this is some real gorgeous stylish creative progression here, lovin it ^^

Elizabeth Bay

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out on Erased Tapes/Kranky (US) on April 28, 2013

PRE-ORDER: 
http://www.erasedtapes.com/store/index/ERATP056 (worldwide excl. North America)
http://www.kranky.net (North America)
http://www.awvfts.com (band shop)

Erased Tapes and Kranky are pleased to announce the release of A Winged Victory for the Sullen's 'ATOMOS VII'. April 28 sees the first installment leading up to the release of the second full length studio album 'ATOMOS', and score for choreographer Wayne McGregor's long form dance piece. 

McGregor was heavily influenced by the duo's 2011 self-titled debut, playing it repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam & Dustin to see if they could write the score for his new oeuvre. 

The duo recorded more than sixty minutes of music over a four month period during the summer of 2013 in Brussels, Berlin and Reykjavik with the help of their longtime collaborative sound engineer Francesco Donadello. This EP also sees the involvement of Ben Frost, who composed the music for McGregor's previous work 'Far'.

McGregor, mastermind behind the Random Dance Company and resident choreographer at the Royal Ballet since 2006, is known in popular culture circles for serving as movement director for the film 'Harry Potter and the Goblet of Fire'. He has also choreographed the Radiohead video 'Lotus Flower' and 'Ingenue' by Atoms for Peace.

"While we were re-amping guitars at Greenhouse studios, Ben expressed interest and admiration in the sounds we had created. We were planning for the B-side to be a metamorphosis of part VII, and Ben seemed the obvious choice. With the multi-tracks transformed, it follows a trajectory that we had not felt comfortable with before. But with Ben's involvement and influence, it was a painless entrance to this crooked, distorted world." - Adam Bryanbaum Wiltzie

"We never imagined 2013 would be such an explosively creative year. The first record took us 2 years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating." - Dustin O'Halloran

'A surprisingly emotional score' ★★★★ The Telegraph
'Intense, reflective, occasionally threatening and wholly enveloping' ★★★★ Times

TRACK LISTING:

A1 Atomos VII - taken from the upcoming full length album ATOMOS
A2 Minuet For A Cheap Piano Number One - outtake from debut album sessions
B1 Atomos VII (Greenhouse Re-Interpretation) - with Ben Frost

LIVE DATES:

24.05. KORTRIJK (BE) – Festival van Vlaanderen Kortrijk
29.05. BARCELONA (ES) - Primavera Sound
20.10. LONDON (UK)  - Milton Court (Barbican)
25.10. ANTWERP (BE) – De Roma

awvfts.com · erasedtapes.com · kranky.net

A Winged Victory For The Sullen - Atomos VII

Another Dimension-Retrowave Music

Ocoeur - Progression

From the Honest Words EP, released 16th September 2011. Buy on vinyl or digital direct from the label here : http://www.dominorecordco.com/uk/ep/01-08-11/honest-words/ 

Also available on iTunes etc.

King Creosote & Jon Hopkins - Aurora Boring Alias

Opening track + track two from the ambient album 'This is soon too late'. 
FDL#05.

Support independent music?
www.federleicht.be

Herbstlaub - Tijd als beloven / Du nahmst ganz einfach meine Hand (FDL#05, 2016)

Artist: Eluvium
Title: Fugue State
Album: False Readings On
Release Date: September 2, 2016

Pre-Order: store.temporaryresidence.com/products/trr265

Cognitive dissonance is, at this point, an everyday part of modern society. The difference between belief and reality is blurrier than ever, and there is often sufficient manipulation to both so as to make the distinction intentionally unclear. The source of those manipulations can either be external, or deceptively internal.

False Readings On is the new album from renowned experimental composer, Eluvium. Its creation was originally inspired by themes of cognitive dissonance in modern society. By its conclusion it had become a mirror rather than a magnifying glass, evolving into an hour-long meditation on self-doubt, anxiety, and separation from one's self.

There is an emotional lucidity and melodic ingenuity to Eluvium's music that has made him increasingly stand out from the sea of ambient artists that his earlier albums no doubt helped inspire. Sounding like an orchestra ceaselessly performing even as it sinks beneath an ocean of distortions and tape noise – with the occasional operatic voice piercing the surface – False Readings On is assuredly the most daring, dynamic, and distinct album of his luminous career.

TRACK LISTING
1. Strangeworks
2. Fugue State
3. Drowning Tone
4. Regenerative Being
5. Washer Logistics
6. Movie Night Revisited
7. Beyond The Moon For Someone In Reverse
8. False Readings On
9. Rorschach Pavan
10. Individuation
11. Posturing Through Metaphysical Collapse

© 2016 Temporary Residence Ltd.

False Readings On

Pre-Order Album

Eluvium – Fugue State

From the album ‘Along a Vanishing Plane’ out September 16th on Western Vinyl

Pre-Order the album:
iTunes https://itunes.apple.com/us/album/alo...
CD + Vinyl: http://westernvinyl.com/shop/wv149

Christopher Tignor
Artist Page http://westernvinyl.com/artists/chris...
Website http://www.wiresundertension.com/
Facebook https://www.facebook.com/ChristopherT...
Twitter https://twitter.com/tignortronics
Instagram https://www.instagram.com/tignortronics/

“This music is first and foremost about what can be done together, live in a room, to both transcend and reclaim ourselves from the noise of public living. I’m waging a sort of secular, one-man liturgy here; a public act grounded in ritual. These songs offer wordless hymns and pulsing harmonic frameworks one might use to focus their own contemporary values. Instrumental music particularly offers the opportunity for personal interpretation and reflection. In this ever-fucked world, that seems perpetually in short supply. 

“To engage with ritual is to engage with time. I needed to create a way to play solo that would let me wield the temporal freedom of expressive instrumental music with the full palette of modern electronic forces. I banned backing tracks, click tracks, and even live looping - anything that would enforce a strict grid. I wanted time back in electronic music. 

“I also wanted the body back; our rituals begin with the physical. All sounds originate from me kicking a drum, playing the violin, or various natural percussion sources. I built software that lets me do all this, free here". This offers an unprecedented amount of control over this music’s elastic sense of time. Electronic music without the grid. There’s so much space in this music, it’s just essential - listening to a phrase decay in the room before proceeding. Likewise, there are no overdubs in these recordings; it’s just me, 6 mics, and 3 video cameras. 

“Yes, the whole record’s also on video: a Video Album. We avoided the recording studio, preferring a spacious hall in what was once a psych ward and then a schoolhouse. Again, I’m trying to pull you into the live ritual, into the room. A video isn’t a live event but it does evoke it. I bring my own artifacts: triangles, a pasture bell, and tuning forks in particular: I use these as first order musical instruments, beginning with a percussive strike and then, while resonating, processed through my bridge into shifting melodies. 
“So there’s a bunch of new stuff here. Real novelty isn’t an indication of quality but it does require a bit of bravery perhaps. We need to take chances. 

“But enough about not-me. I’ve been creating instrumental music a long time now, under my own name and via bands (Slow Six, Wires Under Tension). I’ve also built software a long time - yes, I do this for Google. I did my time in Princeton’s PhD program for music composition, NYU’s Masters of computer science program, and at Bard studying creative writing. I worked live sound for years at NYC clubs now gone (CBGB’s, Brownies) while immersing myself in minimalism, working sound for a music festival produced by Mr. Glass and assisting LaMonte Young. As a string arranger I get to work with lots of great artists including John Congleton, This Will Destroy You, and Meshell Ndegeocello to name a few. I’ve worked as a bike messenger, snowboard instructor, and Emergency Medical Technician...buy me a whiskey and I’ll tell you the rest…” 
– Christopher Tignor

Along a Vanishing Plane

Christopher Tignor - "We Keep This Flame"

Poppy Ackroyd turned heads in the neo-classical world with her previous works Escapement and Feathers, as well as her involvement in Hidden Orchestra (Tru Thoughts). Advocated by giants of the genre, Hauschka and Nils Frahm, the unique musician has returned, freshly signed to Bjork’s label One Little Indian Records, with a mini-album, Sketches, to be released on 4th August 2017.

Sketches

Time

‘blind’ is a reflection about human limitations. Interviewed about agnosticism, David Attenborough brilliantly stresses the point whether we’re missing senses to perceive and understand the world around us - what a pretension it would be! Built as a subtle transition from acoustic to electronic, the piece blends genres, deconstructs categories, pushes back boundaries alongside a spectrum reflecting human’s potential to self-transcendence. Might we be blind at night, at least we aren’t deaf.

'blind' est une réflexion sur les limitations humaines. Un jour interviewé à propos de l'agnosticisme, David Attenborough s'interrogeait à savoir si nous possédions tous les sens nécessaires pour percevoir et comprendre le monde qui nous entoure - quelle prétention ce serait d’y croire! Construite en subtile transition de l'acoustique vers l'électronique, la pièce métisse les genres, déconstruit les catégories, repousse les limites en proposant un spectre reflétant le potentiel humain à l'autotranscendance. Bien qu'aveugles la nuit, au moins ne sommes-nous point sourds.

jeanmichelblais.com

Dans ma main

Jean-Michel Blais "blind"

Multi-instrumentalist, singer and composer Peter Broderick will release a new extended player titled 'Two Balloons' on November 9th with Erased Tapes. Available as a limited edition 10” vinyl and digital download, it features the score for the award-winning animation of the same name, inspired by an early recording of his, plus a 9-minute electronic rework on the B-side titled Techno For Lemurs.

Fairly often we see albums of “Music inspired by the film __”, but less common is a film inspired by music. Such is the case with Two Balloons. Director Mark C. Smith got the idea for his nine-minute stop frame animation film while out at sea, looking at a majestic funnel cloud in the distance. Shortly after he heard a song by Peter Broderick from one of his earliest recordings — 4 Track Songs — and the music struck a chord so strongly, he knew he wanted to make a film to fit the melody. And so began the five-year labour of love that would eventually produce this enchanting little film, currently circulating film festivals around the world and racking up countless awards and accolades including ‘Best Original Music Score’ at the New Renaissance Film Festival in Amsterdam.

Peter begins his European tour tomorrow in Cardiff and will perform at the Erased Tapes Northern Showcase in Wakefield with Rival Consoles and Hatis Noit on Saturday September 15th. Information and tickets: https://www.residentadvisor.net/events/1124408
 
European Dates:

2018
13.09. Cardiff (UK) — The Gate Arts & Community Centre 
14.09. Oxford (UK) — The Old Fire Station 
15.09. Wakefield (UK) — Erased Tapes Showcase  
16.09. Dublin (IE) — Pavilion Theatre 
07.10. Galway (IE) — Galway Jazz Festival at LOAM 
17.10. Lausanne (CH) — Le Bourg  
18.10. Lugano (CH) — FOCE 
27.10. Kaltern (IT) — Kaltern Pop Festival (with Stargaze) 
17.11. Cobh (IE) — Sirius Arts Centre (One Hear Now)
15.12. Pattaya (TH) — Wonderfruit Festival 
30.03. Mechelen (BE) — Cultuurcentrum

Pre-order 'Two Balloons' on 10"EP/DL: https://www.erasedtapes.com/release/eratp115-peter-broderick-two-balloons

Two Balloons

Two Balloons (Part 4)

Buy 10"/DL

Peter Broderick - Two Balloons (Part 4)

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Peter Broderick - Two Balloons (Part 4)

Erased Tapes

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