به اساتید ایرانی که نمیرسه  ولی خوبه

One day, Olafur, one day I’ll get to see you live and be swept away into the clouds...even just for a while. Amazing piece. 

Tipi

Alpha

i do not  own this piano cover
all rights belong to Dan Lee on Youtube
watch: https://www.youtube.com/watch?v=YLkbFMkvXL0

The Little Things - Colbie Caillat (Piano Cover) by Dan Lee

Oversky

Shift

Leaving

Taken from my debut LP "Ichiru".

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by me


""
happy new year :') 
this recording is a 2016 version of "close". well.. kind of.

i want to say a huge thank you to everyone who has been taking your time to listen to my pieces since 2015.  i had an amazing year and learned so much about music, cultures and got to know so many amazing people through sound cloud. this year, i will be more active so i hope you will stay in touch with me and my music.  arigato gozaimasu :')

love,
daigo

Ichiru

Buy CD/Digital

Close (2016)

Pre-order 'Eulogy For Evolution 2017' on LP/CD/DL here: http://phonofile.link/eulogy-for-evolution

Icelandic composer Ólafur Arnalds reissues and revives his debut album in form of a special remastered 10th Anniversary edition titled Eulogy For Evolution 2017 — available worldwide via Erased Tapes on August 25th. 

Following its initial release in 2007 and coinciding with Ólafur’s 30th birthday, label founder Robert Raths gifted the chance for this record to shine a second time. 

'Eulogy For Evolution' is a journey from birth to death, transporting the listener through life itself. Originally written as a teenager, the record has now been restored with the help of his friends, remixed by Ólafur himself and remastered by Nils Frahm. The cover art was redesigned and enhanced by Torsten Posselt at FELD using the original photographs taken by Stuart Bailes during a trip to Ólafur’s home in Iceland in 2007.

To experience the record in the present day is not only to experience the past, but also the sheer timelessness and relevance of these compositions, and the ambition Ólafur has had from the very beginning. “Fast forward 10 years, our relationships and knowledge in sound have matured, but you can still hear this urgency in Óli’s songs that caught my ears to begin with”, states Robert Raths.

Words from Ólafur, June 2017:

 “I spent a couple of weeks in some sort of a time machine, opening up and working on 12-year-old recordings. There was noise in the microphones, some channels seemed accidentally muted, but sometimes I found myself admiring what my teenage self was capable of. It was somehow charming. Well, most of it. So I fixed the stuff that wasn’t before sending it off to Nils Frahm for remastering. 

It was an ambitious outing. When I was 18 my uncle passed away from cancer. It was the first time I had experienced the passing of someone close to me, so I dedicated my work to him. Around the same time his first grandchild was born, and was named after him. I was inspired by the joy and positivity he brought, and saw that somehow life was extended after our death. So I set out to create a solid piece of music that would take us through the circle of life. 

This work by a highly emotional teenager has been revived, matured and, I hope you’ll agree, improved by some of my favourite people in this world. I’m grateful to see it get another chance to shine and I hope you will enjoy this journey to the past.”

Tracklisting:

1. 0040		
2. 0048 / 0729
3. 0952		
4. 1440
5. 1953		
6. 3055
7. 3326
8. 3704 / 3837

Ólafur Arnalds - 1440

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

Fragile Window

In between composing, writing, rehearsing, and recording, I have been improvising a lot, and this track is the result of one of those moments. It is very different from what I am working on but, somehow, it holds my essence, and it makes me feel well. Instead of letting it disappear along with many other pieces that I never share with others, I have decided to publish it in celebration of #pianoday2018. I hope you enjoy it.

Composed, performed and produced by Sergio Díaz De Rojas.
Artwork by Seraphina Theresa (http://seraphinatheresa.com/home).

Free Download

Untitled (Piano Day 2018)

featuring:
Vocals - Maya Nadir
Piano - Niklas Paschburg
Cello - Chrisitian Pensel

Debut album "The Monarch and the Viceroy" available now as CD|LP|DIGITAL on Denovali Records.

Get the full album here: denovali.com/carloscipa/

The Whole Truth

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Ólafur Arnalds - 1440

Erased Tapes

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