creation and listening. While the product of a deeply personal, inward journey, similar to iconic efforts by composers like Dennis Johnson, La Monte Young, Morton Feldman, and Éliane Radigue, it strives to unravel the standards and expectations applied to musical and experiential time, taking the relation to sonic phenomena into an almost transcendental realm. Immersive in scale and endurance, through a deep and radical sensitivity to material and structural hybridity, Vida’s return to the durational drone based forms - first explored as a member of Town and Country during the mid-90s - drives the ear toward the solace found through developmental and intimate relationships with the fleeting, granular, and discrete, transmogrifying smallest detail into a monumental event.

Despite being the “complete” RTTTZ document, made concrete by the process of recording, this 4+ hour iteration carries the shifting ghosts of other beings and times. It represent only one of many possible, existing beside a free standing phonetic, text-based score, and a near infinite number of evolutionary, live variations - instrumental and vocal versions, as well as those which spring from the combination of instrumental and vocal ensembles of varying sizes, each time of different length, changing and taking on new dimensions determined by the its performers. In a sense, each version is simultaneously free-standing and finished, while capable of reconfiguration and being made anew - a mirror for its shifting passage through the ear, which triggers multiple, concurrent images of other times and existence of itself.

While the duration, structure, and relatively of RTTTZ focuses attention toward the internality of what it is, like all great art, they are simply a means to an end. The crucial themes lay with the cumulative effect of their sum - the power of phenomena and highly individualized experience. It is an organized, sonorous space which is to be occupied and within which to get lost, shifting the ownership, whether embarked upon actively or passively - both as valid and rewarding as the next - to the listener alone, sculpting a subjective expanse which denying concise location and, in so doing, undermines the presumption of the capacity to be the same thing twice.

Overwhelmingly beautiful in its oscillating harmonics and punctuation of pulsing texture and tone, each stage of its evolution moving at a glacial pace, represents a monumental achievement from Vida within the broad landscape of experimental and avant-garde sound. Reducing the Tempo to Zero was mastered by Stephan Mathieu, and is released by Shelter Press in both digital and limited USB card editions.

Reducing The Tempo To Zero

BEN VIDA 'Reducing The Tempo To Zero' (EXTRACT)

Twitch livestream recording from April 16, 2020 - https://www.twitch.tv/againsta111ogic/

Hope I'm not breaking any rules by sharing this here. Enjoy.

april16.19.00GMT

Nicolás Jaar - april16.19.00GMT

Ejercicios

OP 𓅛 mix 25 - Mayss  {{{ My Innermost }}}

Porpoises

Juan Cristóbal Saavedra aka Equipo has his own particular perception of music matured along 20 years producing electronic music. Abstract and specific at the same time, the chilean artist based in Barcelona since 2004, creates a combination of House, Techno, Electro, Dub, Minimal and IDM that display playful rhythmic patterns, subtle melodies and evocative harmonies.
Saavedra has published on several labels including Pueblo Nuevo, Rodoid, Impar and clang. Besides his wide expertise in live shows played in events and clubs around the world, Equipo has played in renowned festivals like Mutek , Bam, Caudorella, Escena Poblenou (Barcelona), Panorama (Olot), Deleste (Valencia), Cologne Commons (Cologne) or Re-New (Copenhagen).
As a musician, Equipo's career has always been linked to other arts, producing for cinema, theatre or contemporary dance.

Buy on Beatport:
https://pro.beatport.com/artist/equipo/82028

General Inquiries
contact@equipoweb.de

Acorralada (Adjetivos) [clang007] Sept 2013

Equipo

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