山に守られ、落とされずに安定
yama ni mamorare otosarezu ni antei
protected by mountains that provide an unwavering stability
ずっと日々も晴れ、曇りさえなくて
zutto hibi mo hare kumori sae nakute
there are clear skies every day, with no clouds in sight

笑う理由なくても微笑むと
warau riyuu nakutemo hohoemu to
it is said that if you keep smiling, even when you have nothing to smile about,
雨を防げると言われる
ame wo fusegeru to iwareru yo
you can prevent the rain

でも、太陽の谷の日差しが眩しすぎて痛むよう
demo taiyou no tani no hizashi ga mabushi sugite itamu you
but in the valley of the sun, the sunlight is so bright, it almost hurts
いつの間にか目を覚ましたら、見えなくなった
itsu no ma ni ka me wo samashitara, mienakunatta
and before I knew it, when I would open my eyes, I couldn’t see anything

やっと日が沈んで、鮮やかな色彩
yatto hi ga shizunde azayaka na shikisai
as the sun finally sets, the sky is dyed
染められた空、紅の夕焼け
somerareta sora kurenai no yuuyake
in vibrant hues, a scarlet sunset

みんなに望まれた、その日差し
minna ni nozomareta sono hizashi
but that sunlight everyone wished for
暑く差したから、火をつけて
atsuku sashita kara hi wo tsukete
shined so hot, it began to light fires

見守った山が赤く燃えてる、息苦しくて重い
mimamotta yama ga akaku moeteru ikigurushikute omoi
the mountains that once watched over us now burn red
煙が届かないところに逃げられない
kemuri ga todokanai tokoro ni nigerarenai
we must escape to a place where the suffocating and heavy smoke cannot reach, but we can’t

炎を消すためにその制した雨放してもいいかな
honoo wo kesu tame ni sono seishita ame hanashite mo ii kana
in order to extinguish the flames, I wonder if it’s okay to let the rain that I had held back go
建前が流させられたら、癒せるのか
tatemae ga nagasaseraretara, iyaseru no ka
if we let it wash away our faces, would it soothe the pain?

太陽の谷 (The Valley of the Sun)

Celebration Double Time was composed for opening scene of the Dairakudakan production "Sokonuke Mandala" featuring dancer/choreographer Kumotarou Mukai.

Celebration Double Time

early October Babies, featuring our friend's poetry.  Thank you Shintarou san!

Somethin’ Eternal  (Shiiki/Santos – Shintaro)

VERSE: 
A cold TV spreads sad news everyday, 
however, it never tells what THE truth is.
In places beyond the wall of sky I can see through this small window, 
innocent laughs are drowned out… 

CHORUS:
The sense of value that I built is easily blown away when I go overseas –
How can I judge what is correct and what is wrong?

VERSE 2:
In Central Park, John was singing 
that borders don’t actually exist
And now sheep-clouds are swimming 
across the sky on the wind (F R E E D O M)

CHORUS:
What meaning do the dividing lines on the map have?
Even if I try to close my ears, I still can hear the discord…
I sigh for useless fights in the daily life in the world.

BRIDGE:
A photo of a dirty boy, taken in a battlefield,
What are his clear eyes telling us?

VERSE:
A cold TV spreads sad news everyday,
but it never tells what “truth” is.

CHORUS:
I want to sing my heart.  “Ideal” is almost always exaggerated fantasy, even so
Sing, my heart.  I want to tell you why the sun rises everyday.
Someday, I want to sing my truth for you…




Somethin' Eternal (early October Babies, feat. lyrics by Shintaro)

Composer: Parsa Ferdowsi
Pianist: Soroush Sadeghi

Prelude In B Minor

Fugue

Cello Sonata

The Cycle (A Poem Symphonic for Cello and Orchestra)

Improvisation (The Cycle)

Track 20 from the Westwinds Band project Lenten Songs: Anticipating Reconciliation was written and produced by the incomparable Stacey Garrison of Zen Buoy Productions. Lead Vox performed by McKenna Jones.

The Source

Watch the MV;
https://www.youtube.com/watch?v=sIEgJOv2EKk

CHEEZE (치즈) - 수채화 (Water colour)

Lost Time

If we do indeed replace all our bodily cells every 7 years, I am Erik Santos 7.

Pleased to meet you.

Somethin' Eternal (early October Babies, feat. lyrics by Shintaro)

erik santos

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