زندگانی چه زیباست با اوای تو رنگ نوازی میکند عشق را با تو مهر نوازی میکند 🤍🖤❤🧡💛💚💙💜💥🧘‍♂️🧎‍♂️😇

written 24/04/20

Another piece in waltz time. Reworking an idea after having listened to the Dune OST. This morning my brother had me listen to "Kiss the Ring". 

Also, the image is a 3D artwork I handmade using Blender.

Harbinger

Open Recording Session @ Superbudda, Turin, IT.

Insta: https://www.instagram.com/sebastianplano/

Indie Live in Turin: https://www.youtube.com/watch?v=mKl7OZ1s8ow
Indie Live at Funkhaus, Berlin: https://www.youtube.com/watch?v=fB9zsb2wy9I

New Song - 'Indie' Live in Turin, IT.

Nils Frahm writes his first score for one-take feature film ‘Victoria’ and is nominated for German film prize

LABEL: Erased Tapes RELEASE DATE: June 15th, 2015 CAT.NO: ERATP071 CD/LP/DL EAN: 4050486110577

ABOUT:
Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

IN HIS OWN WORDS:

Dear viewer and listener,

I’ve finally written music for a film. It took me some time to do so, as I was patiently waiting for a movie that would truly speak to me. When director Sebastian Schipper invited me to work on Victoria, I knew it was worth the long wait. Does such a strong film even need music? I realised it wouldn’t be easy to create a score that embraces these bold pictures.

Luckily we were given unusual creative freedom by approaching the movie together with Sebastian Schipper, who was keeping the production and direction to one single team. The score was recorded in a special location, the former GDR broadcasting production facilities that today host Studio P4. We simply put a big screen in the middle of the room, filled it with microphones and instruments, set the movie on loop and kept improvising on top of it together – my good friends and I.

The guest musicians started their recording session by playing a cohesive take over the course of the whole movie. This was the most interesting part of the day, since they hadn’t seen the film before. They became spectators and creators at once, intuitively recording hundreds of different cues that way. You are about to listen to some of its highlights. I hope they do Victoria and your ears justice.

With love, Nils Frahm

‘Music for the Motion Picture Victoria’ will be released by Erased Tapes on LP/CD/Digital June 15th.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon.

ABOUT THE ARTWORK:

The cover illustration was drawn by Stephanie Franziska Scholz based on a still from a key scene in the film, with additional design by Torsten Posselt at FELD.

TRACK LISTING:

1 Burn With Me (Victoria Edit) by DJ Koze 2 Our Own Roof 3 A Stolen Car 4 In The Parking Garage 5 Them 6 The Bank 7 The Shooting 8 Nobody Knows Who You Are 9 Pendulum

The soundtrack opens with an edit of ‘Burn With Me’ by German producer DJ Koze. The digital Bonus Track Version features a previously unreleased track by Hamburg’s electro-punks Deichkind titled ‘Happy New Fear’ plus an additional DJ Koze track titled ‘Marilyn Whirlwind’ from his 2013 album.

PRESS:

‘Frahm's soothing electro-orchestral pieces prove especially effective, washing over the throbbing dance beats like a flood of endorphins.’ – Hollywood Reporter

‘Nils Frahm’s score is an equally flexible asset, veering from juddering electronic chaos to dreamy intrusions of piano and cello — a sonic approximation of the alternating noise in the title character’s wrecked head.’ – Variety

OFFICIAL WEBSITES: nilsfrahm.com · facebook.com/nilsfrahm · twitter.com/nilsfrahm · erasedtapes.com

Music for the Motion Picture Victoria

Our Own Roof

Buy LP/CD/DL

Nils Frahm – Our Own Roof

Shift

the dark and the light and everything in between (live)

Improvised, recorded and produced in Berlin by Sebastian Plano and Tom Adams.

2am is an improvisation for two pianos performed using a Yamaha CP80 and a C.Bechstein Mark B grand piano. It was recorded late at night as part of a longer series of piano improvisations by long time friends and collaborators Tom and Sebastian.

Sebastian Plano: www.sebastianplano.com
Tom Adams: tomadams.eu

Image by: Hara Katsiki (FCB @HaraKatsiki, www.harakatsiki.com)

Berlin, 2am - (Tom Adams X Sebastian Plano)

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

Fragile Window

upon A New Error by Moderat

piano version: luca longobardi

A new error (Moderat cover)

Himmelsrandt - Nacht-Leben

A / B single by Rotterdam based composer & multi-instrumentalist Jeroen Dirrix.

Stream on your favorite digital platform: http://orcd.co/jd-ab

Composed, produced and mixed by Jeroen Dirrix 
Mastered by Jelle Goossens 

Jeroen Dirrix: piano, synths, rhodes, electronics 
@jeroendirrix
 
Artwork by Tomas Dirrix

Until Daylight / Sightless

Until Daylight

Download

Jeroen Dirrix - Until Daylight

Listen / Purchase: https://lnk.to/mnem

For a ton more info see our FAQ section on the website series home page.  Ala carte orders for 'Mnemosyne' on vinyl/CD/DL, visit here: https://thephonometrician.bandcamp.com/album/mnemosyne

‘Mnemosyne’ is the debut album from Mexico City based multi-instrumentalist, film composer and sound preservationist Carlos Morales, who creates under the name The Phonometrician.

‘Mnemosyne’ is an album that asks what memories would sound like if they were captured through sound. At its core, ‘Mnemosyne’ is album built around finger-picked acoustic guitar, somewhat classical or folk in nature, yet it’s much more than that.  Morales deploys a very specific palette of instrumentation to realize his musical vision, it’s as if a classical guitar is slowly being worn away and devoured by an onslaught of looping, ever-shifting analog sound creatures, scattering for cover when the light hits them too directly and continuously eat away at the strings. Much like rifling through the pages of an aged and tattered diary, warm shuffles of vinyl and airy waves tape saturation emerge only to retreat once more into the darker recesses, leaving the pysche grasping wildly to recall the meaning of their existence.

Artwork by João Ruas (https://joaoruas.com)

Mnemosyne

Here Comes The Storm

Buy Album

The Phonometrician - Here Comes The Storm (from Mnemosyne)

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Nils Frahm – Our Own Roof

Erased Tapes

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