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Chopin: Balladen

Nocturne in E Flat Major, Op. 9: No. 2

Chopin - Nocturne in E Flat Major op. 9 No. 2

Some people spend a lifetime figuring out why they are put on this earth.  Many are lost and confused about what they are doing here.  Sadness, fear, and feelings of being alone take over the hearts of many.  For those of us that have faith in our hearts, we need not feel afraid or alone.   There is one who exists who will not forsake you, leave you behind, or reject you if you truly seek to know and love him.  The One who exists is the Lord God.   I have written this album to show how much God is and will be a part of my life and the lives of all who have faith in Him.

Ballroom For Ghosts

1082 Ballad

Beethoven - Moonlight Sonata

Classical Favoriyes

Pavane pour une infante défunte, M. 19

Pavane for a dead princess

Konzertmitschnitte der Venedigreise des Paderborner Domchores.

Leitung: Thomas Berning

Paderborner Domchor

Missa Papae Marcelli (Kyrie)

Giovanni Pierluigi da Palestrina - Missa Papae Marcelli (Kyrie)

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Debussy - Arabesque No. 1

Somewhere In Between

Beethoven Symphony № 3 «Eroica»

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

Dmitri Shostakovich - Waltz No. 2

This is my first original piano song :) I recently got a new keyboard and used my IRIG HD 2 with GarageBand to record this . I really love this low pitched version . Gonna post the original soon ! 



U can listen to more of my originals and covers on iTunes and here ; 

Apple Music: https://music.apple.com/us/artist/delialah-el-atwi/1529766988

Spotify: https://open.spotify.com/artist/48uE72Pl7nSxQYBbstMv97?si=EOl_XOnsQUyhsC-YqZtxNQ

SoundCloud: https://soundcloud.com/delialah-el-atwi/female-energy-pt-2-willlow?ref=clipboard

Google Play: https://play.google.com/store/music/artist/Delialah_El_Atwi?id=Aqggpstzcljrgzzwehwdnbhq7cm&hl=en_US

Plus more art and music on insta! : https://www.instagram.com/supernintendlo/



Visual from: https://64.media.tumblr.com/047601ae1ed34c861fece4f930e91645/tumblr_n3eygcLnZM1rbrys3o1_500.gifv

Memory Lane (slowed version)

Toshifumi Hinata - "Reflections" / "Menuet" / "Passage" / "Reflections-Reprise"

Eric Christian - Nocturne in D-Flat Major "Un rêve"

Erik Satie (1866–1925)
Erik Satie was a French composer and pianist, renowned for his unconventional and often humorous approach to music, which was ahead of its time and played a pivotal role in the development of modern music. Born on May 17, 1866, in Honfleur, France, Satie’s work was marked by a distinctive simplicity, originality, and wit, often challenging traditional forms and musical expectations.

Satie’s compositions are characterized by their minimalist, repetitive structures, unconventional harmonies, and unexpected juxtapositions of moods. His best-known works, such as Gymnopédies, Gnossiennes, and Trois morceaux en forme de poire, are celebrated for their introspective atmosphere, gentle rhythms, and subtle, evocative textures. These pieces, particularly the Gymnopédies, are considered some of the earliest examples of Impressionism in music, and they influenced not only the composers of his time, including Claude Debussy, but also the development of later movements such as minimalism and ambient music.

Beyond his music, Satie was a colorful and eccentric figure, known for his distinctive personality and his willingness to break with tradition. His work often reflected his unconventional philosophy of life, and he frequently infused his music with humor, surrealism, and even absurdity. He coined terms like "furniture music" to describe his experimental, ambient-style compositions, which anticipated the avant-garde developments of the 20th century.

Satie was a key figure in the French avant-garde movement and collaborated with notable artists, including Jean Cocteau and Pablo Picasso. Although he struggled financially and was often overlooked during his lifetime, his influence grew posthumously, and today he is regarded as one of the most innovative and idiosyncratic composers of the early 20th century.

The Erik Satie profile on SoundCloud is dedicated to showcasing his timeless compositions, offering a variety of interpretations of his works. From the iconic piano solos to orchestral arrangements, this profile brings Satie’s unique musical vision to life, allowing listeners to experience the subtle beauty, humor, and innovation that define his legacy.precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.

Gymnopédie No.1 - Satie

Erik Satie

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