پوچ و بی معنی با انتهایی شیرین بنام مرگ  حتی اگه زندگی اونطور ک میخاسی میشد باز پدر پیر میشد و مادر نفسهای آخر را میزد و درد میکشیدی

Classical

Pièces froides: II. Danses de travers, 2. Passer

Pièces froides: II. Danses de travers, 2. Passer (TWO LANES Rework (FRAGMENTS / Erik Satie))

balmorhea - remembrance (slowed+reverb)

Ludwig van Beethoven - Moonlight Sonata (3rd Movement)

No - Ventas

Full album (8 tracks):
Spotify: https://spoti.fi/3ahyQQ8
iTunes: apple.co/2v4OlcG
Bandcamp: bit.ly/2VaaHnU
Others: fanlink.to/iday_soaring

Full album on Spotify

whale

Noticing the birch leaves turning colors in the autumn.

Birch Leaves Turning

The first in Erik Satie's acclaimed Gnossienne trilogy.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

🎥 VIDEO

Gnossienne  No.1

Gnossienne No. 1 [Erik Satie Cover] (Piano Solo)

Mozart: Requiem, K. 626

Requiem in D Minor, K. 626: VIII. Lacrimosa (feat. Konzertvereinigung Wiener Staatsopernchor)

Romantic Piano Classics: 19th Century

Six Gnossiennes: Gnossienne No. 1

Music by Cedric Vermue
Released by Piano and Coffee Records
Mixing by Antal van Nie
Mastering by Wessel Oltheten
Featuring Teresa Järve on viola and Marie-Louise Stapper on violin.

Left Upon Us

Cedric Vermue - Before Us

من به تن دردم نیست
یک تب سرکش، تنها پکرم ساخته و دانم این را که چرا
و چرا هر رگ من از تن من سفت و سقط شلاقی ست
که فرود آمده سوزان
دم به دم در تن من.
تن من یا تن مردم، همه را با تن من ساخته اند
و به یک جور و صفت می دانم
که در این معرکه انداخته اند.

نیما

Lynn's Theme

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Gustavo Santaolalla - Beyond Desolation [TLOU2][MURADYAN REMIX]

If everything could be described by words, there would've not been music. 

Erik Satie - Gnossiennes No.1, lent

Erik Satie (1866–1925)
Erik Satie was a French composer and pianist, renowned for his unconventional and often humorous approach to music, which was ahead of its time and played a pivotal role in the development of modern music. Born on May 17, 1866, in Honfleur, France, Satie’s work was marked by a distinctive simplicity, originality, and wit, often challenging traditional forms and musical expectations.

Satie’s compositions are characterized by their minimalist, repetitive structures, unconventional harmonies, and unexpected juxtapositions of moods. His best-known works, such as Gymnopédies, Gnossiennes, and Trois morceaux en forme de poire, are celebrated for their introspective atmosphere, gentle rhythms, and subtle, evocative textures. These pieces, particularly the Gymnopédies, are considered some of the earliest examples of Impressionism in music, and they influenced not only the composers of his time, including Claude Debussy, but also the development of later movements such as minimalism and ambient music.

Beyond his music, Satie was a colorful and eccentric figure, known for his distinctive personality and his willingness to break with tradition. His work often reflected his unconventional philosophy of life, and he frequently infused his music with humor, surrealism, and even absurdity. He coined terms like "furniture music" to describe his experimental, ambient-style compositions, which anticipated the avant-garde developments of the 20th century.

Satie was a key figure in the French avant-garde movement and collaborated with notable artists, including Jean Cocteau and Pablo Picasso. Although he struggled financially and was often overlooked during his lifetime, his influence grew posthumously, and today he is regarded as one of the most innovative and idiosyncratic composers of the early 20th century.

The Erik Satie profile on SoundCloud is dedicated to showcasing his timeless compositions, offering a variety of interpretations of his works. From the iconic piano solos to orchestral arrangements, this profile brings Satie’s unique musical vision to life, allowing listeners to experience the subtle beauty, humor, and innovation that define his legacy.precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.

Gnossienne No.1

Erik Satie

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