Tears of Joy

Electronic innovator Max Cooper steps up to Atomnation with one of his standout remixes.

https://atomnationrec.lnk.to/EveMaxCooperRemix

Cooper is someone who combines his academic background and science PhD with high concept electronic music-making. He has worked with machine learning specialists, often uses video to enhance his music and is someone who brings personal emotion as well as technical skill to his work. It comes on his own Mesh label as well as Fields and most recently in the form of his acclaimed Unspoken Words album back in March.

His take on Awe Kid's 'Eve' is built on breakbeats that float through space. Plunging bass dives down deep as the celestial ambient pads float up top. There is tension in that duality that tugs at you both emotionally and physically as well-crafted synth patterns unfold in their midst.

This is a heady, pensive track that is perfectly suited to those late-night moments on the dance floor and compliments Awe Kid's lush debut LP 'Body Logic' that was released in April this year.

Awe Kid - Eve (Max Cooper Remix)

Salzburg

deadmau5 - Strobe
Album: for lack of a better name
deadmau5:
Facebook: https://www.facebook.com/deadmau5?ref=br_tf
Youtube: https://www.youtube.com/user/deadmau5
Soundcloud: @fuckmylife

deadmau5 - Strobe

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' out on Erased Tapes.

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

Recovery

Buy 12"/DL

Rival Consoles - Recovery

Available to purchase as a 12" vinyl or digital from the eglo bandcamp:

https://eglorecords.bandcamp.com/album/nuits-sonores-nectarines

Nuits Sonores

buy at:

Bleep - https://bleep.com/release/56933-nathan-fake-glaive
Juno - http://www.juno.co.uk/products/nathan-fake-glaive/561496-01/


01 Nathan Fake - Fortune Bru

2015 will see German techno mainstay Stephan Bodzin ready to unleash his next full-length musical vision on the world. Entitled “Powers of Ten”, the 10-track album will land in June 2015 on his own Herzblut Recordings and provides another great insight into the melodically rich muscle mind of this modern great.
Says Stephan Bodzin of the LP: “Powers of Ten has been with me all my life and is named after a book that has been my background hiss, its confusing truth is my only real faith and its infinity shows me its finiteness. The album is about harmonies, melodies, rhythms. It is an homage to Bob Moog, full of techno beats and sounds and space and party and ecstasy and dancing and listening, and crying and feeling. It is a journey, a philosophy of life, a view of the world, a vague perception. It is my wife, my children, my family, my friends, my passion, my enemy, my greatest fulfillment, my fear, my deepest peace, my power, all my love.”
As such, this album is hugely personal and is filled with cerebral messages and well thought out concepts. All this shines through and makes it an all the more engaging listen from start to finish. Kicking off with the spine tingling chords and louche beats of ‘Singularity’ cuts like ‘Lila’ then continue to confirm that Stephan Bodzin has a classical understanding of melody that is way beyond your average.
‘Blue Giant’, ‘Wir’ and ‘Ix’ all manage to be uplifting and thoughtful at the same time as driven and groovy, whilst ‘Birth’ comes on with a hymnal high note, long tailed pads and subtly shifting beats. The ghostly grooves of ‘Zulu’ mark a majestic mid point to the album, which then continues to seduce with spiritual synths and more beautiful melodies on cuts like ‘Odyssee’ as well as the album’s standout title track.
Unfolding coherently and in soothing fashion, this album once again proves that few producers in the modern world have a knack for melody and an ear for sonic ingenuity quite like Stephan Bodzin.


Singularity

Eric Prydz - Opus
OUT NOW
https://pro.beatport.com/release/opus/1574427

https://instagram.com/ericprydz
https://twitter.com/ericprydz
https://www.facebook.com/EricPrydzOfficial
http://www.ericprydz.tv/


Follow Eric Prydz on Spotify:
http://po.st/EricPrydzSpotify 

Opus

Buy on Beatport

Seen FR

Original version on the album Morning/Evening released on Text Records in 2015.

Evening Side (Oneohtrix Point Never edit)

Ratio (Full Mix)

I had a lot of train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of movement and time, and thought it would be an interesting project for a music video set to the music created during the same journeys.

You can find that project and a longer explanation of the video ideas here: https://vimeo.com/241546182

For the music I wanted to bring ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there.

You can hear the whole EP here: https://lnk.to/WorldPassingByEP

Whole EP Stream/Buy

Resynthesis [Mesh004]

Jon Hopkins - Vessel (Four Tet remix)

Lion (Jamie xx remix)

This is the great remix that danish duo Kenton Slash Demon did of Last Land. Check his own stuff because it's mindblowing. 

Last Land (Kenton Slash Demon Remix)

Join me on facebook : http://www.facebook.com/worakls1
this track is free download ! 
http://www.mediafire.com/download/ij3b7x7d53soeaw/Trauma+%28Worakls+Remix%29.mp3

N'to - Trauma (Worakls Remix)

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Rival Consoles - Recovery

Erased Tapes

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