Black Vines:

Birthed between the burning fields of Kansas and the surreal landscape of the New Mexican desert, Black Vines is a dense layering of monophonic drones, delayed sitar and large scale cello arrangements.

Combining the distorted and blackened influence of Aaron Martin’s recent solo and collaborative work with Joseph Angelo’s love of ragas, industrial noise and meditative minimalism, the eight elegiac strands of Black Vines are tribute to redemptive growth that occurs in the shadows.

Mastered by James Plotkin, featuring tracks reworked from the original parts by Dag Rosenqvist with stunning artwork by Chris Koelle.

Packaging includes letter-pressed covers, glass mastered CD, 10 x limited edition prints on heavy card stock with glassine bags, all resting inside hand numbered, scented black envelopes. Limited edition of 200 copies!

http://fluidaudio.bigcartel.com/product/black-vines

Willow Choir (Black Vines)

Music by Arve Henriksen/ Samples provided by Jan Bang

22nd of July 2011

"Into the White" (New Year's 2016 free compilation)

Released January 3, 2016

Compiled by Bartosz Dziadosz (Pleq) & Dmitry Taldykin
Mastered by Porya Hatami
Cover photo by Lena Lello 

The Circle Closes

Isotach

Extinction

Thomas William Hill - Laniakea

Pre-order 'All Together Again' on LP/CD/DL: phonofile.link/all-together-again

There is no end to composer Peter Broderick’s creative output, and so we present to you his new album titled 'All Together Again' — available worldwide on November 17th 2017 via Erased Tapes.

Words from Peter, October 2017:

"Ever since I started releasing records in 2007 (10 years ago now!), people have contacted me periodically to ask if I’d be interested in making music to accompany their projects. Most of these projects have been things like films, dance pieces and theatre plays . . . but every so often I get the odd request for something a little different. Peter, would you write a song for my wedding? My one year anniversary? A ferry boat ride?

In early 2015 I was asked to perform 12 minutes of music during a runway show as part of New York Fashion Week. I agreed and began composing a 12-minute piece which I could perform on my own with a few different instruments and some looping pedals. I made a recording of the piece and sent it over to my contacts at the fashion show . . . but a few days before I was to fly out to New York, they wrote back and told me they actually just wanted me to play a few older songs that they were already familiar with. Feeling slightly disappointed, I shelved the other piece, giving it the title If I Were A Runway Model.

It is with great pleasure that I now present this piece in a collection of commissioned works spanning the last decade . . . it’s All Together Again. This group of oddball works does indeed include a couple pieces written for weddings (Our Future In Wedlock and The Walk), and a song someone asked me to write as a gift for his wife on their first year wedding anniversary (Emily). And indeed, there’s a 17-minute piece written to accompany a ferry boat ride in Istanbul (A Ride On The Bosphorus). A few of the pieces were written for films (Robbie’s Song, Atlantic and Seeing Things), and one for a kind of interactive installation (Unsung Heroes).

In my early days of recording, I took pride in playing all the different instruments myself and doing the recording myself as well. And then at some point I started branching out, working with other musicians and recording engineers. But this record is very dear to me in that it’s a return to that original approach . . . playing all the different instruments myself, working with my limits on each one, and my own limits in recording and mixing. I’ve always held a broad curiosity for all different instruments and all different styles of music, and if nothing else I hope this record will portray that curiosity, and my pure love for this thing we call music. Can you dig it?"

The cover art was made by Peter himself in his hometown of Portland, Oregon, by cutting and sticking different coloured paper fragments to depict the individuality of each track.

TRACK LISTING

1. If I Were A Runway Model
2. Robbie’s Song
3. A Ride On The Bosphorus
4. Emily
5. Our Future In Wedlock	
6. The Walk
7. Atlantic 
8. Seeing Things
9. Unsung Heroes

WEBSITE: www.peterbroderick.net

All Together Again

Peter Broderick - Robbie's Song

Tiny Leaves - Notes on Belonging was released in 2017 and has now been reworked by a host of artists. The album, an exploration of landscapes was inspired by the Welsh term 'Cynefin'. When translated it means the environment in which you live, to which you are naturally acclimatised.
The beautiful vocals and talents of Julianna Barwick rework 'Cynefin'. An uplifting melancholia results alongside crafted sounds that envelop and delve deep into the soul, setting the tone as the first single of the highly anticipated Notes on Belonging rework album.
Other artists on the forthcoming rework album include Haiku Salut, Oscuro, Billion One and Ink Project

Cynefin - Julianna Barwick rework

A couple of things I recorded last night at home, warts and all.

Part I

#PianoDay2021 

'3am Paris' is a reflective piano and string composition about treasured times with best friends when previously touring as a drummer in a rock band.

Spotify: https://open.spotify.com/artist/1dOJcD5yVX1WKxsMbGhehE?si=zUfduGNeSB20C73moc9trg

Instagram: https://www.instagram.com/mattemerymusic

Press Quotes: 
BBC Radio 1 - Huw Stephens "Absolutely Awesome..Beautiful Music, Really Really Special"
BBC Radio Ulster & Foyle - Stephen Mccauley "Incredible" 
XLR8R "Achingly Beautiful"
Self-titled Mag - "Stunning & Deeply Emotive"

Matt Emery - 3am Paris

For Radio Nova (Fr), HØJDE composed, recorded, and clipped a track in Lockdown. It illustrates the apprehension of this period, through moments of doubts, creation, impatience, troubles, pleasures. It's called 𝗟 '𝗮𝘂𝘁𝗿𝗲 𝗠𝗮𝗶𝗻, or how intimacy can become captivating.

I invite you to watch the video clip here:
https://www.facebook.com/129336307138013/videos/550186348974322/

L'autre Main #pianoday2021

Taken from the album 'Veiled State'.
Release date: December 11, 2020 on Hidden Vibes.

Hidden Vibes on web:
hiddenvibes.bandcamp.com
www.facebook.com/hidevibes

Ekca Liena - Danxia

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Peter Broderick - Robbie's Song

Erased Tapes

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