The perfect collaboration... oceanic... weaving memories into tapestries....

Brood

Jose Macabra Soundtrack 3d video Kimatica Transcendence National Gallery

Winter Garden

Don't Go Where I Can't Find You

taken from the forthcoming 5LP / 5CD box set "Electroacoustic Works" celebrating Iannis Xenakis' 100th anniversay on May 29th, 2022. 

Newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest, mastered by Rashad Becker.

Out in January 2022

IANNIS XENAKIS - Mycenae Alpha

From the 'Healing Together' compilation: https://pitp.bandcamp.com/album/healing-together-a-compilation-for-mental-health-recovery

https://www.instagram.com/holliekenniffmusic/

Hollie Kenniff - Embers

This track came about over a period of time, adding little riffs of piano and finally, Simon creating an electronic 'ground'. It's a bit of a collage. I wondered if it was going to work at all. Now, I like it.

Frontier

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/3R5iGX0P-ls

Glimpse 1401 (Aug 2 2025)

Piano Scape

This EP was recorded around a documentary film "Papa Hédi", that looks at the life and legacy of celebrated Tunisian musician Hédi Jouini. 
We started writing the score in the summer of 2011 as specific cues for the film and using short samples from Hédi's music. 
In the autumn we decided to develop the cues to make full tracks and the results are on this record. 

Foug

vinyl:   https://honestjons.com/shop/label/Mana      
digital: https://manarecs.bandcamp.com/album/de-leon     
info:     http://manarecords.com/004 

Gamelan and capoeira in dub. The collective behind this doesn’t like to talk much but their music is beautifully conversational. De Leon is the most organic and percussive of their shifting identities, developed on their Aught project in small-run, clear-shell cassette tape releases over the last few years.

They've appreciated a cult interest for their takes on outernational rhythm, field recording, and the tension and relief on the knife-edge of dance music; all delivered with an impressive commitment to anonymity and clarity of vision through cut-and-dried aesthetic minimalism.

These six pieces of music seem formed from wood, metal, air. Dramatic, balletic flourishes and tightly woven interlocking patterns are embedded in slowly changing and "live" atmospheres. The shadow of a hand over the mixing desk makes gradual adjustments to alter the pressure and dimension of the space.

A number of tracks first appeared on De Leon's set for Blowing Up The Workshop in February 2016.

Mastered and cut at D&M.
Distributed by Honest Jon's, London.

Art by Gustavo Eandi

De Leon

De Leon - B1

This track is quoted from the release 'Under the Morning Mist | In This Perfect Dream'.
Listening to all tracks and purchasing are available on the link below.

https://pitp.bandcamp.com/album/under-the-morning-mist-in-this-perfect-dream

"In this decade, I visited many places in order to record organic sounds such as, rare bird voices and sounds of waves (I live in the basin area far from sea). There is a river near my house and I often visit there to record, or merely walk. When I recorded in the early morning hours at that riverside for ‘Under the Morning Mist’, the body of water was beautifully wrapped with a dense mist. A gorgeous backdrop and inspiration for this arrangement. 


A park located in the city where I reside, was the inspiration for the arrangement, 'In This Perfect Dream'. The captured sounds of trees, leaves, and the winds.. All beautiful sounds around me that we typically take for granted. I got lost in time, it felt like a perfect dream, hence the title of this arrangement." 

-Hidekazu Imashige

Past Inside the Present 

This is PITP07 | MMXIX Digital Series 

All tracks are written, mixed and mastered by Hidekazu Imashige 

Layout by PITP

In This Perfect Dream

Site specific piece recorded in Teufelsberg (The Devil's Mountain). 
Minimal editing, recorded inside the largest radar reflexion beacon situated in Grunewald (West Berlin) for future 8.1 piece.
This piece is  Brood's sonic representation of the history of this man made mountain and N.S.A. spy base.

2010

The Devil's Mountain

The Ministry of Defence in the UK has developed mind control methods using a sonic weapon.  The Department of Science Technology lab influence thoughts and control dreams of their adversaries.  The sound waves infiltrate the brain to disrupt normal thought patterns and lead the victim to execute actions decided by the government.

the largest organization in the world that openly research mind control weapons and torture methods is the United States of America government. http://www.bbc.co.uk/news/world-us-canada-41077339

My question is, if you were dealing with a government that developed mind control and used this technology to engineer behavior in a subject, would you not disclose this openly to the public to save the millions of innocent lives that are at stake? How could you possibly control and use mind control


Aural mind control is known to be effective for espionage campaigns against ally and adversarial states.  The sound waves operate at a frequency which uses alpha and gamma waves.  Espionage operations using speakers and audio are known to have existed since the 1980s.

Voice impersonation has become a technology of surveillance and cybercrime. There are many video files on YouTube of apparent online video tutorials in regards to voice synthesis. Other software, such as smsMachine have been used to create new voices and sound alike.

These people were no expert in voice synthesis. But if you watched the video of them saying “hey”, you could hear what sounded like them saying “hey”. Their voice quality wasn’t perfect.

Sonic Mind Control Weapon Conspiracy Theory [keto432]

Part 2 of the Lament sonnet sequence
detailing a disused industrial space

Original soundtrack composed and arranged by Stas Shevchenko
www.svsh.bandcamp.com

Mastering: Sergey Kosov
soundcloud.com/mmcmstudio

Track purchase
jeremyclarke.com/track/lament-ii

Lament II copyright © Jeremy Clarke 2020

All Rights Reserved

Lament II

Spacecraft - Sunset from the Ethereal Shore (Lauge Rework) 🧡
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Music Video

Spacecraft - Sunset from the Ethereal Shore (Lauge Rework)

Brood is the sound worship duo formed by Jose Macabra and Sammie Joplin (Mothax). 
Brood started its journey when they met at London College of Communication whilst both were studying B.A. Sound Arts and Design. 
It is a noise/industrial music project that explores the subconscious and hypnotic trance state in sound form. Hypnagogic exploration draws themes from innate contradiction within the worlds society expressed through a mix of soundscapes and improvised sonics. The band started in 2008 when they decided to unite forces to create a collaborative improvisation group that would generate a new concept in music and performing arts, mixing old and new techniques to deliver a melodramatic and aggressive journey that would immerse the public in an unforgettable experience.
Their first single “Filth Me Tonite” and first album “Your Mother” are now available.


Musician, producer, sound sculptor. Founder member of the experimental 80's project Sigillum S. During the 90's he expands his creative activity collaborating with prestigious artists like Bill Laswell, Mick Harris, Toshinori Kondo, Russell Mills, DJ Olive, Jah Wobble, Thomas Fehlmann, Markus Stokhausen, Harold Budd, Nils Petter Molvaer and many others. Also known for scoring movie soundtracks for the Academy Award winner director Gabriele Salvatores. In 2008 he founded RareNoise Records, a new label based in London aiming to produce a wide range
of cutting edge music. He produced and published countless albums in his career. He has two bands Obake and Metallic Taste Of Blood. Currently working on new projects.

Don't Go Where I Can't Find You

Eraldo Bernocchi

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