Here are five different versions of the same MIDI sequence song I did.   It is an electronic dance song I composed for Dr. Bob Ehle's Electronic Music class.   I used this using SoundPrism on my iPad and Camel Audio's Alchemy Player on my iPhone.   I connected both with stereo cables and a splitter which I plugged directly into my Tascam DR07MKII recorder.   These are more or less prototype recordings, but I ended up loving the way it sounds!

Malamute Jams (Variation 4)

Malamute Jams (Variation 2)

Notice how I play my Akai EWI4000S on this recording using tone patch #88, "Metheny."   It is part of patchmanmusic.com's soundbank purchasable from that website for this instrument.   Ben Parrish- Guitar, Patrick Atwater- Bass, Ryan Wykert, Drums.

K5 Blues (Prototype)

Inspired by Sonny Rollins's tune, "Alfie's Theme" and Buddy Rich's "Groovin' Hard."   This also adds a bit of Stanley Turrentine and Lee Ritenour in it too.   The title comes from a good college friend of mine who pretty much made it an inside joke!

Don't Be That Guy

An ECM cut-time tune I wrote a few years ago, I finally got to start performing it live since I moved to Colorado.

Catalina

This is THE better official version I have of this tune so far, the other "prototype" version was in a rehearsal.   I am still using the same sound patch #88, "Metheny" on this recording on my AKAI EWI4000s.

K5 Blues (LIVE!!!)

5/4 and 14 bar form...funky, huh?   This is basically a countertitle to Sonny Rollins's "St Thomas," and notice that this other Caribbean Island, St. Maarten and the song I wrote is musically COMPLETELY different from St. Thomas!

St. Maarten

This is a prototype recording of UNC's Jazz lab band I sight-reading this arrangement for the first time.   This is the big band version of the tune, which I hope to perform with my own big band or conduct a college jazz band someday.

Don't Be That Guy (Big Band)

Sextet version live on my Master's Recital.

I.   Jinja 神社 (Shrine)
II.   Ekimae 駅前 (Train Station) Blues
III.   Yonaka 夜中 (Midnight)

This was performed live on my Master's Recital, March 6, 2013.

Eric Natsuhiro Jordan