I wanted to like this, because both Mr. Hecker and Mr. Boysen are incredibly talented artists that I highly respect, but I'm not feeling this one at all. I like the ambience after this "granularised synth" part, but that's it.

yui onodera / sinkai
ARCTIC TONE (Japan) 2015
http://www.arctictone.com/at02-yui-onodera-sinkai/

Recorded & composed in Tokyo, 2013-14.
All sounds sourced from Piano, Electric Guitars, Field Recordings, Found Objects, Analog Electronics, Synthesizers and Processing.

Cigarettes After Sex - Nothing´s Gonna Hurt You Baby (Mount Erebus Bootleg)

TEIKE

Dreamy, melancholic, peaceful, or just plain gorgeous? As long as your ears are open, the sound world of Yui Onodera will take you where YOU want to go. From simple means (piano, guitar, computer), Onodera draws complex materials, and then mixes them back into deceptively simple results. The work draws inspiration (and its title) from an abstract structure thought up by architect Christopher Alexander. What you get is quiet background music if you leave it at that or, if you are willing to take the time to listen, a deep immersive journey.

Hailing from Tokyo, Japan, Yui Onodera is a musician, a composer, and the founder of Critical Path. He studied both music and architecture, which explains his uncanny grasp of spatiality in music. His method consists in blending delicate instrumental lines with field recordings and computer treatments to create quiet, ambient electroacoustic pieces. This approach is akin to artists like Machinefabriek, Stephen Vitiello, and Chihei Hatakeyama.

"Semi Lattice" is Onodera's second solo album to be released in 2015 (the first one was "sinkai" on Japanese label Arctic Tone), after eight years of solo silence. In the interval, Onodera pursued several fruitful collaborations with musicians and groups like The Beautiful Schizophonic, Pjusk, Vadim Bondarenko, Mizkami Ryuta, and Baskaru recording artist Celer. All these projects seem to have informed "Semi Lattice" in some way, Onodera's solo works having grown lusher, fuller, and more fully-formed.

Yui Onodera - Semi Lattice 2

Federico Durand ~ Jardín de invierno 
label : Spekk (Japan) 
design : mondii 
artwork : Cecilia Afonso Esteves
master : Chihei Hatakeyama 
release date : September 18th. 2016 (WORLDWIDE) 
cat : KK032 / format : CD 

PREORDER : https://naturebliss.bandcamp.com/album/jard-n-de-invierno

【先行販売予約開始!!】 
NBストア限定 2016.9.18リリース！ 
日本でも大人気のアルゼンチンの音楽家フェデリコ・デュランドの新譜が登場！本人も「かなりのお気に入り作品」と話すように、これまでのどの作品よりも静かでありながら、どの作品よりも情緒を感じさせる、もの凄い境地に達しております！「昼寝のための音楽集」から始まったフェデリコの音の旅は、まるで天国に辿り着いたかのようです。アートワークは同郷アルゼンチンの人気イラストレーター Cecilia Afonso Estevesによる描きおろし。 

〈作品解説〉 
スペイン語で「冬のガーデン」と名付けられた本作は、大自然の中へと引っ越しをしたフェデリコの新しい（音楽の）環境を表しており、壮大な凍てつく大きな家の中にスタジオをこしらえ、変わりゆく景色を背景に創作に取り組んだ。そして、全ての楽曲にはその情景を現す、自然にまつわるタイトルが付けられている。本作の特色は、その場の空気感を捉えるために、僅かなサウンド・パレット（カセットやオルゴール、シンセなど）を机の上に並べ、１回のテイクによって全て録音されており、後ほどの編集やミックスも行われていない。そうして大自然の中で放たれた雪の結晶のような小さな音の連なりは、ひんやりとした空気の中へと消えてゆき、本人が語るようにアルバム全体に山の中の古い家の魂が宿っている。マスタリングはフェデリコとの共演経験も持つ畠山地平氏。 

〈Chihei Hatakeyama 推薦コメント〉 
『この作品はFederico Durand の数ある作品の中で最も静謐である。素晴らしく愛らしい細やかなメロディがサウンドスケープの合間から溢れ出し、その様は天使の歌声を聞くようである。恐らく天国というものがあるとしたら、このような音楽が鳴っているんじゃないだろうか。そして、この作品を作る精神、想像力に驚嘆した。研ぎすまされた精神は剣の達人、例えば柳生石舟斎のような音の振る舞いを生み出すものなんだなと改めて思った。ある意味、ここに音は鳴っているのだけど、鳴っていないというか、このCD の中に入っていない音も想像して楽しめる傑作だ。』 　 

〈Federico Durand フェデリコ・デュランド プロフィール〉 
www.federicodurand.blogspot.com 
SPEKK からのファーストアルバム「La siesta del ciprés」が全世界で大ヒット。のち12K など世界中のレーベルから矢継ぎ早に新作をリリースする傍ら、Optiope のTomoyoshi Date とのMelodia、Nicholas Szczepanik とのEvery Hidden Color など注目アーティストとコラボレーションも活発に行っている。電子音楽のようなサウンドでありながら、日常や山で採取したフィールド・レコーディングやギターなどの楽器音をさりげなく取り込む、とても有機的なアプローチで作曲。アルゼンチンのアーティストに多く見受けられる、情調感をもった楽曲はここ日本でも人気が高く、「アールグレーの紅茶が大好きと」語る素朴な人柄同様、どこかキュートで優しい味わいが特徴である。 2014 年には初のジャパン・ツアーを成功させ、同年4 月に発売されたSPEKK からのアルバム「El Estanque Esmeralda」は瞬く間に完売、年を追うごとに全世界にて人気を確立している。

Un gran bosque rodea el monoblock

https://ianhandsley.bandcamp.com/album/detach

Shipping - Clouded (Reprise)

Pre-order 'Golden Times 1' on EP/DL here: http://phonofile.link/golden-times-1

Electronic producer Max Cooper and ambient master Tim Hecker rework Ben Lukas Boysen on his new EP 'Golden Times 1' – out on Erased Tapes, June 30th 2017.

Championed by many including BBC Radio DJ Mary Anne Hobbs as the standout track from his most recent album 'Spells', Boysen’s 'Golden Times 1' forms the very heart of his new EP with the same name. Boysen entrusted none other than Max Cooper and Tim Hecker to meticulously shape and lure the title track plus second single 'Nocturne 4' into two entirely separate territories, yet never drifting too far away from their original soundscapes. With 'Evensong' the composer himself contributes a previously unreleased piece. It is yet another example that Boysen is still opening new and unexplored doors in a bid to challenge the existing realm of contemporary music he is very much a part of.

Words from Ben and Max, May 2017:

“Spells was somewhat of a conceptual release for me, so the choice of the remixing artists and where the original material could be taken was very important. Max and Tim, both being role models for me ever since I began listening to their work and who delivered this incredible abstraction, I felt were spot on for this release and were dream candidates to work with. Their ability to re-direct and even re-invent the original material, partially subtle, and with an almost brutish sense of imagination, honors the originals deeply.” — Ben Lukas Boysen

“Ben has been one of my most listened to artists of the past year or so. His last two albums in particular, have meant a lot to me, and provided me with focus when I needed it. So I was excited to have a chance to remix his work. I felt like I couldn't improve on his idea, but what I could do was take what was the core for me, and expand it. It was just a matter of running with the feeling I got from his original, sticking with his melodic forms and original instrumentation, and letting the growing intensity continue along it's established path to the only possible end point of total annihilation in chaos and distortion. My version is almost a continuation of his original if it was allowed to blossom into percussive format, rather than a traditional remix.” — Max Cooper

The golden EP cover art was created by Torsten Posselt at FELD as an extension from the initial album artwork he also created for 'Spells'.

TRACK LISTING

1. Golden Times 1	
2. Evensong 
3. Golden Times 1 (Max Cooper Remix)
4. Nocturne 4 (Tim Hecker Remix)

Ben Lukas Boysen - Nocturne 4 (Tim Hecker Remix)

Unmastered off-the-cuff kind of thing ; rangled & wrecorded 3 July 18 at LBS
Polaroid SX70 photo from Glacier NP, 6 June 18

Red air. is altar unlevel

Composer and drummer of Dawn of Midi, Qasim Naqvi, releases his debut album for Erased Tapes on May 3rd. 'Teenages' captures the sound of electronics living, breathing and mutating of their own accord – almost autonomously – with only subtle, sparing but perfectly-judged and masterful guidance.

This album is one singular synergy between Qasim and his machine within a broader milieu of sound, also explored by contemporaries Sarah Davachi, Alessandro Cortini, Caterina Barbieri and also the forefather, Morton Subotnick. At points tonal, textural and rhythmic, over six evolving and growing audio organisms, the album flourishes upwards in stages, from initial micro-sonics to something bigger, brighter and anthemic.

With 'Teenages', Naqvi summoned all the material on an analog modular synthesizer – a voltage-controlled sound generating system comprised of multiple modules. Naqvi built this synth over the course of two years and amassed a collection of works for this album. The album chronicles both Naqvi’s understanding of writing for this type of instrument and the growth of the instrument itself:

“I started with just a few modules. And naturally things had to be layered and pieced together but as the synthesiser and its components grew over time, I was able to create broader and more complex strokes in the moment. And by the time I got to ‘Teenages’, it was possible to create a robust, large-scale piece spontaneously. This is very much an experiential album for me because it was borne out of my direct experience of learning the instrument. And as the synthesiser grew over time with more components, it matured. At times I felt like it was even rebelling against my instructions or surprising me with what felt like its own choices. When everything was finished and I was thinking about track titles, this idea of artificial intelligence came into my head; a machine that reacts to your impulses and is capable of giving you something different from what you ask, and even defying you. It felt like different stages of growth and adolescence, and that lead to the album title, ‘Teenages’.”

Deeply rewarding on close listening, Naqvi has created an inspiring and synapse-stimulating new masterwork, within the analogue/modular cannon.

· pre-order 'Teenages' on LP/CD/DL: https://idol.lnk.to/QasimTeenages

Teenages

No Tongue

Buy LP/CD/DL

Qasim Naqvi - No Tongue

Non-album single from new ambient trio PCM. learn more at: https://n5md.com/artist/PCM

PCM - Ma

Taken from the upcoming album 'Bij Wat Ook Moog' Gebeuren', forthcoming on Fluid Audio...

www.fluidaudio.bigcartel.com/mailing-list

Bij Wat Ook Moog' Gebeuren

Gareth Davis / Rutger Zuydervelt / Leo Fabriek - Bij Wat Ook Moog' Gebeuren II

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Ben Lukas Boysen - Nocturne 4 (Tim Hecker Remix)

Erased Tapes

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