Rival Consoles reveals the latest single from his upcoming album Overflow, out December 3. Pre-order it here: https://idol.lnk.to/Overflow

I Like features the mapping of data from dancer Tia Hockey’s personal monologue, which controls the volume of the chords based on the activity of her voice — drawing attention to things happening behind the curtain, invisible systems, algorithms.

“With this piece, the dancers were recording lots of personal monologues about how they felt when using social media. Alex the choreographer suggested exploring the words ‘I like’ as it’s so abundant a term and action online. With a simple momentary recording of this I began crafting a piece, in which melancholic chords would gently be triggered by Tia’s voice, as well as manipulating the words ‘I like.. and they were like..’ with a very chaotic system. I wanted to create a mood that was a weird combination of contentedness, sadness and strangeness.“ — Ryan Lee West

Overflow

I Like

Rival Consoles - I Like

Composed for the new Netflix hit series Katla, Icelandic multi-instrumentalist and composer Högni Egilsson has created ‘Sensus Terrae (Voice of Katla)’; a sonic exploration bringing the heart of the volcano to life. 

Using seismic data, the renowned artist, formerly of GusGus, has teamed up with scientist Kristín Jónsdóttir, lead actor-singer GDRN and the Cantoque Ensemble, creating something otherworldly. 

"Inside Katla, there are eight active areas that have their own earthquake frequency. We took these frequencies and transform them into musical expressions. The volcanic activity is actually a conversation between these eight areas – eight voices inside Katla.”

Stop what you’re doing, put on your headphones, and let the volcano Katla sing you the song of her people.

Sensus Terrae (Voice of Katla)

Stream & download

Högni - Sensus Terrae (Voice of Katla) ft. GDRN

German sound pioneer Hans-Joachim Roedelius and American composer Tim Story join Erased Tapes as Roedelius & Story with their new album 4 Hands out February 25, 2022.

Pre-save and pre-order it on LP · CD · DL here: https://idol.lnk.to/4hands

4 Hands, an intimate and surreal musical conversation on the piano, is an example of all the warm yet otherworldly beauty that can come from approaching a shared love for a singular instrument from overlapping directions.

Recorded sequentially but on one and the same grand piano, Roedelius laid down a few impromptu piano études in May 2019 whilst visiting his transatlantic friend Story. Tim then learned all their intricate phrasings to add his own parts in the following months. 4 Hands encapsulates rippling minimalistic patterns and delicate, ghostly interactions with surprising harmonic twists. Roedelius’ intuitive and instinctive approach based in improvisation, paired hand in hand with Story’s deliberate distilling of ideas over time, creates two sides of an engaging and thought-provoking conversation that seems to evolve and deepen with each successive listen.

The first single Spirit Clock received its name from Erased Tapes founder Robert Raths, born out of a conversation around timing: “to me this term perfectly describes what’s going on here. There is this invisible bond, this very strong energy between Ach and Tim whenever they make music together that’s still perfectly intact even when they are dimensions apart. This metaphysical intersection of four hands on one and the same mechanical instrument at different times, something so technical yet deeply spiritual, is what fascinates me.”

4 Hands

Spirit Clock

Roedelius & Story - Spirit Clock

Roedelius & Story share the next single from their forthcoming album 4 Hands — the closing piece ‘Ba’. Meaning the Japanese for ‘a place’, the song title offers only a hint of possible associations, highlighting instead the duo’s sense of humour and lightheartedness, and the music’s playful ambiguity.

“Hans-Joachim Roedelius and I have been collaborating for several decades on many projects, but this one may be the most empathetic and expressive of them all. Most exciting about ‘4 Hands’ is the embrace of a natural phrasing, keeping these pieces disarmingly human and open.” — Tim Story

Roedelius & Story - Ba

Taken from the upcoming album 'Gaze Into The Sun', forthcoming on Fluid Audio...

Gaze Into The Sun

Szymon Kaliski - To Linger

Last year I've hosted a track premiere from Gaspar Claus' release, titled Tancade, appearing later on Headphone Commute's Best of 2021 list, which I also complimented with this studio feature. So you can say that I'm a fan! Now, this Paris-based cellist and composer is back with a new EP, once again, for InFiné. In addition to a piece which previously appeared on the album, titled "2359" and its "Night Blossom Version," which gravitates into an almost dancefloor territory, the release also features two new tracks, one of which I am premiering for you here today. It's one of my favourites and I couldn't just let it pass by. Starting off with a rhythmic staccato that marches toward an optimistic opening it suddenly drops into a melancholic progression of exquisite harmonies which are further picked up by the texture of strings. There is sadness and determinism, slight sorrow and full-on resolve, to keep going, keep feeling, despite all repression that seems to hold back. I can't say for a fact that it's the theme of the melody, but I can say that it's what I feel when it plays. Especially when I play it on repeat. I hope you enjoy!

2359

Amour Constrictor

TRACK PREMIERE : Gaspar Claus - Amour Constrictor

Christian Balvig is a Danish composer known for his score for the Scandinavian drama series Cry Wolf [with the Copenhagen-based electropop group, When Saints Go Machine], as well as his work with orchestras like The Royal Danish Orchestra, Copenhagen Philharmonic and The Danish Chamber Orchestra. To be completely honest, this is the first time I am listening to Balvig [although I noticed him being credited on a few Efterklang albums], and it's exciting for me to discover his music from the upcoming solo debut, Night Poem. "The album is an ode to and from the night, a rebellion against constant stimuli, and a meticulous hunt for ghost notes and the almost imperceptible sound of piano keys." The piece I am premiering for you today, titled "Where All Is", features a closely mic'ed piano with all of its beautiful mechanic sounds, just enough bass to give it the platform it needs to sustain the sparkling synth arpeggios and backing acoustic percussion. This is a lovely track to wake up to in the early morning as the darkness quietly recedes to light, and we find ourselves faced with another brand new day full of possibilities and welcome prospects. All we have to do is float throughout it all and let it be, as the universe will set its course for us to follow.

Night Poem

Where All Is

TRACK PREMIERE : Christian Balvig - Where All Is

Not Home may seem an unusual choice of single from Anne Garner’s upcoming album Lost Play but there’s precious little that is conventional about this singer-songwriter. Fans of her strange, seductive melancholy will be beguiled once again by the song’s signature union of disembodied sadness and reassuring intimacy. Warm waves of electric guitar and synthesiser cradle glitchy, restless percussives, the soaring silvered pedal steel of Jack Hayter (Hefner, Dollboy) and a lyrical message both beautiful and hard to hear.

Not Home and Porya Hatami's remix are available across all major platforms and in lossless 24bit audio exclusively from Slowcraft Records.

Written by Anne Garner
Produced by James Murray with Anne Garner
Artwork by Bobbie Russon
Mastered by Dean Honer
_____

annegarner.com
poryahatami.com
jackhayter.com
bobbierusson.com

slowcraft.info

https://slowcraft.bandcamp.com/album/not-home

Not Home

11th May 2018

Abandoned City

Elizabeth Bay

Pakistani-American avant-composer and drummer of the cult experimental acoustic trio Dawn of Midi, Qasim Naqvi, shares the second single 'Onna at Pulse', taken from his new album 'Beta' — out June 20 to coincide with the first ever Love Record Stores Day, in support of local record shops. 

· support Love Record Stores Day: https://www.loverecordstores.com
· pre-order 'Beta' on limited edition clear LP: https://idol.lnk.to/onna-at-pulse
· watch Qasim perform live from his kitchen: https://youtu.be/Gedfxi28220

One in a series of experiments chronicling Naqvi’s understanding of writing for a modular synth, 'Onna at Pulse' sounds like as if it moves in and out of the realms of control, twisting around a melody with a life of its own; "Onna at Pulse was the first piece of music I made with an extremely rudimentary modular synthesiser. I had just acquired two components and I wrote this simple exposition as an exercise to see what the machine would do. It was like teaching one eyeball to blink." — Qasim Naqvi

Meant as a prequel to last year's 'Teenages', a modular synth suite in six parts, 'Beta' evolved from the most basic elements of a modular synthesiser. As Qasim explains; "One oscillator and a random voltage generator which is a module that releases sporadic currents through the system. Ironically, this component provided a lot of warmth and humanness to the music, a kind of fallibility. At the time I felt that this music was underdeveloped but listening back, I think the 'Beta' tracks add an interesting dimension to the entire 'Teenages' arc. They’re the zygotes.”

If 'Teenages' captured the sound of electronics living, breathing and mutating of their own accord 'Beta', rather, describes the moment they came to life.

Love Record Stores Day is an initiative from the #loverecordstores campaign, launched during lockdown to encourage music fans to shop online with their favourite record stores. Qasim Naqvi joins a wide range of artists and labels who have pledged to release exclusive, limited edition records including Caribou, Belle and Sebastian, Beach House, Robyn, New Order and many more.

Beta

Onna at Pulse

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Qasim Naqvi - Onna at Pulse

Gareth Davis & Machinefabriek - Grower Part 1

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Roedelius & Story - Ba

Erased Tapes

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