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Onomatopoeia

Djivan Gasparyan - A Cool Wind Is Blowing

Jocelyn Pook - Adam's Lullaby (Brick Lane)

The first part of an organum on the plainchant 'Viderunt Omnes' by medieval Parisian composer Léonin. 

Michelle O’Rourke – voices

Taken from the Ergodos Musicians release, 'All the ends of the earth'. (https://ergodos.ie/shop/all-the-ends-of-the-earth/)

'All the ends of the earth' reaches across nine centuries to connect three contemporary Irish voices with the music of a mediæval master. Present-day Dublin and 12th-century Notre Dame Cathedral have never seemed closer in this, the latest time-shrinking project by the visionary Ergodos Musicians.

Music by a French mediæval master, known simply as Léonin, forms the focus of this record. Léonin time-stretches a plainchant tune, Viderunt omnes, and places beautiful lyrical counter-melodies on top of it; this music seems even more transcendent as time passes.

Irish composers Linda Buckley, Benedict Schlepper-Connolly and Garrett Sholdice have found inspiration in the clarity of Léonin’s constructions, and the quality of his simple materials. Their works are personal acts of homage, remembrance and celebration.

Organum on 'Viderunt Omnes' / Léonin

Written & produced by Jason van Wyk

Violin: Brittany Dilkes, Gavin Clayton
Cello: Lynne Donson
Piano and electronics: Jason van Wyk

Mastered by Ian Hawgood
Cover photography by Vadim Petrakov

www.jasonvanwyk.com
www.homenormal.com

Attachment

Kept

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Composition : Kiya Tabassian
Interpretation :
Kinan Azmeh - clarinet
Kiya Tabassian - setar
Didem Basar - kanun
Pierre-Yves Martel - viola da gamba
Patrick Graham - percussion

Air - Kiya Tabassian

Bela Bartók: Improvisations on Hungarian Peasant Songs, Op. 20 (Remix)

Part of a TRIPCLUBBING concert (http://www.koelner-philharmonie.de/tripclubbing)

with Tamara Stefanovich 

Remixed by Georg Conrad  (georgconrad@gmail.com)

Bela Bartók: Improvisations on Hungarian Peasant Songs, Op. 20 (Remix)

Frédéric Chopin - Prelude in E minor Op. 28 No. 4 "Suffocation" (1835)
So emotional yet so logical, so easy yet so tricky.

Live video: http://www.youtube.com/watch?v=47lM6Hvin-0

I took some liberties with it, replacing the chords on the left hands with mini arpeggios, and playing it on electric instruments. I call this take "Electrocution". :-) A little bit Vangelis-style.

The instrument is Clavia Nord Stage 2 using a sampled Rhodes Mark I electric piano set to low and a pulse wave virtual-analog waveform oscillator.

Video

Chopin - Prelude No. 4 "Suffocation" [Electrocution]

Swing Tony Gatlif

'O Vis Aeternitatis', a composition by Hildegard von Bingen, arranged by Seán Mac Erlaine.

This track is taken from 'Long After the Music is Gone', a solo album by Dublin-based woodwind instrumentalist and composer Seán Mac Erlaine.

'Long After the Music is Gone' is released on Ergodos Records.

For more info, and to purchase the album, click here: http://www.ergodos.ie/shop/long-after-the-music-is-gone/

O Vis Aeternitatis / Hildegard Von Bingen, arr. Seán Mac Erlaine

Jay Chakravorty - What Comes After

Ergodos is a record label and production house based in Dublin, Ireland.

Organum on 'Viderunt Omnes' / Léonin

Ergodos

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