Uggghhh this is the ticket, hunter reed ftw

DELEK - Dark Presence (Free DL)

This mix was originally made for @rewind140's show on @subtleradio aired on 02/09/2025. You can listen to it in full here : https://soundcloud.com/subtleradio/rwnd140-09-02-2025

Tracklist :
- Resonate [RWD_038]
- Decay (Unreleased)
- Helix (Unreleased)
- No More [RWD_038]
- Bayou [MOTIONXX2]
- Forever (Unreleased)
- Sunless Place [DEPTHS001]
- Wasteland [MOTIONXX2]
- Sway [RWD_038]
- Virtues of Patience
- Lost [MUD073]
- Soundboy Killer (Unreleased)
- Run Dat [DDD-SS]
- Journey [MUD073]
- Hunted
- Faceless w/ Wraz [W&F Vol.3]
- Wicked [RWD_038]
- Shakey Legs - Womper (Vince Grave Remix)
- Vessel VIP (Unreleased)
- Control [MUD073]

All tracks mastered by @Wraz

Artwork by me

Buy/Download on Bandcamp : www.vincegrave.bandcamp.com/
Find me on Instagram : www.instagram.com/vincegrave_art/

Vince Grave - All Originals Mix - Rewind140

Mastered: Eleven One One Mastering
@elevenoneonemusic
www.elevenoneonemastering.com/

Free DL

Devil's Work VIP (Free DL)

TRACKLIST ON INSTA

We have a new Erie Sounds mix today! This one coming from Messin! Been getting a good number of mixes that just have blends on blends. This mix is no different and definitely has a good selection to boot! 

ARTIST: @messin_dubs

MESSIN ERIE SOUNDS MIX

This tune contains deep knocky kicks, glitched percussion and hats with catchy melodic elements. This one ESD018 The Underground.

ARTIST: @stamoulo

Mastered by @aededmusic

FREE DL

Stamoulo - The Underground

New track from myself, out now everywhere on all the usual platforms. Thank you for the continued support

Buy Here

Thelem - Walking The Minarets

Erie Sounds has a new release today from the owner themselves, Hunter Reed! Always on the edge of pushing their productions into new directions with sounds and mixdowns, this tune is no different from their catalog. This tune contains pulsing and overflowing bass design, a meaty kick and relentless sub frequencies. This one ESD019 Pressure.

ARTIST: @hunterreedmusic

Mastered by @aededmusic

Hunter Reed - Pressure

A real genre bender for the culture! This 140 tune takes a trippy turn and sends you for a full ride from start to finish! Enjoy!

Shine Box

K0ChqN ‐Funny Faces(FREE DL)

Welcome to the Circuitry Collective.

This is surely going to tickle your ears, so don't play this around grandma.

Kioti:
@officialkioti

Kioti - Blur

dru-1’s “preshuh” was composed in the artist’s home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP’s bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the
vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—“maco queen,” “palance,” and “a4s.”

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett’s EP is infused with a spirit of optimism and revelry. The EP opens with echoes of “toma!” and other indistinct cries, as timbale taps gradually build alongside jerky basslines in “diastema.” The subsequent track “corbeaux,” takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. “Libido” calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, “We come together,” repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the steady rhythm beneath. In “maco queen,” the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. “Hey!” and “Ha!” shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, “palance” unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with “a4s,” a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett’s EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies
a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived? 

Artwork by Lucas Owen
Mastering by TB-Mastering
Words by Manolis Elijah Sueuga

dru-1 - diastema

"The contours around us shape our sound"
Bass music artists from end to end of Lake Erie
MI, OH, PA, NY

Hunter Reed - Pressure

Erie Sounds

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Stamoulo

Citrine Dreamz ⟡

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